Cherie Dimaline

The inspiration for the collection comes from American Poet Charles Bukowski who wrote "In between the punctuating agonies, life is such a gentle habit." Following this theme of extraordinary ordinariness, A Gentle Habit is a collection of six new short stories focusing on the addictions of a diverse group of characters attempting normalcy in an unnatural world.

An Anthology of Monsters by Cherie Dimaline, award-winning author of The Marrow Thieves, is the tale of an intricate dance with life-long anxiety. It is about how the stories we tell ourselves can help reshape the ways in which we think, cope, and ultimately survive. Using examples from her books, from her mère, and from her own late night worry sessions, Dimaline choreographs a deeply personal narrative about all the ways in which we tell stories. She reveals how to collect and curate our stories, how they elicit difficult and beautiful conversations, and how family and community is a place of refuge and strength.

“Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive—all the while telling a story that needs to be told by a person who needs to be telling it.”—Tommy Orange, author of There There A bold and brilliant new indigenous voice in contemporary literature makes her American debut with this kinetic, imaginative, and sensuous fable inspired by the traditional Canadian Métis legend of the Rogarou—a werewolf-like creature that haunts the roads and woods of native people’s communities. Joan has been searching for her missing husband, Victor, for nearly a year—ever since that terrible night they’d had their first serious argument hours before he mysteriously vanished. Her Métis family has lived in their tightly knit rural community for generations, but no one keeps the old ways . . . until they have to. That moment has arrived for Joan. One morning, grieving and severely hungover, Joan hears a shocking sound coming from inside a revival tent in a gritty Walmart parking lot. It is the unmistakable voice of Victor. Drawn inside, she sees him. He has the same face, the same eyes, the same hands, though his hair is much shorter and he's wearing a suit. But he doesn't seem to recognize Joan at all. He insists his name is Eugene Wolff, and that he is a reverend whose mission is to spread the word of Jesus and grow His flock. Yet Joan suspects there is something dark and terrifying within this charismatic preacher who professes to be a man of God . . . something old and very dangerous. Joan turns to Ajean, an elderly foul-mouthed card shark who is one of the few among her community steeped in the traditions of her people and knowledgeable about their ancient enemies. With the help of the old Métis and her peculiar Johnny-Cash-loving, twelve-year-old nephew Zeus, Joan must find a way to uncover the truth and remind Reverend Wolff who he really is . . . if he really is. Her life, and those of everyone she loves, depends upon it.

After inadvertently starting rumors of a haunted cemetery, a teen befriends a ghost in this brand-new young adult novel exploring Indigenous identity from the critically acclaimed and bestselling author of The Marrow Thieves series. Winifred has lived in the apartment above the cemetery office with her father, who works in the crematorium all her life, close to her mother's grave. With her sixteenth birthday only days away, Winifred has settled into a lazy summer schedule, lugging her obese Chihuahua around the grounds in a squeaky red wagon to visit the neglected gravesides and nursing a serious crush on her best friend, Jack. Her habit of wandering the graveyard at all hours has started a rumor that Winterson Cemetery might be haunted. It's welcome news since the crematorium is on the verge of closure and her father's job being outsourced. Now that the ghost tours have started, Winifred just might be able to save her father's job and the only home she's ever known, not to mention being able to stay close to where her mother is buried. All she has to do is get help from her con-artist cousin to keep up the ruse and somehow manage to stop her father from believing his wife has returned from the grave. But when Phil, an actual ghost of a teen girl who lived and died in the ravine next to the cemetery, starts showing up, Winifred begins to question everything she believes about life, love and death. Especially love.

