“You must be our new neighbors!” Mrs Lowell gushes and waves across the picket fence. I clutch my daughter’s hand and smile back: but the second Mrs Lowell sees my husband a strange expression crosses her face. In that moment I make a promise. We finally have a family home. My past is far, far behind us. And I’ll do anything to keep it that way… I used to clean other people’s houses—now, I can’t believe this home is actually mine. The charming kitchen, the quiet cul-de-sac, the huge yard where my kids can play. My husband and I saved for years to give our children the life they deserve. Even though I’m wary of our new neighbor Mrs Lowell, when she invites us over for dinner it’s our chance to make friends. Her maid opens the door wearing a white apron, her hair in a tight bun. I know exactly what it’s like to be in her shoes. But her cold stare gives me chills… The Lowells’ maid isn’t the only strange thing on our street. I’m sure I see a shadowy figure watching us. My husband leaves the house late at night. And when I meet a woman who lives across the way, her words chill me to the bone: Be careful of your neighbors. Did I make a terrible mistake moving my family here? I thought I’d left my darkest secrets behind. But could this quiet suburban street be the most dangerous place of all?

The Housemaid’s Wedding is a winter-themed short story meant to fill in the long gap between Book 2 of the Housemaid series (The Housemaid’s Secret) and Book 3 (The Housemaid is Watching). It can be read either between Book 2 and Book 3, or after Book 3. Today is supposed to be the happiest day of my life. I'm engaged to the man of my dreams, and in a few short hours, I'm going to stand before a judge, who will declare us husband and wife, till death does us part. Despite some bumps in the road, this day is everything I dreamed it would be. There's only one problem: Someone out there doesn't want me to live long enough to say my vows. And if I'm not careful, they may very well get their wish.

The Housemaid’s Wedding is a winter-themed short story meant to fill in the long gap between Book 2 of the Housemaid series (The Housemaid’s Secret) and Book 3 (The Housemaid is Watching). It can be read either between Book 2 and Book 3, or after Book 3. Today is supposed to be the happiest day of my life. I'm engaged to the man of my dreams, and in a few short hours, I'm going to stand before a judge, who will declare us husband and wife, till death does us part. Despite some bumps in the road, this day is everything I dreamed it would be. There's only one problem: Someone out there doesn't want me to live long enough to say my vows. And if I'm not careful, they may very well get their wish.

Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry. Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.

Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry. Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.

From New York Times bestselling author Fiona Davis, an utterly addictive new novel that will transport you from New York City’s most glamorous party to the labyrinth streets of Cairo and back. Egypt, 1936: When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt’s Valley of the Kings, she leaps at the opportunity. But after an unbearable tragedy strikes, Charlotte knows her future will never be the same. New York City, 1978: Eighteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for iconic former Vogue fashion editor Diana Vreeland, who’s in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the “party of the year.” Though Annie soon realizes she’ll have her work cut out for her, scrambling to meet Diana’s capricious demands and exacting standards. Meanwhile, Charlotte, now leading a quiet life as the associate curator of the Met’s celebrated Department of Egyptian Art, wants little to do with the upcoming gala. She’s consumed with her research on Hathorkare—a rare female pharaoh dismissed by most other Egyptologists as unimportant. That is, until the night of the gala. When one of the Egyptian art collection’s most valuable artifacts goes missing . . . and there are signs Hathorkare’s legendary curse might be reawakening. As Annie and Charlotte team up to search for the missing antiquity, a desperate hunch leads the unlikely duo to one place Charlotte swore she’d never return: Egypt. But if they’re to have any hope of finding the artifact, Charlotte will need to confront the demons of her past—which may mean leading them both directly into danger.

You can find the redesigned cover of this edition HERE. At the centre of this novel is the passionate love between Catherine Earnshaw and Heathcliff - recounted with such emotional intensity that a plain tale of the Yorkshire moors acquires the depth and simplicity of ancient tragedy. This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations. New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work. Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.