Irvine Welsh

Jim Francis has finally found the perfect life – and is now unrecognisable, even to himself. A successful painter and sculptor, he lives quietly with his wife, Melanie, and their two young daughters, in an affluent beach town in California. Some say he’s a fake and a con man, while others see him as a genuine visionary.But Francis has a very dark past, with another identity and a very different set of values. When he crosses the Atlantic to his native Scotland, for the funeral of a murdered son he barely knew, his old Edinburgh community expects him to take bloody revenge. But as he confronts his previous life, all those friends and enemies – and, most alarmingly, his former self – Francis seems to have other ideas.When Melanie discovers something gruesome in California, which indicates that her husband’s violent past might also be his psychotic present, things start to go very bad, very quickly. The Blade Artist is an elegant, electrifying novel – ultra violent but curiously redemptive – and it marks the return of one of modern fiction’s most infamous, terrifying characters, the incendiary Francis Begbie from Trainspotting.

Mark Renton is finally a success. An international jet-setter, he now makes significant money managing DJs, but the constant travel, airport lounges, soulless hotel rooms and broken relationships have left him dissatisfied with his life. He’s then rocked by a chance encounter with Frank Begbie, from whom he’d been hiding for years after a terrible betrayal and the resulting debt. But the psychotic Begbie appears to have reinvented himself as a celebrated artist and – much to Mark’s astonishment – doesn’t seem interested in revenge. Sick Boy and Spud, who have agendas of their own, are intrigued to learn that their old friends are back in town, but when they enter the bleak world of organ-harvesting, things start to go so badly wrong. Lurching from crisis to crisis, the four men circle each other, driven by their personal histories and addictions, confused, angry – so desperate that even Hibs winning the Scottish Cup doesn’t really help. One of these four will not survive to the end of this book. Which one of them is wearing Dead Men’s Trousers? Fast and furious, scabrously funny and weirdly moving, this is a spectacular return of the crew from Trainspotting.

Mark Renton has it all: he's good-looking, young, with a pretty girlfriend and a place at university. But there's no room for him in the 1980s. Thatcher's government is destroying working-class communities across Britain, and the post-war certainties of full employment, educational opportunity and a welfare state are gone. When his family starts to fracture, Mark's life swings out of control and he succumbs to the defeatism which has taken hold in Edinburgh's grimmer areas. The way out is heroin. It's no better for his friends. Spud Murphy is paid off from his job, Tommy Lawrence feels himself being sucked into a life of petty crime and violence - the worlds of the thieving Matty Connell and psychotic Franco Begbie. Only Sick Boy, the supreme manipulator of the opposite sex, seems to ride the current, scamming and hustling his way through it all. Skagboys charts their journey from likely lads to young men addicted to the heroin which has flooded their disintegrating community. This is the 1980s: a time of drugs, poverty, AIDS, violence, political strife and hatred - but a lot of laughs, and maybe just a little love; a decade which changed Britain for ever. The prequel to the world-renowned Trainspotting, this is an exhilarating and moving book, full of the scabrous humour, salty vernacular and appalling behaviour that has made Irvine Welsh a household name.

Diez años después de Trainspotting, Sick Boy está en franca decadencia. Acaba de dejar su piso en un barrio pijo de Londres y se ha mudado a un agujero miserable, y tras una noche de drogas y sexo indiscriminados, decide aceptar la oferta de su tía Paula: lo dejará a cargo de su pub en Leith y se marchará con su amante español a Alicante. Pero en el Port Sunshine el negocio no está solamente en las bebidas: Sick Boy descubre que un grupo liderado por «Juice» Terry Lawson, su antiguo conocido, se reúne a follar y a filmar sus orgías en uno de los salones privados. Y que en Edimburgo hay un floreciente negocio de vídeos porno realizados en las trastiendas de los pubs, con los clientes como estrellas. Y Sick Boy, que siempre está maquinando negocios, se pondrá, con la ayuda de la guapa Nikki Fuller-Smith, estudiante de cine de día y trabajadora del sexo por las noches, a hacer una película porno de altura, con calidad suficiente como para ser vendida internacionalmente y circular por Internet. Y también incluirá en el equipo a su viejo amigo Renton, el que diez años antes los traicionó y huyó a Ámsterdam con el dinero del alijo de heroína. Pero cuando Sick Boy maquina algo, la cosa tiene más complicaciones y trampas que la tela de una araña, y entre los hilos también se mueven Spud, el único que había recibido a escondidas su parte del dinero de la droga, y Begbie, el psicópata del grupo, que después de pasar unos años en la cárcel volverá a la acción aún más paranoico y furioso que antes.

With the Christmas season upon him, Detective Sergeant Bruce Robertson of Edinburgh's finest is gearing up socially—kicking things off with a week of sex and drugs in Amsterdam. There are some sizable flies in the ointment, though: a missing wife and child, a nagging cocaine habit, some painful below-the-belt eczema, and a string of demanding extramarital affairs. The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . .

''The best book ever written by man or woman . . . Deserves to sell more copies than the Bible" —Rebel Inc THE BESTSELLING NOVEL THAT INSPIRED DANNY BOYLE’S CULT FILM Described by The Sunday Times as "the voice of punk, grown up, grown wiser and grown eloquent," Trainspotting follows the lives of a group of Scottish junkies. Its bleak depiction of drug addiction is vivid and brutal, and has lost none of its power to shock. Choose the book that outraged the critics. Choose the literary phenomenon that defined a generation. Choose Trainspotting by Irvine Welsh.

