Jason Reynolds

Rashad is absent again today. That’s the sidewalk graffiti that started it all… Well, no, actually, a lady tripping over Rashad at the store, making him drop a bag of chips, was what started it all. Because it didn’t matter what Rashad said next—that it was an accident, that he wasn’t stealing—the cop just kept pounding him. Over and over, pummeling him into the pavement. So then Rashad, an ROTC kid with mad art skills, was absent again…and again…stuck in a hospital room. Why? Because it looked like he was stealing. And he was a black kid in baggy clothes. So he must have been stealing. And that’s how it started. And that’s what Quinn, a white kid, saw. He saw his best friend’s older brother beating the daylights out of a classmate. At first Quinn doesn’t tell a soul…He’s not even sure he understands it. And does it matter? The whole thing was caught on camera, anyway. But when the school—and nation—start to divide on what happens, blame spreads like wildfire fed by ugly words like “racism” and “police brutality.” Quinn realizes he’s got to understand it, because, bystander or not, he’s a part of history. He just has to figure out what side of history that will be. Rashad and Quinn—one black, one white, both American—face the unspeakable truth that racism and prejudice didn’t die after the civil rights movement. There’s a future at stake, a future where no one else will have to be absent because of police brutality. They just have to risk everything to change the world. Cuz that’s how it can end.

Originally performed at the Kennedy Center for the unveiling of the Martin Luther King Jr. Memorial, and later as a tribute to Walter Dean Myers, this stirring and inspirational poem is New York Times bestselling author and National Book Award finalist Jason Reynolds’s rallying cry to the young dreamers of the world. For Every One is just that: for every one. For every one person. For every one dream. But especially for every one kid. The kids who dream of being better than they are. Kids who dream of doing more than they almost dare to dream. Kids who are like Jason Reynolds, a self-professed dreamer. Jason does not claim to know how to make dreams come true; he has, in fact, been fighting on the front line of his own battle to make his own dreams a reality. He expected to make it when he was sixteen. Then eighteen. Then twenty-five. Now, some of those expectations have been realized. But others, the most important ones, lay ahead, and a lot of them involve kids, how to inspire them. All the kids who are scared to dream, or don’t know how to dream, or don’t dare to dream because they’ve NEVER seen a dream come true. Jason wants kids to know that dreams take time. They involve countless struggles. But no matter how many times a dreamer gets beat down, the drive and the passion and the hope never fully extinguish—because just having the dream is the start you need, or you won’t get anywhere anyway, and that is when you have to take a leap of faith. A pitch-perfect graduation, baby, or inspirational gift for anyone who needs to me reminded of their own abilities—to dream.

Prepare yourself for something unlike anything: A smash-up of art and text for teens that viscerally captures what it is to be Black. In America. Right Now. Written by #1 New York Times bestselling and award-winning author Jason Reynolds. Jason Reynolds and his best bud, Jason Griffin had a mind-meld. And they decided to tackle it, in one fell swoop, in about ten sentences, and 300 pages of art, this piece, this contemplation-manifesto-fierce-vulnerable-gorgeous-terrifying-WhatIsWrongWithHumans-hope-filled-hopeful-searing-Eye-Poppingly-Illustrated-tender-heartbreaking-how-The-HECK-did-They-Come-UP-with-This project about oxygen. And all of the symbolism attached to that word, especially NOW. And so for anyone who didn’t really know what it means to not be able to breathe, REALLY breathe, for generations, now you know. And those who already do, you’ll be nodding yep yep, that is exactly how it is.

From National Book Award finalist and New York Times bestselling author Jason Reynolds comes a novel told in ten blocks, showing all they different directions a walk home can take. This story was going to begin like all the best stories. With a school bus falling from the sky. But no one saw it happen. They were all too busy— Talking about boogers. Stealing pocket change. Skateboarding. Wiping out. Braving up. Executing complicated handshakes. Planning an escape. Making jokes. Lotioning up. Finding comfort. But mostly, too busy walking home. Jason Reynolds conjures ten tales (one per block) about what happens after the dismissal bell rings, and brilliantly weaves them into one wickedly funny, piercingly poignant look at the detours we face on the walk home, and in life.

