Lewis Hyde

“One of our true superstars of nonfiction” (David Foster Wallace), Lewis Hyde, author of The Gift and Trickster Makes This World, offers a playful and inspiring defense of forgetfulness by exploring the healing effect it can have on the human psyche. We live in a culture that prizes memory—how much we can store, the quality of what’s preserved, how we might better document and retain the moments of our life while fighting off the nightmare of losing all that we have experienced. But what if forgetfulness were seen not as something to fear—be it in the form of illness or simple absentmindedness—but rather as a blessing, a balm, a path to peace and rebirth? A Primer for Forgetting is a remarkable experiment in scholarship, autobiography, and social criticism by the author of the classics The Gift and Trickster Makes This World. It forges a new vision of forgetfulness by assembling fragments of art and writing from the ancient world to the modern, weighing the potential boons forgetfulness might offer the present moment as a creative and political force. It also turns inward, using the author’s own life and memory as a canvas upon which to extol the virtues of a concept too long taken as an evil. Drawing material from Hesiod to Jorge Luis Borges to Elizabeth Bishop to Archbishop Desmond Tutu, from myths and legends to very real and recent traumas both personal and historical, A Primer for Forgetting is a unique and remarkable synthesis that only Lewis Hyde could have produced.

Common as Air offers a stirring defense of our cultural commons, that vast store of art and ideas we have inherited from the past that continues to enrich our present. Suspicious of the current idea that all creative work is “intellectual property,” Lewis Hyde turns to America’s founding fathers—men like John Adams, James Madison, and Thomas Jefferson—in search of other ways to value the fruits of human wit and imagination. What he discovers is a rich tradition in which knowledge was assumed to be a commonwealth, not a private preserve.   For the founding fathers, democratic self-governance itself demanded open and easy access to ideas. So did the growth of creative communities, such as that of eighteenth-century science. And so did the flourishing of public persons, the very actors whose “civic virtue” brought the nation into being.   In this lively, carefully argued, and well-documented book, Hyde brings the past to bear on present matters, shedding fresh light on everything from the Human Genome Project to Bob Dylan’s musical roots. Common as Air allows us to stand on the shoulders of America’s revolutionary giants and to see beyond today’s narrow debates over cultural ownership. What it reveals is nothing less than an inspiring vision of how to reclaim the commonwealth of art and ideas that we were meant to inherit.

“A manifesto of sorts for anyone who makes art [and] cares for it.” —Zadie Smith “The best book I know of for talented but unacknowledged creators. . . . A masterpiece.” —Margaret Atwood “No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster Wallace By now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared. An illuminating and transformative book, and completely original in its view of the world, The Gift is cherished by artists, writers, musicians, and thinkers. It is in itself a gift to all who discover the classic wisdom found in its pages.

* What are the most important gifts in life? * What is the value of art in our society? * Are we in danger of ignoring our most precious commodity? A brilliantly argued defence of the importance of creativity in our increasingly money-orientated society, The Gift is a modern classic. It is even more relevant now than when it originally appeared twenty years ago. One of the most acclaimed books of the year, beloved by artists, writers and thinkers, The Gift will transform the way you look at the world.

“A manifesto of sorts for anyone who makes art [and] cares for it.” —Zadie Smith “The best book I know of for talented but unacknowledged creators. . . . A masterpiece.” —Margaret Atwood “No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster Wallace By now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared. An illuminating and transformative book, and completely original in its view of the world, The Gift is cherished by artists, writers, musicians, and thinkers. It is in itself a gift to all who discover the classic wisdom found in its pages.

"Art is a lie that tells the truth." - Pablo Picasso Picasso disrupted the world around him, and in doing so he reshaped it. That is the Trickster spirit. Playful, mischievous, subversive, amoral. Tricksters are a great bother to have around, but paradoxically they are also indispensable heroes of culture, because ourworld - with its complexity and ambiguity, its beauty and its dirt - was trickster's creation, and the work is not yet finished. Authoritative in its scholarship, supple and dynamic in its style, Trickster Makes This World encourages you to think and see afresh.

Trickster Makes This World solidifies Lewis Hyde's reputation as, in Robert Bly's words, "the most subtle, thorough, and brilliant mythologist we now have." In it, Hyde now brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.