Annie Dillard

Annie Dillard remembers. She remembers the exhilaration of whipping a snowball at a car and having it hit straight on. She remembers playing with the skin on her mother's knuckles, which "didn't snap back; it lay dead across her knuckle in a yellowish ridge." She remembers the compulsion to spend a whole afternoon (or many whole afternoons) endlessly pitching a ball at a target. In this intoxicating account of her childhood, Dillard climbs back inside her 5-, 10-, and 15-year-old selves with apparent effortlessness. The voracious young Dillard embraces headlong one fascination after another--from drawing to rocks and bugs to the French symbolists. "Everywhere, things snagged me," she writes. "The visible world turned me curious to books; the books propelled me reeling back to the world." From her parents she inherited a love of language--her mother's speech was "an endlessly interesting, swerving path"--and the understanding that "you do what you do out of your private passion for the thing itself," not for anyone else's approval or desire. And one would be mistaken to call the energy Dillard exhibits in An American Childhood merely youthful; "still I break up through the skin of awareness a thousand times a day," she writes, "as dolphins burst through seas, and dive again, and rise, and dive."

An exhilarating meditation on nature and its seasons—a personal narrative highlighting one year's exploration on foot in the author's own neighborhood in Tinker Creek, Virginia. In the summer, Dillard stalks muskrats in the creek and contemplates wave mechanics; in the fall she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays 'King of the Meadow' with a field of grasshoppers.

"A collection of meditations like polished stones — painstakingly worded, tough-minded, yet partial to mystery, and peerless when it comes to injecting larger resonances into the natural world." —  Kirkus Reviews Here, in this compelling assembly of writings, Pulitzer Prize-winning author Annie Dillard explores the world of natural facts and human meanings. Veering away from the long, meditative studies of Pilgrim at Tinker Creek or Holy the Firm, Annie Dillard explores and celebrates moments of spirituality, dipping into descriptions of encounters with flora and fauna, stars, and more, from Ecuador to Miami. There is no writer quite like Dillard when it comes to the mysteries and wonder of the natural world.

in recognition of this pulitzer prize–winning author’s lauded career as a master essayist, a landmark collection, including her most beloved pieces and some rarely seen work the abundance includes the best of Annie Dillard’s essays, delivered in her fierce and muscular prose, filled with absorbing detail and metaphysical fact. Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through backyards, a bookish teenager memorizes the poetry of Rimbaud—with beauty and irony. These essays invite readers into sweeping landscapes, to join Dillard in exploring the complexities of time and death, often with wry humor. On one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar. Marking the vigor of this powerful writer, The Abundance highlights Annie Dillard’s elegance of mind.

The Annie Dillard Reader is a selection by the author from some of her work. There are many chapters from Pilgrim at Tinker Creek and An American Childhood. Holy the Firm appears in its entirety, and revised. Also included is a new version of a short story first published in 1978 in Harper's, called "The Living." The characters of the original story became the nucleus of the 1992 novel The Living. Finally there are a few poems, old and new, one uncollected essay, and some narratives from her sole book of essays, Teaching a Stone to Talk. Annie Dillard's Pilgrim at Tinker Creek won the Pulitzer Prize for general nonfiction in 1975. She is the author of eleven other books, including the memoir An American Childhood, the novel The Living, and a volume of found poems Mornings Like This. She has received fellowship grants from the John Simon Guggenheim Foundation and the National Endowment for the Arts. Born in 1945 in Pittsburgh, Dillard attended Hollins College in Virginia. After living for five years in the Pacific Northwest, she returned to the East Coast, where she lives with her husband Robert D. Richardson Jr. and daughter Rosy.

In spare, elegant prose, Dillard traces the lives of Toby and Lou Maytree. She presents willed bonds of loyalty, friendship, and abiding love. Warm and hopeful, The Maytrees is the surprising capstone of Annie Dillard's original body of work. Toby Maytree first sees Lou Bigelow on her bicycle in postwar Provincetown, Massachusetts. Her laughter and loveliness catch his breath. Maytree is a Provincetown native, an educated poet of thirty. As he courts Lou, just out of college, her stillness draws him. Hands-off, he hides his serious wooing, and idly shows her his poems. Dillard recounts the Maytrees' decades of loving and longing. They live cheaply among the nonconformist artists and writers that the bare tip of Cape Cod attracts. Lou takes up painting. When their son Petie appears, their innocent Bohemian friend Deary helps care for him. But years later it is Deary who causes the town to talk. In this moving novel, Dillard intimately depicts nature's vastness and nearness. She presents willed bonds of loyalty, friendship, and abiding love. Warm and hopeful, The Maytrees is the surprising capstone of Annie Dillard's original body of work.

From Pulitzer Prize-winning Annie Dillard, a collection that illuminates the dedication and daring that characterizes a writer's life. In these short essays, Annie Dillard—the author of Pilgrim at Tinker Creek and An American Childhood—illuminates the dedication, absurdity, and daring that characterize the existence of a writer. A moving account of Dillard’s own experiences while writing her works, The Writing Life offers deep insight into one of the most mysterious professions.

En aquesta col·lecció d'assajos curts, Annie Dillard posa el focus en la dedicació, l'absurditat, el coratge i la voluntat de risc que caracteritzen la vida d'un escriptor. Ple d'anècdotes i reflexions il·luminadores, l'obra recull l'experiència de la mateixa escriptora i explora els alts i baixos de la creació artística. Ens ofereix una mirada íntima i profunda sobre un dels oficis més antics i enlluernadors.