Amy Hempel

La prima di queste raccolte di racconti viene pubblicata a metà degli anni Ottanta, quando la scena letteraria americana vede un inaspettato rinascimento della forma del racconto breve con l'arrivo di voci quali Raymond Carver, Richard Ford, Jay McInerney, e grazie al lavoro del famoso editor e insegnante di scrittura creativa Gordon Lish: il maestro della limatura, della riduzione, della semplicità stilistica, come sa chi ha seguito il recente dibattito sull'editing subito da Carver. Ma la prosa della Hempel è più facilmente assimilabile a quella di alcune "maestre", da Grace Paley a Alice Munro a Cynthia Ozick: i suoi personaggi, feriti, irrequieti, non meno tragici di quelli di Carver, non si lasciano distruggere da avvenimenti imprevisti e inevitabili, da errori e scelte sbagliate. Hanno infatti imparato a contare su piccoli trionfi quotidiani di umorismo e ironia per trasformare le cicatrici in ragioni per continuare a vivere; e ad attingere alla riserva di forza dell'animo femminile, fatta di sincerità, capacità di emozione, e di relazione, non solo con le persone ma con il mondo animale, o vegetale. Scrive Rick Moody nella prefazione all'edizione originale: "È tutto nelle frasi. È nel modo in cui le frasi si muovono nei paragrafi. È nel ritmo. È nell'ambiguità. È nel modo in cui l'emozione, in circostanze difficili, viene catturata nel linguaggio. È negli istanti di coscienza. È nella coscienza assediata. È sulle pene d'amore. È sulla morte. È sul suicidio. È sul corpo. È sullo scetticismo. È contro il sentimentalismo. È contro il sentimento facile. È sul rimpianto. È sulla sopravvivenza. È nelle frasi usate per rappresentare e difendere la sopravvivenza".

It is always "earthquake weather" in Amy Hempel's California, a landscape where everything can change without warning. Traditional resources—home, parents, lovers, friends, even willpower—are not dependable. And so the characters in these short, compelling stories have learned to depend on small triumphs of wit, irony, and spirit. A widow, surrounded by a small menagerie, comes to terms with her veterinarian husband's death; a young woman entertains her dying friend with trivia and reaffirms her own life; in the aftermath of an abortion, a woman compulsively knits a complete wardrobe for a friend's baby. Buffeted by rude shocks, thwarted by misconnections, the characters recognize that anything can finally become a reason to live. In a tub Tonight is a favor to Holly Celia is back Nashville gone to ashes San Francisco In the cemetery where Al Jolson is buried Beg, Sl Tog, Inc, Cont, Rep Going Pool night Three popes walk into a bar The man in Bogotá When it's human instead of when it's dog Why I'm here Breathing Jesus Today will be a quiet day

From legendary writer Amy Hempel, one of the most celebrated and original voices in American short fiction: a ravishing, sometimes heartbreaking new story collection--her first in over a decade. Amy Hempel is a master of the short story. A multiple award winner, Hempel is highly regarded among writers, reviewers, and readers of contemporary fiction. This new collection, her first since her Collected Stories published more than a decade ago, is a literary event. These fifteen exquisitely honed stories reveal Hempel at her most compassionate and spirited, as she introduces characters, lonely and adrift, searching for connection. In "A Full-Service Shelter," a volunteer at a dog shelter tirelessly, devotedly cares for dogs on a list to be euthanized. In "Greed," a spurned wife examines her husband's affair with a glamorous, older married woman. And in "Cloudland," the longest story in the collection, a woman reckons with the choice she made as a teenager to give up her newborn infant. Quietly dazzling, these stories are replete with moments of revelation and transcendence and with Hempel's singular, startling, inimitable sentences.

LONGLISTED FOR THE PEN/FAULKER AWARD ONE OF TIME ’S 100 BEST BOOKS OF THE YEAR ONE OF NPR’S BEST BOOKS OF 2019 “ All the tawdry details I’m dying for are in these stories, but they’re given out like old sweaters—without shame, without guile. Amy Hempel is the writer who makes me feel most affiliated with other humans; we are all living this way—hiding, alone, obsessed—and that’s ok.” —Miranda July From legendary writer Amy Hempel, one of the most celebrated and original voices in American short a ravishing, sometimes heartbreaking new story collection—her first in over a decade. Amy Hempel is a master of the short story. A multiple award winner, Hempel is highly regarded among writers, reviewers, and readers of contemporary fiction. This new collection, her first since her Collected Stories published more than a decade ago, is a literary event. These fifteen exquisitely honed stories reveal Hempel at her most compassionate and spirited, as she introduces characters, lonely and adrift, searching for connection. In “A Full-Service Shelter,” a volunteer at a dog shelter tirelessly, devotedly cares for dogs on a list to be euthanized. In “Greed,” a spurned wife examines her husband’s affair with a glamorous, older married woman. And in “Cloudland,” the longest story in the collection, a woman reckons with the choice she made as a teenager to give up her newborn infant. Quietly dazzling, these stories are replete with moments of revelation and transcendence and with Hempel’s singular, startling, inimitable sentences.

The Collected Stories of Amy Hempel gathers together the complete work of a writer whose voice is as singular and astonishing as any in American fiction. Hempel, fiercely admired by writers and reviewers, has a sterling reputation that is based on four very short collections of stories, roughly fifteen thousand stunning sentences, written over a period of nearly three decades. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With compassion, wit, and the acutest eye, Hempel observes the marriages, minor disasters, and moments of revelation in an uneasy America. When Reasons to Live, Hempel's first collection, was published in 1985, readers encountered a pitch-perfect voice in fiction and an unsettling assessment of the culture. That collection includes "San Francisco," which Alan Cheuse in The Chicago Tribune called "arguably the finest short story composed by any living writer." In At the Gates of the Animal Kingdom, her second collection, frequently compared to the work of Raymond Carver, Hempel refined and developed her unique grace and style and her unerring instinct for the moment that defines a character. Also included here, in their entirety, are the collections Tumble Home and The Dog of the Marriage. As Rick Moody says of the title novella in Tumble Home, "the leap in mastery, in seriousness, and sheer literary purpose was inspiring to behold.... And yet," he continues, "The Dog of the Marriage, the fourth collection, is even better than the other three...a triumph, in fact." The Collected Stories of Amy Hempel is the perfect opportunity for readers of contemporary American fiction to catch up to one of its masters. Moody's passionate and illuminating introduction celebrates both the appeal and the importance of Hempel's work.

Amy Hempel is a master of the short story. This celebrated volume gathers together her complete work -- four short collections of stunning stories about marriages, minor disasters, and moments of revelation. With her inimitable compassion and wit, Hempel introduces characters who make choices that seem inevitable, and whose longings and misgivings evoke eternal human experience. For readers who have known Hempel's work for decades and for those who are just discovering her, this indispensable volume contains all the stories in Reasons to Live , At the Gates of the Animal Kingdom , Tumble Home , and The Dog of the Marriage . No reader of great writing should be without it.