The award-winning, bestselling verse novel is now a stunning graphic novel with illustrations by Danica Novgorodoff. 'A masterpiece from beginning to end.' Angie Thomas, author of The Hate U Give AND THEN THERE WERE SHOTS Everybody ran, ducked, hid, tucked themselves tight. Pressed our lips to the pavement and prayed the boom, followed by the buzz of a bullet, didn't meet us. After Will's brother is shot in a gang crime, he knows the next steps. Don't cry. Don't snitch. Get revenge. So he gets in the lift with Shawn's gun, determined to follow The Rules. Only when the lift door opens, Buck walks in, Will's friend who died years ago. And Dani, who was shot years before that. As more people from his past arrive, Will has to ask himself if he really knows what he's doing. This haunting, lyrical, powerful verse novel will blow you away.

Running. That's all that Ghost (real name Castle Cranshaw) has ever known. But never for a track team. Nope, his game has always been ball. But when Ghost impulsively challenges an elite sprinter to a race—and wins—the Olympic medalist track coach sees he has something: crazy natural talent. Thing is, Ghost has something else: a lot of anger, and a past that he is trying to outrun. Can Ghost harness his raw talent for speed and meld with the team, or will his past finally catch up to him?

“Jason Reynolds has done it again!...Fresh from start to finish…This is what it could be, should be, if only we were all as lucky as Aria. Girls (and everyone) wait for your Neon!” —Judy Blume, New York Times bestselling author of Are You There God? It's Me, Margaret. and Forever... #1 New York Times bestselling author Jason Reynolds tackles it—you know…it—from the guy’s perspective in this unfiltered and undeniably sweet stream of consciousness story of a teen boy about to experience a huge first. Twenty-four months ago: Neon gets chased by a dog all around the parking lot of a church. Not his finest moment. And definitely one he would have loved to forget if it weren’t for the dog’s owner: Aria. Dressed in sweats, a t-shirt, hair in a ponytail. Aria. Way more than fine. Twenty-four weeks ago: Neon’s dad insists on talking to him about tenderness and intimacy. Neon and Aria are definitely in love, and while they haven’t taken that next big step…yet, they’ve starting talking about…that. Twenty-four days ago: Neon’s mom finds her—gulp—bra in his room. Hey! No judging! Those hook thingies are complicated! So he’d figured he’d better practice, what with the big day only a month away. Twenty-four minutes ago: Neon leaves his shift at work at his dad’s bingo hall, making sure to bring some chicken tenders for Aria. They’re not candlelight and they definitely aren’t caviar, but they are her favorite. And right this second? Neon is locked in Aria’s bathroom, completely freaking out because twenty-four seconds from now he and Aria are about to…about to… Well, they won’t do anything if he can’t get out of his own head (all the advice, insecurities, and what ifs) and out of this bathroom!

Miles Morales is still just your average teenager. He has unexpectedly become totally obsessed with poetry and can never seem to do much more than babble around his crush. Nothing too weird. Oh! Except, just yesterday, he used his spidey superpowers to save the world (no biggie) from an evil mastermind called The Warden. And the grand prize Miles gets for that is… Suspension. But what begins as a long boring day of in-school suspension is interrupted by a little bzzz in his mind. His spidey-sense is telling him there’s something not quite right here, and soon he finds himself in a fierce battle with an insidious…termite?! His unexpected foe is hiding a secret, one that could lead to the destruction of the world’s history—especially Black and Brown history—and only Miles can stop him. Yeah, just a typical day in the life of your friendly neighborhood Spider-Man.

From #1 New York Times bestselling author Jason Reynolds comes the “action-packed…banter-filled” (School Library Journal, starred review) sequel to his groundbreaking young adult novel Miles Spider-Man about the adventures of the unassuming, everyday kid who just so happens to be Spider-Man.Miles Morales is just your average teenager. He has unexpectedly become totally obsessed with poetry and can never seem to do much more than babble around his crush. Nothing too weird. Oh! Except, just yesterday, he used his Spidey superpowers to save the world (no biggie) from an evil mastermind called The Warden. And the grand prize Miles gets for that is… Suspension. But what begins as a long boring day of in-school suspension is interrupted by a little bzzz in his mind. His Spidey Sense is telling him there’s something not quite right here, and soon he finds himself in a fierce battle with an insidious…termite?! His unexpected foe is hiding a secret, one that could lead to the destruction of the world’s history—especially Black and Brown history—and only Miles can stop him. Yeah, just a typical day in the life of your friendly neighborhood Spider-Man.