Shortlisted for the 2015 Bollinger Everyman Wodehouse prize for comic fiction A rampaging force of nature is wreaking havoc on the streets of Edinburgh, but has top shagger, drug-dealer, gonzo-porn-star and taxi-driver, ‘Juice’ Terry Lawson, finally met his match in Hurricane ‘Bawbag’? Can Terry discover the fate of the missing beauty, Jinty Magdalen, and keep her idiot-savant lover, the man-child Wee Jonty, out of prison? Will he find out the real motives of unscrupulous American businessman and reality-TV star, Ronald Checker? And, crucially, will Terry be able to negotiate life after a terrible event robs him of his sexual virility, and can a new fascination for the game of golf help him to live without… A DECENT RIDE? A Decent Ride sees Irvine Welsh back on home turf, leaving us in the capable hands of one of his most compelling and popular characters, ‘Juice’ Terry Lawson, and introducing another bound for cult status, Wee Jonty MacKay: a man with the genitals and brain of a donkey. In his funniest, filthiest book yet, Irvine Welsh celebrates an un-reconstructed misogynist hustler – a central character who is shameless but also, oddly, decent –and finds new ways of making wild comedy out of fantastically dark material, taking on some of the last taboos. So fasten your seatbelts, because this is one ride that could certainly get a little bumpy…

Welsh’s sizzling new novel, Crime, is a thrilling journey into the bright glamour of the Sunshine State and a seething underworld of utter darkness.Now bereft of both youth and ambition, Detective Inspector Ray Lennox is recovering from a mental breakdown induced by occupational stress and cocaine abuse, and a particularly horrifying child sex murder case back in Edinburgh. On vacation in Florida, his fiancée Trudi is only interested in planning their forthcoming wedding, and a bitter argument sees a deranged Lennox cast adrift in strip-mall Florida. In a seedy bar, Lennox meets two women, ending up at their apartment for a coke binge, which is interrupted by two menacing strangers. After the ensuing brawl, Lennox finds himself alone with Tianna, the terrified ten-year-old daughter of one of the women, and a sheet of instructions that make him responsible for her immediate safety.Lennox takes the girl to an exclusive marina on the Gulf coast, and quickly suspects that he has stumbled into a hornet’s nest: a gang or organized paedophiles, every bit as threatening as the monster that haunted him back in Edinburgh. His priority is to protect the abused girl, but can the edgy Lennox trust his own instincts? And can he negotiate her inappropriate sexuality as well as his own mental fragility?In Crime, Welsh has written a shocking and gripping story about the corruption and abuse of the human soul and the possibilities of redemption.

When Lucy Brennan, a Miami Beach personal-fitness trainer, disarms a gunman chasing two frightened homeless men, the police and the breaking-news cameras are not far behind and, within hours, Lucy is a media hero. The solitary eye-witness is the depressed and overweight Lena Sorensen, who becomes obsessed with Lucy and signs up as her client – though she seems more interested in the trainer’s body than her own. When the two women find themselves more closely aligned, and can’t stop thinking about the sex lives of Siamese twins, the real problems start... In the aggressive, foul-mouthed trainer, Lucy Brennan, and the needy, manipulative Lena Sorensen, Irvine Welsh has created two of his most memorable female protagonists, and one of the most bizarre, sado-masochistic folies à deux in contemporary fiction. Featuring murder, depravity and revenge – and enormous amounts of food and sex – The Sex Lives of Siamese Twins taps into two great obsessions of our time – how we look and where we live – and tells a story so subversive and dark it blacks out the Florida sun.

Que se passe-t-il quand les fantasmes qu'on a dans la tête se répandent dans la vie - et vice versa ? Ces "contes de la folie ordinaire" pour une fin de siècle conjuguent plusieurs sortes d'addiction : l'amour, la vengeance, la drogue. On y voit des handicapés monter une organisation terroriste, un auteur de romans sentimentaux s'abandonner à son penchant pour la pornographie, et un couple d'accidentés de la vie fusionner dans l'amour absolu. Avec ces trois romances "chimiques", Irvine Welsh s'aventure dans une zone dangereuse, où la réalité ne fait que confirmer nos pires cauchemars.

Glue is the story of four boys growing up in the Edinburgh schemes, and about the loyalties, the experiences - and the secrets - that hold them together into their thirties. Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer: driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally - who has one less skin than everyone else and seems to find catastrophe at every corner. As we follow their lives from the seventies into the new century - from punk to techno, from speed to Es - we can see each of them trying to struggle out from under the weight of the conditioning of class and culture, peer pressure and their parents' hopes that maybe their sons will do better than they did. What binds the four of them is the friendship formed by the scheme, their school, and their ambition to escape from both; their loyalty fused in street morality: back up your mates, don't hit women and, most importantly, never grass - on anyone. Despite its scale and ambition, Glue has all Irvine Welsh's usual pace and vigour, crackling dialogue, scabrous set-pieces and black, black humour, but it is also a grown-up book about growing up - about the way we live our lives, and what happens to us when things become unstuck.