Patrick Radden Keefe

The highly anticipated portrait of three generations of the Sackler family, by the prize-winning, bestselling author of Say Nothing. The Sackler name adorns the walls of many storied institutions: Harvard, the Metropolitan Museum of Art, Oxford, the Louvre. They are one of the richest families in the world, known for their lavish donations to the arts and sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing OxyContin, a blockbuster painkiller that was a catalyst for the opioid crisis. Empire of Pain is a masterpiece of narrative reporting and writing, exhaustively documented and ferociously compelling.

In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. Patrick Radden Keefe writes an intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.

How does our government eavesdrop? Whom do they eavesdrop on? And is the interception of communication an effective means of predicting and preventing future attacks? These are some of the questions at the heart of Patrick Radden Keefe’s brilliant new book, Chatter. In the late 1990s, when Keefe was a graduate student in England, he heard stories about an eavesdropping network led by the United States that spanned the planet. The system, known as Echelon, allowed America and its allies to intercept the private phone calls and e-mails of civilians and governments around the world. Taking the mystery of Echelon as his point of departure, Keefe explores the nature and context of communications interception, drawing together fascinating strands of history, fresh investigative reporting, and riveting, eye-opening anecdotes. The result is a bold and distinctive book, part detective story, part travel-writing, part essay on paranoia and secrecy in a digital age. Chatter starts out at Menwith Hill, a secret eavesdropping station covered in mysterious, gargantuan golf balls, in England’s Yorkshire moors. From there, the narrative moves quickly to another American spy station hidden in the Australian outback; from the intelligence bureaucracy in Washington to the European Parliament in Brussels; from an abandoned National Security Agency base in the mountains of North Carolina to the remote Indian Ocean island of Diego Garcia. As Keefe chases down the truth of contemporary surveillance by intelligence agencies, he unearths reams of little-known information and introduces us to a rogue’s gallery of unforgettable characters. We meet a former British eavesdropper who now listens in on the United States Air Force for sport; an intelligence translator who risked prison to reveal an American operation to spy on the United Nations Security Council; a former member of the Senate committee on intelligence who says that oversight is so bad, a lot of senators only sit on the committee for the travel. Provocative, often funny, and alarming without being alarmist, Chatter is a journey through a bizarre and shadowy world with vast implications for our security as well as our privacy. It is also the debut of a major new voice in nonfiction.

From the prize-winning, New York Times bestselling author of Say Nothing and Empire of Pain, twelve enthralling stories of skulduggery and intrigue by one of the most decorated journalists of our time. Patrick Radden Keefe has garnered prizes ranging from the National Magazine Award to the Orwell Prize to the National Book Critics Circle Award for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from The New Yorker. As Keefe says in his preface, "They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial." Keefe brilliantly explores the intricacies of forging $150,000 vintage wines, examines whether a whistleblower who dared to expose money laundering at a Swiss bank is a hero or a fabulist, spends time in Vietnam with Anthony Bourdain, chronicles the quest to bring down a cheerful international black market arms merchant, and profiles a passionate death penalty attorney who represents the "worst of the worst," among other bravura works of literary journalism. The appearance of his byline in The New Yorker is always an event, and collected here for the first time readers can see his work forms an always enthralling but deeply human portrait of criminals and rascals, as well as those who stand up against them.

In this thrilling panorama of real-life events, Patrick Radden Keefe investigates a secret world run by a surprising criminal: a charismatic middle-aged grandmother, who from a tiny noodle shop in New York’s Chinatown managed a multi-million dollar business smuggling people. Keefe reveals the inner workings of Sister Ping’s complex empire and recounts the decade-long FBI investigation that eventually brought her down. He follows an often incompetent and sometimes corrupt INS as it pursues desperate immigrants risking everything to come to America, and along the way, he paints a stunning portrait of a generation of illegal immigrants and the intricate underground economy that sustains and exploits them. Grand in scope yet propulsive in narrative force, The Snakehead is both a kaleidoscopic crime story and a brilliant exploration of the ironies of immigration in America.