“Everyone gets mad at hustlers, especially if you’re on the victim side of the hustle. And Miles knew hustling was in his veins.” Miles Morales is just your average teenager. Dinner every Sunday with his parents, chilling out playing old-school video games with his best friend, Ganke, crushing on brainy, beautiful poet Alicia. He’s even got a scholarship spot at the prestigious Brooklyn Visions Academy. Oh yeah, and he’s Spider Man. But lately, Miles’s spidey-sense has been on the fritz. When a misunderstanding leads to his suspension from school, Miles begins to question his abilities. After all, his dad and uncle were Brooklyn jack-boys with criminal records. Maybe kids like Miles aren’t meant to be superheroes. Maybe Miles should take his dad’s advice and focus on saving himself. As Miles tries to get his school life back on track, he can’t shake the vivid nightmares that continue to haunt him. Nor can he avoid the relentless buzz of his spidey-sense every day in history class, amidst his teacher’s lectures on the historical "benefits" of slavery and the modern-day prison system. But after his scholarship is threatened, Miles uncovers a chilling plot, one that puts his friends, his neighborhood, and himself at risk. It’s time for Miles to suit up. Complete your Marvel YA collection with these best-selling fan-favorite novels:

New York Times bestselling and award-winning author Jason Reynolds’s debut picture book is a snappy, joyous ode to Word King, literary genius, and glass-ceiling smasher Langston Hughes and the luminaries he inspired. Back in the day, there was a heckuva party, a jam, for a word-making man. The King of Letters. Langston Hughes. His ABCs became drums, bumping jumping thumping like a heart the size of the whole country. They sent some people yelling and others, his word-children, to write their own glory. Maya Angelou, Amiri Baraka, and more came be-bopping to recite poems at their hero’s feet at that heckuva party at the Schomberg Library, dancing boom da boom, stepping and stomping, all in praise and love for Langston, world-mending word man. Oh, yeah, there was hoopla in Harlem, for its Renaissance man. A party for Langston.

THE #1 NEW YORK TIMES BESTSELLERThis chapter book edition of the groundbreaking #1 bestseller by luminaries Ibram X. Kendi and Jason Reynolds is an essential introduction to the history of racism and antiracism in America RACE. Uh-oh. The R-word. But actually talking about race is one of the most important things to learn how to do.Adapted from the award-winning, bestselling Stamped: Racism, Antiracism, and You, this book takes readers on a journey from present to past and back again. Kids will discover where racist ideas came from, identify how they impact America today, and meet those who have fought racism with antiracism. Along the way, they’ll learn how to identify and stamp out racist thoughts in their own lives.  Ibram X. Kendi’s research, Jason Reynolds’s and Sonja Cherry-Paul’s writing, and Rachelle Baker’s art come together in this vital read, enhanced with a glossary, timeline, and more.

Just when seventeen-year-old Matt thinks he can’t handle one more piece of terrible news, he meets a girl who’s dealt with a lot more—and who just might be able to clue him in on how to rise up when life keeps knocking him down—in this wry, gritty novel from the author of When I Was the Greatest. Matt wears a black suit every day. No, not because his mom died—although she did, and it sucks. But he wears the suit for his gig at the local funeral home, which pays way better than the Cluck Bucket, and he needs the income since his dad can’t handle the bills (or anything, really) on his own. So while Dad’s snagging bottles of whiskey, Matt’s snagging fifteen bucks an hour. Not bad. But everything else? Not good. Then Matt meets Lovey. She’s got a crazy name, and she’s been through more crazy than he can imagine. Yet Lovey never cries. She’s tough. Really tough. Tough in the way Matt wishes he could be. Which is maybe why he’s drawn to her, and definitely why he can’t seem to shake her. Because there’s nothing more hopeful than finding a person who understands your loneliness—and who can maybe even help take it away.

