Stephen Graham Jones

Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this riveting sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones. Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho. Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday. Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over.

From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Riley Sager and Grady Hendrix. 1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

The creeping horror of Paul Tremblay meets Tommy Orange’s There There in a dark novel of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones. Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

The final installment in the most lauded trilogy in the history of horror literature It’s been four years since Jade Daniels last set foot in Proofrock, Idaho. Since then, her reputation, and everything around Indian Lake, has changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of the savage history of Proofrock, Idaho, no one’s got the mettle to confront – no one except a final girl, making her last stand, this time for everything. New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma and stolen hope. It’s the story of the American West written in blood. And it’s the story of one girl who doesn’t know how to give up.

You won’t find a more hardcore eighties-slasher-film fan than high school senior Jade Daniels. And you won’t find a place less supportive of girls who wear torn T-shirts and too much eyeliner than Proofrock, nestled eight thousand feet up a mountain in Idaho, alongside Indian Lake, home to both Camp Blood – site of a massacre fifty years ago – and, as of this summer, Terra Nova, a second-home celebrity Camelot being carved out of a national forest. That’s not the only thing that’s getting carved up, though – this, Jade knows, is the start of a slasher. But what kind? Who’s wearing the mask? Jade’s got an encyclopedic recall of every horror movie on the shelf, but… will that help her survive? Can she get a final girl trained enough to stop all this from happening? Does she even want to? Isn’t a slasher exactly what her hometown deserves? This new novel by the New York Times bestselling author of The Only Good Indians, Stephen Graham Jones, called “one of our most talented living writers” by Tommy Orange, explores the changing landscape of the West through his distinct voice of sharp humor and prophetic violence. Go up the mountain to Proofrock. See if you’ve got what it takes – see if your heart, too, might be a chainsaw.

You haven't heard of William Colton Hughes. Or, if you have, then you're not telling anybody. Not telling them anything, ever. He's not the serial killer on the news, in the textbooks. He's the one out there still punching his card, and a few other people's too. He is a nightmare come to life, waiting in his apartment for you to knock on his door. William Colton Hughes is living his fantasy: his victims are delivered to his apartment every few days. But when he's suddenly alone, no visitors, nobody to talk to but himself, he begins to lose what little of his mind he has left. Has his benefactor, his employer, been his prison warden all along? His apartment complex a hospital? Is he going to have to go back to heaving dark plastic bags into dumpsters when nobody's looking? Or will Dashboard Mary, a mysterious woman hell-bent on revenge, get to him first? This is William Colton Hughes. Come and knock on his door.

Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them . . . at terrible cost.

Life in a slasher film is easy. You just have to know when to die.Aerial View: A suburban town in Texas. Everyone's got an automatic garage door opener. All the kids jump off a perilous cliff into a shallow river as a rite of passage. The sheriff is a local celebrity. You know this town. You're from this town.Zoom In: Homecoming princess, Lindsay. She's just barely escaped death at the hands of a brutal, sadistic murderer in a Michael Jackson mask. Up on the cliff, she was rescued by a horse and bravely defeated the killer, alone, bra-less. Her story is already a legend. She's this town's heroic final girl, their virgin angel.Monster Vision: Halloween masks floating down that same river the kids jump into. But just as one slaughter is not enough for Billie Jean, our masked killer, one victory is not enough for Lindsay. Her high school is full of final girls, and she's not the only one who knows the rules of the game.When Lindsay chooses a host of virgins, misfits, and former final girls to replace the slaughtered members of her original homecoming court, it's not just a fight for survival-it's a fight to become The Last Final Girl.

This collection of fifteen stories taps into the horrors and fears of the supernatural as well as the everyday. Included are two original stories, several rarities and out of print tales, as well as a few "best of the year" inclusions. Stephen Graham Jones is a master storyteller. What does happen after the people lights have gone off? Crack the spine and find out. With an introduction by Joe R. Lansdale.

Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

A spellbinding and darkly humorous coming-of-age story about an unusual boy whose family lives on the fringes of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his Aunt Libby and Uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixedblood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks. For ten years, he and his family have lived a life of late-night exits and close calls—always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will know if their nephew is like them or not. And the close calls they’ve been running from for so long are catching up fast, now. Everything is about to change. A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world. A smart and innovative story—funny, bloody, raw, and real—told in a rhythmic voice full of heart, Mongrels is a deeply moving, sometimes grisly novel that illuminates the challenges and tender joys of a life beyond the ordinary in a bold and imaginative new way.

A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

What if you weren’t looking for evidence of the supernatural, but found it all the same? A true research scientist can either hide that evidence or tell the world. Either way it’s going to haunt you. Either way your life is never going to be the same. Find out what’s always on the other side of the door. It’s the Elvis Room.

Only on Audio! A new horror novel from the bestselling author of The Only Good Indians and My Heart is a Chainsaw. A mother carries her six-year-old daughter into the tiled bathroom where the bathtub is already running, is still running, is overflowing, and for a moment the girl calms, seeing her little brother floating facedown in the water, his hair a golden halo around him, but then this mother is guiding her face-first down into that water, that, as it turns out, isn’t just water but scalding water, and eleven years later her scream is the drawer screeching out of the counter by the sink. When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms doesn’t mean jack if you choke on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes—Ron is a nurse, in an old-fashioned white skirt-uniform, and Desi has an Authentic Squaw costume, complete with buckskin and feathered headdress. Excitement is in the air. Charlotte’s last babysitting gig almost ended in tragedy, when her young charge sleepwalked unnoticed into the middle of the street, only to be found unharmed by Charlotte’s mother. Charlotte vows to be extra careful this time. But the house is filled with mysterious noises and secrets that only the twins understand, echoes of horrors that Charlotte gradually realizes took place in the house eleven years ago. Soon Charlotte has to admit that every babysitter’s worst nightmare has come true: they’re not alone in the house. The Babysitter Lives is a mind-bending haunted house tale from the Jordan Peele of horror literature, Stephen Graham Jones.

These thirteen stories are our own lives, inside out. A boy's summer romance doesn't end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods who's exactly what she needs, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn't be possible, but now he can't stop listening. A woman finds out that the shipwreck wasn't the disaster, but who she's shipwrecked with. A big brother learns just what he will, and won't, trade for one night of sleep. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there's no anesthetic. Turn the light on if you want, but that just makes for more shadows.

A story of life, death, love, and the ties that bind us not only to what has been, but what will be After burning up the blacktop in New Mexico with The Fast Red Road and rewriting Indian history on the Great Plains with The Bird is Gone , Stephen Graham Jones now takes us to Montana. Set on a Blackfeet Indian reservation, the life of one Indian boy, Doby Saxon, is laid bare through the eyes of those who witness his near-death experience, his suicide attempts, his brief glimpse of victory, and the unnecessary death of one of his best friends. But through Doby there emerges a connection to the past, to an Indian Agent who served the United States Government over a century before. This revelation leads to another and another until it becomes clear that the decisions of this single Indian Agent have impacted the lives of generations of Blackfeet Indians. And the life of Doby Saxon, a boy standing in the middle of the road at night, his hands balled into fists, the reservation wheeling all around him like the whole of Blackfeet history hurtling towards him. Jones’s beautifully complex novel is a story of life, death, love, and the ties that bind us not only to what has been, but what will the power of one moment, the weight of one decision, the inevitability of one outcome, and the price of one life.