Tras No digas nada, llega lo nuevo de Patrick Radden Keefe. El retrato demoledor de una dinastía cuya fortuna se construyó gracias a Valium y cuya reputación fue destruida por OxyContin. UNO DE LOS 50 MEJORES LIBROS DE 2021 SEGÚN BABELIA Y EL MUNDO, ASÍ COMO UNO DE LOS TOP TEN DEL AÑO SEGÚN ZENDA Y THE WASHINGTON POST GANADOR DEL BAILLIE GIFFORD AWARD, EL MÁS PRESTIGIOSO PREMIO DE NO FICCIÓN DEL REINO UNIDO El apellido Sackler adorna los muros de las instituciones más distinguidas: Harvard, el Metropolitan, Oxford, el Louvre... Es una de las familias más ricas del mundo, benefactora de las artes y las ciencias. El origen de su patrimonio siempre fue dudoso, hasta que salió a la luz que lo habían multiplicado gracias a OxyContin, un potente analgésico que catalizó la crisis de los opioides en Estados Unidos. El imperio del dolor empieza en la Gran Depresión, con la historia de tres hermanos dedicados a la medicina: Raymond, Mortimer y el infatigable Arthur Sackler, dotado de una visión especial para la publicidad y el marketing. Años después, contribuyó a la primera fortuna familiar ideando la estrategia comercial de Valium, un revolucionario tranquilizante, para una gran farmacéutica. Tras unas décadas fue Richard Sackler, el hijo de Raymond, quien pasó a dirigir los negocios del clan, incluida Purdue Pharma, su propia empresa fabricante de medicamentos. Basándose en las tácticas agresivas de su tío Arthur para vender el Valium, lanzó un fármaco que había de ser definitivo: OxyContin. Con él ganaron miles de millones de dólares, pero terminaría por arruinar su reputación. Desde 2017, Patrick Radden Keefe hainvestigado los secretos de la dinastía Sackler: las complicadas relaciones familiares, los flujos de dinero, sus dudosas prácticas corporativas... El resultado es una bomba periodística que relata el auge y declive de una de las grandes familias americanas y su oscuro emporio de la salud.

The highly anticipated portrait of three generations of the Sackler family, by the prize-winning, bestselling author of Say Nothing. The Sackler name adorns the walls of many storied institutions: Harvard, the Metropolitan Museum of Art, Oxford, the Louvre. They are one of the richest families in the world, known for their lavish donations to the arts and sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing OxyContin, a blockbuster painkiller that was a catalyst for the opioid crisis. Empire of Pain is a masterpiece of narrative reporting and writing, exhaustively documented and ferociously compelling.

Tras No digas nada y El imperio del dolor , Patrick Radden Keefe explora los límites, a menudo imperceptibles, entre lo legal y lo ilegal, a través de doce retratos reales protagonizados por maleantes de medio mundo. «Keefe ha hecho carrera sumergiéndose en personajes fascinantes, en eso es el mejor. [...] En Maleantes regresa con su altísimo rigor periodísticoy la misma pasión de siempre por desvelar misterios, con un resultado inconfundible». New York Times Book Review «Keefe es un narrador virtuoso». The Washington Post Con el fascinante estilo que le caracteriza, Patrick Radden Keefe ofrece en este libro una compleja panorámica del lado oscuro del ser humano. Aquí retrata, entre otros personajes, al traficante de armas Monzer al-Kassar, apodado «el príncipe de Marbella» y perseguido incansablemente por un agente de la D.E.A., a la controvertida «abogada del diablo» que lucha contra la pena de muerte representando a los peores criminales, al Chapo Guzmán y su vida tras huir de una prisión de alta seguridad, o al célebre delincuente holandés William Holleeder y los esfuerzos de su propia hermana para lograr su encarcelación. Maleantes recoge doce perfiles de estafadores, truhanes, asesinos y rebeldes, gente que nada a contracorriente y cuya vida excepcional, para bien y para mal, invita al lector a reflexionar sobre temas como la esencia del mal, del poder, del crimen y de la corrupción, pero también sobre el coraje de quienes decidieron enfrentarse a ellos. La crítica ha dicho... «Como puede dar fe cualquiera que conozca su trabajo para The New Yorker , Keefe es un reportero e investigador obsesivo, un maestro de la no ficción narrativa». Rolling Stone «Leo todo lo que escribe. [...] Es un tesoro nacional». Rachel Maddow «Un nuevo librode Keefe significa dejarlo todo y bajar las persianas; estarás pasando páginas durante horas. Maleantes es, por supuesto, muy entretenido, pero lo que más brilla es la fascinación de Keefe por lo que nos hace humanos incluso cuando somos más imperfectos». Los Angeles Times « Maleantes es un volumen de lectura ágil y plagado de suspense. Keefe es un narradorvirtuoso, capaz de crear gran tensión al describir cómo se desarrollaron todos estos crímenes». The Washington Post «Extraordinario». Wall Street Journal «En esta recopilación de grandes hits, Keefe no se detiene ante nada en busca de la verdad [...] Es imposible no caer rendido ante unos reportajes tan formidablemente construidos. Un libro inolvidable». The Observer « Maleantes no es solo la muestra de lo buen periodista que es su autor, sino del inmenso poder del reportaje como género. Quizá el mayor don que tiene Keefe como escritor es la comodidad con la que se mueve en terrenos ambiguos, un recordatorio oportuno de que las cosas no son nunca blancas o negras». Toronto Star «Un espectacular libro de periodismo en mayúsculas. Keefe es todo un maestro a la hora de retratar personajes complejos y contar historias oscuras». Irish Independent «Keefe consigue que lo inaccesible sea increíblemente digerible, logra transformar historias complejas en thrillers adictivos». Entertainment Weekly «Keefe es esa clase de escritor excepcional que reúne montones dedocumentos legales y de archivo y transcripciones de entrevistas para crear una obra de no ficción que se lee como un thriller». The Atlantic