Friedrich Nietzsche's Beyond Good and Evil is translated from the German by R.J. Hollingdale with an introduction by Michael Tanner in Penguin Classics.
Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects the tradition of Western thought with its notions of truth and God, good and evil. Nietzsche demonstrates that the Christian world is steeped in a false piety and infected with a 'slave morality'. With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual imposes their own 'will to power' upon the world.
This edition includes a commentary on the text by the translator and Michael Tanner's introduction, which explains some of the more abstract passages in Beyond Good and Evil.
Frederich Nietzsche (1844-1900) became the chair of classical philology at Basel University at the age of 24 until his bad health forced him to retire in 1879. He divorced himself from society until his final collapse in 1899 when he became insane. A powerfully original thinker, Nietzsche's influence on subsequent writers, such as George Bernard Shaw, D.H. Lawrence, Thomas Mann and Jean-Paul Sartre, was considerable.
If you enjoyed Beyond Good and Evil you might like Nietzsche's Thus Spoke Zarathustra, also available in Penguin Classics.
"One of the greatest books of a very great thinker." —Michael Tanner
Thus Spoke Zarathustra
Friedrich Nietzsche
Thus Spoke Zarathustra is a foundational work of Western literature and is widely considered to be Friedrich Nietzsche’s masterpiece. It includes the German philosopher’s famous discussion of the phrase ‘God is dead’ as well as his concept of the Superman. Nietzsche delineates his Will to Power theory and devotes pages to critiquing Christian thinking, in particular Christianity’s definition of good and evil.
The Birth of Tragedy and The Genealogy of Morals
Friedrich Nietzsche
Skillful, sophisticated translations of two of Nietzsche's essential works about the conflict between the moral and aesthetic approaches to life, the impact of Christianity on human values, the meaning of science, the contrast between the Apollonian and Dionysian spirits, and other themes central to his thinking.
The Birth of Tragedy (1872) was Nietzsche's first book, The Geneology of Morals (1887) one of his last. Though they span the career of this controversial genius, both address the problems such as the conflict between the moral versus aesthetic approaches to life, the effect of Christianity on human values, the meaning of science, and the famous dichotomy between the Apollonian and Dionysian spirits, among many themes which Nietzsche struggled throughout his tortured life.
Twilight of the Idols / The Anti-Christ
Friedrich Nietzsche
In 1888, the last sane year of his life Nietsche produced these two brief but devastating books.
Twilight of the Idols, 'a grand declaration of war' on all the prevalent ideas of his time, offers a lightning tour of his whole philosophy. It also prepares the way for The Anti-Christ, a final assault on institutional Christianity. Yet although Nietzsche makes a compelling case for the 'Dionysian' artist and celebrates magnificently two of his great heroes, Goethe and Cesare Borgia, he also gives a moving, almost ecstatic portrait of his only worthy opponent: Christ. Both works show Nietsche lashing out at self-deception, astounded at how often morality is based on vengefulness and resentment. Both combine utterly unfair attacks on individuals with amazingly acute surveys of the whole contemporary cultural scene. Both reveal a profound understanding of human mean-spiritedness which still cannot destroy the underlying optimism of Nietzsche, the supreme affirmer among the great philosophers.
The Gay Science: With a Prelude in Rhymes and an Appendix of Songs
Friedrich Nietzsche
"[This book] mirrors all of Nietzsche's thought and could be related in hundreds of ways to his other books, his notes, and his letters. And yet it is complete in itself. For it is a work of art." —Walter Kaufmann in the Introduction
Nietzsche called The Gay Science "the most personal of all my books." It was here that he first proclaimed the death of God—to which a large part of the book is devoted—and his doctrine of the eternal recurrence.
Walter Kaufmann's commentary, with its many quotations from previously untranslated letters, brings to life Nietzsche as a human being and illuminates his philosophy. The book contains some of Nietzsche's most sustained discussions of art and morality, knowledge and truth, the intellectual conscience and the origin of logic.
Most of the book was written just before Thus Spoke Zarathustra, the last part five years later, after Beyond Good and Evil. We encounter Zarathustra in these pages as well as many of Nietzsche's most interesting philosophical ideas and the largest collection of his own poetry that he himself ever published.
Walter Kaufmann's English versions of Nietzsche represent one of the major translation enterprises of our time. He is the first philosopher to have translated Nietzsche's major works, and never before has a single translator given us so much of Nietzsche.
On the Genealogy of Morals
Friedrich Nietzsche
On the Genealogy of Morals (1887) is a book about the history of ethics and about interpretation. Nietzsche rewrites the former as a history of cruelty, exposing the central values of the Judaeo-Christian and liberal traditions - compassion, equality, justice - as the product of a brutal process of conditioning designed to domesticate the animal vitality of earlier cultures. The result is a book which raises profoundly disquieting issues about the violence of both ethics and interpretation. Nietzsche questions moral certainties by showing that religion and science have no claim to absolute truth, before turning on his own arguments in order to call their very presuppositions into question. The Genealogy is the most sustained of Nietzsche's later works and offers one of the fullest expressions of his characteristic concerns. This edition places his ideas within the cultural context of his own time and stresses the relevance of his work for a contemporary audience.