A new story about hope and survival. Years ago, when plagues and natural disasters killed millions of people, much of the world stopped dreaming. Without dreams, people are haunted, sick, mad, unable to rebuild. The government soon finds that the Indigenous people of North America have retained their dreams, an ability rumored to be housed in the very marrow of their bones. Soon, residential schools pop up—or are re-opened—across the land to bring in the dreamers and harvest their dreams. Seventeen-year-old French lost his family to these schools and has spent the years since heading north with his new found family: a group of other dreamers, who, like him, are trying to build and thrive as a community. But then French wakes up in a pitch-black room, locked in and alone for the first time in years, and he knows immediately where he is—and what it will take to escape. Meanwhile, out in the world, his found family searches for him and dodges new dangers—school Recruiters, a blood cult, even the land itself. When their paths finally collide, French must decide how far he is willing to go—and how many loved ones is he willing to betray—in order to survive.

In the Remixed Classics series, authors from marginalized backgrounds reinterpret classic works through their own cultural lens to subvert the overwhelming cishet, white, and male canon. This queer YA reimagining of The Secret Garden subverts the cishet and white status quo of the original in a tale of family secrets wonderful and horrifying.Mary Lennox didn’t think about death until the day it knocked politely on her bedroom door and invited itself in. When a terrible accident leaves her orphaned at fifteen, she is sent to the wilderness of the Georgian Bay to live with an uncle she's never met.At first the impassive, calculating girl believes this new manor will be just like the one she left in Toronto: cold, isolating, and anything but cheerful, where staff is treated as staff and never like family. But as she slowly allows her heart to open like the first blooms of spring, Mary comes to find that this strange place and its strange people—most of whom are Indigenous—may be what she can finally call home.Then one night Mary discovers Olive, her cousin who has been hidden away in an attic room for years due to a "nervous condition." The girls become fast friends, and Mary wonders why this big-hearted girl is being kept out of sight and fed medicine that only makes her feel sicker. When Olive's domineering stepmother returns to the manor, it soon becomes clear that something sinister is going on.With the help of a charming, intoxicatingly vivacious Metis girl named Sophie, Mary begins digging further into family secrets both wonderful and horrifying to figure out how to free Olive. And some of the answers may lie within the walls of a hidden, overgrown and long-forgotten garden the girls stumble upon while wandering the wilds...

Red Rooms is a unique journey articulating the lives of the Native patrons of an urban hotel as seen through the eyes of the hotels cleaning lady. The characters face the crises in their lives in ways that are easily identifiable and not uncommon to Native people. What is unique about this collection of stories is Dimaline's sometimes cryptic, sometimes comedic, always compassionate and visionary housekeeper who offers hindsight, insight and foresight to the reader in the representation of their lives."Haunting and complex". is the Native Rosetta Stone. A lovely tour de force from an up-and-coming writer to watch."-Eden Robinson

In a futuristic world ravaged by global warming, people have lost the ability to dream, and the dreamlessness has led to widespread madness. The only people still able to dream are North America's Indigenous people, and it is their marrow that holds the cure for the rest of the world. But getting the marrow, and dreams, means death for the unwilling donors. Driven to flight, a fifteen-year-old and his companions struggle for survival, attempt to reunite with loved ones and take refuge from the "recruiters" who seek them out to bring them to the marrow-stealing "factories."

Lucky St. James, a Métis millennial living with her cantankerous but loving grandmother Stella, is barely hanging on when she discovers she will be evicted from their tiny Toronto apartment. Then, one night, something strange and irresistible calls out to Lucky. Burrowing through a wall, she finds a silver spoon etched with a crooked-nosed witch and the word SALEM, humming with otherworldly energy. Hundreds of miles away in Salem, Myrna Good has been looking for Lucky. Myrna works for VenCo, a front company fueled by vast resources of dark money. Lucky is familiar with the magic of her indigenous ancestors, but she has no idea that the spoon links her to VenCo’s network of witches throughout North America. Generations of witches have been waiting for centuries for the seven spoons to come together, igniting a new era, and restoring women to their rightful power. But as reckoning approaches, a very powerful adversary is stalking their every move. He’s Jay Christos, a roguish and deadly witch-hunter as old as witchcraft itself. To find the last spoon, Lucky and Stella embark on a rollicking and dangerous road trip to the darkly magical city of New Orleans, where the final showdown will determine whether VenCo will usher in a new beginning…or remain underground forever.