Lu must learn to leave his ego on the sidelines if he wants to finally connect with others in the climax to the New York Times bestselling and award-winning Track series from Jason Reynolds. Lu was born to be cocaptain of the Defenders. Well, actually, he was born albino, but that’s got nothing to do with being a track star. Lu has swagger, plus the talent to back it up, and with all that—not to mention the gold chains and diamond earrings—no one’s gonna outshine him.Lu knows he can lead Ghost, Patina, Sunny, and the team to victory at the championships, but it might not be as easy as it seems. Suddenly, there are hurdles in Lu’s way—literally and not-so-literally—and Lu needs to figure out, fast, what winning the gold really means. Expect the unexpected in this final event in Jason Reynold’s award-winning and bestselling Track series.

Duh je profinjen roman o dječaku koji ne može zaustaviti svoj temperament pa na verbalno zlostavljanje reagira tučnjavom, koji je nesiguran i misli kako ga drugi neće prihvatiti ako nema jednako vrijednu odjeću i obuću kao bogatija djeca pa ukrade u dućanu tenisice, ali istovremeno to je dirljiva priča o tome kako se suprotstaviti nasilju, kako očvrsnuti, kako reći ne ili da, kako se boriti za ono do čega vam je stalo. Castle je dvanaestogodišnji dječak koji je sam sebi nadjenuo nadimak Duh, koji voli zanimljivosti o svjetskim rekordima, sjemenke suncokreta i svoju mamu i kojem je trčanje najjednostavnija stvar na svijetu. Iako bi on radije igrao košarku, samo što ga niti jedan tim neće. Jednog dana iz dosade gleda trening elitnog trkaćeg tima i u trenutku inspiracije izazove na utrku najboljeg sprintera u timu. Kad ga pobijedi, trener tima, osvajač zlatne olimpijske medalje, pozove ga da im se pridruži uočivši Duhov nevjerojatni talent. No Treneru i mami mora obećati da će pisati sve školske zadaće i da se neće sukobljavati. No, to nije nimalo lako jer u njemu čuči srdžba i skriva se vrisak koji neprestano osjeća već tri godine – otkad je otac alkoholičar pucao na njega i majku. Odonda se izbjegava suočiti s problemima. Ali Trenerova pouzdanost i dosljednost te podrška članova tima pomožu mu da stekne sampouzdanje i uskoro mu treninzi postaju veliki izazov, a ambicije mu porastu. Pa kad osjeti što znači pripadati timu, odluči svladati sve prepreke kako bi nastupio na utrci.

Sunny tries to shine despite his troubled past in this third novel in the critically acclaimed Track series from National Book Award finalist Jason Reynolds.Ghost. Patina. Sunny. Lu. Four kids from wildly different backgrounds, with personalities that are explosive when they clash. But they are also four kids chosen for an elite middle school track team—a team that could qualify them for the Junior Olympics. They all have a lot of lose, but they all have a lot to prove, not only to each other, but to themselves. Sunny is the main character in this novel, the third of four books in Jason Reynold’s electrifying middle grade series.Sunny is just that—sunny. Always ready with a goofy smile and something nice to say, Sunny is the chillest dude on the Defenders team. But Sunny’s life hasn’t always been sun beamy-bright. You see, Sunny is a murderer. Or at least he thinks of himself that way. His mother died giving birth to him, and based on how Sunny’s dad treats him—ignoring him, making Sunny call him Darryl, never “Dad”—it’s no wonder Sunny thinks he’s to blame. It seems the only thing Sunny can do right in his dad’s eyes is win first place ribbons running the mile, just like his mom did. But Sunny doesn’t like running, never has. So he stops. Right in the middle of a race.With his relationship with his dad now worse than ever, the last thing Sunny wants to do is leave the other newbies—his only friends—behind. But you can’t be on a track team and not run. So Coach asks Sunny what he wants to do. Sunny’s answer? Dance. Yes, dance. But you also can’t be on a track team and dance. Then, in a stroke of genius only Jason Reynolds can conceive, Sunny discovers a track event that encompasses the hard hits of hip-hop, the precision of ballet, and the showmanship of dance as a whole: the discus throw. As Sunny practices the discus, learning when to let go at just the right time, he’ll let go of everything that’s been eating him up inside, perhaps just in time.

