Kirsty Logan

A shocking collection of dark stories, ranging from chilling contemporary fairytales to disturbing supernatural fiction, by a talented writer who has been compared to Angela Carter. So here we go, into the dark. Some things can’t be spoken about in the light of day. But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not. The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes. These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories. KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

For readers of The Night Circus and Station Eleven, a lyrical and absorbing debut set in a world covered by water. As a Gracekeeper, Callanish administers shoreside burials, laying the dead to their final resting place deep in the depths of the ocean. Alone on her island, she has exiled herself to a life of tending watery graves as penance for a long-ago mistake that still haunts her. Meanwhile, North works as a circus performer with the Excalibur, a floating troupe of acrobats, clowns, dancers, and trainers who sail from one archipelago to the next, entertaining in exchange for sustenance. In a world divided between those inhabiting the mainland ("landlockers") and those who float on the sea ("damplings"), loneliness has become a way of life for North and Callanish, until a sudden storm offshore brings change to both their lives - offering them a new understanding of the world they live in and the consequences of the past, while restoring hope in an unexpected future. Inspired in part by Scottish myths and fairytales, The Gracekeepers tells a modern story of an irreparably changed world: one that harbors the same isolation and sadness, but also joys and marvels of our own age.

She dug her mother's grave in the poison garden so it would stay hidden... From the snowy winter woods to the bright midnight sun; from lost and powerless to finding your path, Now She is Witch conjures a world of violence and beauty - a world where women grasp at power through witchcraft, sexuality and performance, and most of all through throwing each other to the wolves. Lux has lost everything when Else finds her, alone in the woods. Her family, her lover, her home - all burned. The world is suspicious of women like her. But Lux is cunning; she knows how to exploit people's expectations, how to blend into the background. And she knows a lot about poisons. Else has not found Lux by accident. She needs her help to seek revenge against the man who wronged her, and together they pursue him north. But on their hunt they will uncover dark secrets that entangle them with dangerous adversaries.

In their tiny, sea-beaten cottage on the north coast of Scotland, Liska and Ruth await the birth of their first child. They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents. Each story is accompanied by an illustration by award-winning artist Liz Myhill. Produced with the assistance of the Dr Gavin Wallace Fellowship.

Twenty tales of lust and loss. These stories feature clockwork hearts, lascivious queens, paper men, island circuses, and a flooded world. • On the island of Skye, an antlered girl and a tiger-tailed boy resolve never to be friends – but can they resist their unique connection? • In an alternative 19th-century Paris, a love triangle emerges between a man, a woman, and a coin-operated boy. • A teenager deals with his sister’s death by escaping from their tiny Scottish island – but will she let him leave? • In 1920s New Orleans, a young girl comes of age in her mother’s brothel. Some of these stories are radical retellings of classic tales, some are modern-day fables, but all explore substitutions for love.

An unconventional, unexpectedly funny, brutally honest memoir about infertility, pregnancy and motherhood 'You and your partner want a baby. But your two bodies can't make a baby together.' If you want a baby but your body says otherwise - If you don't know the polite way to say thank you for the sperm - If you're waiting for the sound of a brand-new heartbeat - If you know it takes a village to raise a baby but have no idea who should be doing what - If you're lurching between bliss and bewilderment - If you don't fit the shape of what you've been told a mother should be - Reach for The Unfamiliar and don't let go. Moving and immersive, and written with wisdom, disarming humour and raw honesty, The Unfamiliar casts a fresh eye on motherhood and challenges our assumptions about pregnancy, gender roles, queer identity and what it means to be a parent. 'Cold, hard, raw writing that somehow sets your heart on fire' LAURA DOCKRILL 'Fierce, honest, beautifully written... A marvel' PRAGYA AGARWAL 'Kirsty Logan writes with bright wit and wonder - I read this book in awe' DOIREANN NÍ GHRÍOFA 'Wonderful... Luminous writing captures the uncertainty, the fear, the sheer physicality of love' MARIANNE LEVY

Mara’s island is one of stories and magic. She knows she’ll eventually end her days atop the cliff, turned to stone and gazing out at the horizon like all the villagers that went before her, drawn by the otherworldly call of the sea. Her whole family will be there too, even her brother Bee and her sister Islay. But the island and the sea do what they want, and when they claim a price from her family, Mara’s world changes forever. As years pass and Mara grows into herself and her scars, a chance meeting with the magnetic Pearl brings magic to life once more in ways that Mara never thought possible, in a story that she never would have dreamed for herself before. The enchanting spiritual prequel to The Gracekeepers, Kirsty Logan’s The Gloaming is a present-day fable that brims over with dazzling imagination and captivating language.