Elly Griffiths

Natalka and Edwin, whom we met in The Postscript Murders, are running a detective agency in Shoreham, Sussex. Despite a steady stream of minor cases, Natalka is frustrated, longing for a big juicy case such as murder to come the agency's way. Natalka is now living with dreamer, Benedict. But her Ukrainian mother Valentyna has joined them from her war-torn country and three's a crowd. It's annoying to have Valentyna in the tiny flat, cooking borscht and cleaning things that are already clean. To add to Natalka's irritation, Benedict and her mother get on brilliantly. Then a murder case turns up. Local writer, Melody Chambers, is found dead and her family are convinced it is murder. Edwin, a big fan of the obit pages, thinks there's a link to the writer of Melody's obituary who pre-deceased his subject. The trail leads Benedict and Edwin to a slightly sinister writers' retreat. When another writer is found dead, Edwin thinks that the clue lies in the words. Seeking professional help, the amateur investigators turn to their friend, detective Harbinder Kaur, to find that they have stumbled on a plot that is stranger than fiction.

The discovery of a missing woman's bones forces Ruth and Nelson to finally confront their feelings for each other as they desperately work to exonerate one of their own. When builders discover a human skeleton while renovating a café, they call in archaeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern--the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily's Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared--Ruth's friend Cathbad. As they investigate, Nelson and his team uncover a tangled web of relationships within the archaeology group and look for a link between them and the café where Emily's bones were found. Then, just when the team seem to be making progress, Cathbad disappears. The trail leads Ruth a to the Neolithic flint mines in Grimes Graves. The race is on, first to find Cathbad and then to exonerate him, but will Ruth and Nelson uncover the truth in time to save their friend?

Just back from maternity leave, forensic archeologist Ruth is finding it hard to juggle motherhood and work when she is called in to investigate human bones that have surfaced on a remote Norfolk beach. The presence of DCI Harry Nelson, the married father of her daughter, does not help. The bones, six men with their arms bound, turn out to date back to World War II, a desperate time on this stretch of coastland. As Ruth and Nelson investigate, Home Guard veteran Archie Whitcliffe reveals the existence of a secret the old soldiers have vowed to protect with their lives. But then Archie is killed and a German journalist arrives, asking questions about Operation Lucifer, a plan to stop a German invasion, and a possible British war crime. What was Operation Lucifer? And who is prepared to kill to keep its secret?

Combine a splash of Alan Bradley with a pinch of Kathy Reichs and you have a gripping new Ruth Galloway Mystery -- a good-hearted mystery series with a dark edge. Set in Norfolk, England, A Room Full of Bones embroils, once again, our brainy heroine in a crime tinged by occult forces. On Halloween night, the Smith Museum in King's Lynn is preparing for an unusual event -- the opening of a coffin containing the bones of a medieval bishop. But when forensic archaelogist Ruth Galloway arrives to supervise, she finds the curator, Neil Topham, dead beside the coffin. Topham's death seems to be related to other uncanny incidents, including the arcane and suspect methods of a group called the Elginists, which aims to repatriate the museum's extensive collection of Aborigine skulls; the untimely demise of the museum's owner, Lord Smith; and the sudden illness of DCI Harry Nelson, who Ruth's friend Cathbad believes is lost in The Dreaming -- a hallucinogenic state

Librarian note: See alternate cover edition here. A dark story has been brought to terrifying life. Can the ending be rewritten in time? A gripping contemporary Gothic thriller from the bestselling author of the Dr Ruth Galloway mysteries: Wilkie Collins and MR James meet Gone Girl and Disclaimer. Clare Cassidy is no stranger to murder. As a literature teacher specialising in the Gothic writer RM Holland, she teaches a short course on it every year. Then Clare's life and work collide tragically when one of her colleagues is found dead, a line from an RM Holland story by her body. The investigating police detective is convinced the writer's works somehow hold the key to the case. Not knowing who to trust, and afraid that the killer is someone she knows, Clare confides her darkest suspicions and fears about the case to her journal. Then one day she notices some other writing in the diary. Writing that isn't hers...

Ruth’s old friend Dan Golding dies in a house fire. But before he died Dan wrote to Ruth telling her that he had made a ground-breaking archaeological discovery. Could this find be linked to his death and who are the sinister neo-Nazi group who were threatening Dan? Ruth makes the trip to Blackpool to investigate, wary of encroaching on DCI Harry Nelson’s home ground. Soon Ruth is embroiled in a mystery that involves the Pendle Witches, King Arthur and – scariest of all – Nelson’s mother. There are forces at work in the town that that threaten all that Ruth holds dear. But, in the final showdown on Blackpool Pleasure Beach, it is Cathbad who faces the greatest danger of all.

It’s been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway—minus its skull—Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand? Ruth and Detective Harry Nelson would like to find out—and fast. When they realize the house was once a children’s home, they track down the Catholic priest who served as its operator. Father Hennessey reports that two children did go missing from the home forty years before—a boy and a girl. They were never found. When carbon dating proves that the child’s bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death. The Janus Stone is a riveting follow-up to Griffiths’s acclaimed The Crossing Places.

Forensic archaeologist Dr. Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

This bumper collection of short stories by the No 1 bestselling author features all her best-loved characters: Dr Ruth Galloway, Harry Nelson, Max Mephisto, Detective Harbinder Kaur and many more. Elly Griffiths has always written short stories to experiment with different voices and genres and to explore what some of her much-loved creations such as Dr Ruth Galloway might have done outside of the novels. This collection gathers them all together in one splendid volume. Here are bite-sized tales to please and entertain every thriller taste as well as all Elly Griffiths' fans. There are ghost stories and mini cosy mysteries; tales of psychological suspense and poignant vignettes of love and loss. There's a creepy horror story to make you shiver and a tale narrated by Flint, Ruth Galloway's cat, to make you smile. These stories illustrate the breadth and variety of Elly Griffiths' talent. Even the darkest of them is leavened with light touches of humour. This collection shows an author writing at the top of her game.