The sequel to National Book Award Finalist Ghost and a New York Times bestseller A newbie to the track team, Patina must learn to rely on her teammates as she tries to outrun her personal demons in this follow-up to the National Book Award finalist Ghost by New York Times bestselling author Jason Reynolds. Ghost. Lu. Patina. Sunny. Four kids from wildly different backgrounds with personalities that are explosive when they clash. But they are also four kids chosen for an elite middle school track team — a team that could qualify them for the Junior Olympics if they can get their acts together. They all have a lot to lose, but they also have a lot to prove, not only to each other, but to themselves. Patina, or Patty, runs like a flash. She runs for many reasons — to escape the taunts from the kids at the fancy-schmancy new school she’s been sent to ever since she and her little sister had to stop living with their mom. She runs from the reason WHY she’s not able to live with her “real” mom any more: her mom has The Sugar, and Patty is terrified that the disease that took her mom’s legs will one day take her away forever. And so Patty’s also running for her mom, who can’t. But can you ever really run away from any of this? As the stress builds, it’s building up a pretty bad attitude as well. Coach won’t tolerate bad attitude. No day, no way. And now he wants Patty to run relay… where you have to depend on other people? How’s she going to do THAT?

A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULEOr, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

“A lyrical masterpiece.” —School Library Journal (starred review) Originally performed at the Kennedy Center for the unveiling of the Martin Luther King Jr. Memorial, and later as a tribute to Walter Dean Myers, this stirring and inspirational poem is New York Times bestselling author and National Book Award finalist Jason Reynolds’s rallying cry to the young dreamers of the world.For Every One is exactly that: for every one. For every one person. For every one who has a dream. But especially for every kid. The kids who dream of being better than they are. Kids who dream of doing more than they almost dare to imagine. Kids who are like Jason Reynolds, a self-professed dreamer. Jason does not claim to know how to make dreams come true; he has, in fact, been fighting on the front line of his own battle to make his own dreams a reality. He expected to make it when he was sixteen. Then eighteen. Then twenty-five. Now, some of those expectations have been realized. But others, the most important ones, lay ahead, and a lot of them involve kids, how to inspire them: All the kids who are scared to dream, or don’t know how to dream, or don’t dare to dream because they’ve NEVER seen a dream come true. Jason wants kids to know that dreams take time. They involve countless struggles. But no matter how many times a dreamer gets beat down, the drive and the passion and the hope never fully extinguishes—because simply having the dream is the start you need, or you won’t get anywhere anyway, and that is when you have to take a leap of faith. A pitch-perfect graduation, baby, or inspirational gift for anyone who needs to me reminded of their own abilities—to dream.

Aos 15 anos, Will conhece intimamente a violência. Ela está à espreita no dia a dia de seu bairro, nos avisos para que não volte tarde para casa, nos sussurros dos vizinhos sobre mais uma pessoa que foi morta. Dessa vez, os sussurros são sobre seu irmão mais velho. Shawn foi assassinado na rua onde a família mora. Contado do ponto de vista de Will, Daqui pra baixo é uma narrativa ágil que se passa em pouco mais de um minuto — o tempo que o elevador do prédio leva para chegar ao térreo. Esse é o tempo que Will tem para descobrir se vai seguir as regras de sua comunidade ou se é possível não perpetuar o ciclo de violência. A regra número 1 é não chorar. A número 2, nunca dedurar alguém. A terceira, a crucial: se fazem algo com você ou com os seus, é preciso se vingar. A curta trajetória do elevador é ritmada pelas paradas em cada andar e por aqueles que aos poucos ocupam a cabine e os pensamentos de Will. Cada rosto tem uma história de vida e de morte. Will, em questão de segundos, vai definir a dele. Originalmente escrito em prosa, depois em verso, Daqui pra baixo faz a emoção — a confusão, a revolta, o medo — de um garoto armado que sai para vingar o irmão crescer também no peito de quem lê. Um livro impossível de ignorar.

Our story. Our way. A poet An artist One black One white Two voices One journey

From Newbery Medal honoree and #1 New York Times bestselling author Jason Reynolds comes the sequel to the hilarious, hopeful, and action-packed middle grade novel Stuntboy, in the Meantime about the greatest young superhero you’ve never heard of, jam packed with illustrations by Raúl the Third! Portico Reeves is the greatest superhero a lot of people have never heard of. He likes it that way—then no one can get in the way of him from keeping other other people safe. Super safe. He’s Stuntboy. He’s got the moves. And the saves. Except. There’s been one major fail. He couldn’t save his parents from becoming Xs. Which is a word that sounds like coughing up a hairball. But don’t talk to him about the divorce, because of the hairball thing, and also, it gives Portico the frets. What’s also giving him frets is his parents living on two separate floors in their apartment building. He’s never fully with one parent or the other. He’s in-between, all the time. The in-between time. And the elevator is busted, so to get between floors means getting past the bullies who hang in the stairwells. So when Portico and new friend, Herbert, and best best friend, Zola, discover an empty apartment , unlocked, they are psyched . It’s a perfect hideout, and hangout, and it’s not half anyone’s…it’s all theirs. So they decide to make it their own…let’s say with stunts of the drawing kind. Problem is, that gives some Grown Up People the frets, which leads to double frets for Portico. And he’s not sure his arsenal of stunts can combat that .

A middle grade novel about the greatest young superhero you’ve never heard of, filled with illustrations by Raúl the Third!Portico Reeves’s superpower is making sure all the other superheroes—like his parents and two best friends—stay super. And safe. Super safe. And he does this all in secret. No one in his civilian life knows he’s actually…Stuntboy! But his regular Portico identity is pretty cool, too. He lives in the biggest house on the block, maybe in the whole city, which basically makes it a castle. His mom calls where they live an apartment building. But a building with fifty doors just in the hallways is definitely a castle. And behind those fifty doors live a bunch of different people who Stuntboy saves all the time. In fact, he’s the only reason the cat, New Name Every Day, has nine lives. All this is swell except for Portico’s other secret, his not-so-super secret. His parents are fighting all the time. They’re trying to hide it by repeatedly telling Portico to go check on a neighbor “in the meantime.” But Portico knows “meantime” means his parents are heading into the Mean Time which means they’re about to get into it, and well, Portico’s superhero responsibility is to save them, too—as soon as he figures out how. Only, all these secrets give Portico the worry wiggles, the frets, which his mom calls anxiety. Plus, like all superheroes, Portico has an arch-nemesis who is determined to prove that there is nothing super about Portico at all.

In Bed Stuy, New York, a small misunderstanding can escalate into having a price on your head—even if you’re totally clean. This gritty, triumphant debut captures the heart and the hardship of life for an urban teen. A lot of the stuff that gives my neighborhood a bad name, I don’t really mess with. The guns and drugs and all that, not really my thing. Nah, not his thing. Ali’s got enough going on, between school and boxing and helping out at home. His best friend Noodles, though. Now there’s a dude looking for trouble—and, somehow, it’s always Ali around to pick up the pieces. But, hey, a guy’s gotta look out for his boys, right? Besides, it’s all small potatoes; it’s not like anyone’s getting hurt. And then there’s Needles. Needles is Noodles’s brother. He’s got a syndrome, and gets these ticks and blurts out the wildest, craziest things. It’s cool, though: everyone on their street knows he doesn’t mean anything by it. Yeah, it’s cool…until Ali and Noodles and Needles find themselves somewhere they never expected to be…somewhere they never should've been—where the people aren't so friendly, and even less forgiving.

“Jason Reynolds has done it again!...Fresh from start to finish…This is what it could be, should be, if only we were all as lucky as Aria. Girls (and everyone) wait for your Neon!” —Judy Blume, New York Times bestselling author of Are You There God? It's Me, Margaret. and Forever... #1 New York Times bestselling author Jason Reynolds tackles it—you know…it—from the guy’s perspective in this unfiltered and undeniably sweet stream of consciousness story of a teen boy about to experience a huge first.Twenty-four months Neon gets chased by a dog all around the parking lot of a church. Not his finest moment. And definitely one he would have loved to forget if it weren’t for the dog’s Aria. Dressed in sweats, a t-shirt, hair in a ponytail. Aria. Way more than fine. Twenty-four weeks Neon’s dad insists on talking to him about tenderness and intimacy. Neon and Aria are definitely in love, and while they haven’t taken that next big step…yet, they’ve starting talking about…that. Twenty-four days Neon’s mom finds her—gulp—bra in his room. Hey! No judging! Those hook thingies are complicated! So he’d figured he’d better practice, what with the big day only a month away. Twenty-four minutes Neon leaves his shift at work at his dad’s bingo hall, making sure to bring some chicken tenders for Aria. They’re not candlelight and they definitely aren’t caviar, but they are her favorite. And right this second? Neon is locked in Aria’s bathroom, completely freaking out because twenty-four seconds from now he and Aria are about to…about to… Well, they won’t do anything if he can’t get out of his own head (all the advice, insecurities, and what ifs) and out of this bathroom!

‘Niemand gelooft niks meer tegenwoordig, maar ik zeg het je, het is waar.’ Deze graphic novel-versie van 67 seconden geeft de versroman een nog aangrijpendere en emotionelere lading. Zevenenzestig seconden. Zeven verdiepingen. Drie regels. Een wapen. Will staat 67 seconden in de lift naar beneden, met in zijn broekband een pistool. Zijn broer Shawn is vermoord, en Will weet wat er van hem verwacht wordt. Niet snitchen. Niet huilen. Wraak. De graphic novel van 67 seconden is vertaald door Maria Postema.

A young adult anthology featuring fictional stories of everyday resistance. You might be the kind of person who stands up to online trolls.Or who marches to protest injustice.Perhaps you are #DisabledAndCute and dancing around your living room, alive and proud.Or perhaps you are the trans mentor that you wish you had when you were younger.Maybe you call out false allies, or stand up to loved ones. Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave.This anthology features fictional stories--in poems, prose, and art--that reflect a slice of the varied and limitless ways that readers like you resist every day. Take the Mic 's powerful collection of stories features work by literary luminaries and emerging talent alike, including Newbery-winner Jason Reynolds, New York Times bestseller Samira Ahmed, anthologist and contributor Bethany C. Morrow, Darcie Little Badger, Keah Brown, Laura Silverman, L.D. Lewis, Sofia Quintero, Ray Stoeve, Yamile Mendez, and Connie Sun, with cover and interior art by Richie Pope.

A remix of the National Book Award-winning Stamped from the Beginning for ages 12 and up. A timely, crucial, and empowering exploration of racism--and antiracism--in America. This is NOT a history book. This is a book about the here and now. A book to help us better understand why we are where we are. A book about race. The construct of race has always been used to gain and keep power, to create dynamics that separate and silence. This is a remarkable reimagining of Dr. Ibram X. Kendi's Stamped from the Beginning, winner of a National Book Award. It reveals the history of racist ideas in America and inspires hope for an antiracist future. Stamped takes you on a race journey from then to now, shows you why we feel how we feel, and why the poison of racism lingers. It also proves that while racist ideas have always been easy to fabricate and distribute, they can also be discredited. Through a gripping, fast-paced, and energizing narrative, Jason Reynolds shines a light on the many insidious forms of racist ideas--and on ways readers can identify and stamp out racist thoughts in their daily lives.

From National Book Award finalist and New York Times bestselling author Jason Reynolds comes a novel told in ten blocks, showing all the different directions a walk home can take.This story was going to begin like all the best stories. With a school bus falling from the sky. But no one saw it happen. They were all too busy— Talking about boogers. Stealing pocket change. Skateboarding. Wiping out. Braving up. Executing complicated handshakes. Planning an escape. Making jokes. Lotioning up. Finding comfort. But mostly, too busy walking home. Jason Reynolds conjures ten tales (one per block) about what happens after the dismissal bell rings, and brilliantly weaves them into one wickedly funny, piercingly poignant look at the detours we face on the walk home, and in life.

When two brothers decide to prove how brave they are, everything backfires—literally. Genie’s summer is full of surprises. The first is that he and his big brother, Ernie, are leaving Brooklyn for the very first time to spend the summer with their grandparents all the way in Virginia—in the COUNTRY! The second surprise comes when Genie figures out that their grandfather is blind. Thunderstruck and—being a curious kid—Genie peppers Grandpop with questions about how he covers it so well (besides wearing way cool Ray-Bans). How does he match his clothes? Know where to walk? Cook with a gas stove? Pour a glass of sweet tea without spilling it? Genie thinks Grandpop must be the bravest guy he’s ever known, but he starts to notice that his grandfather never leaves the house—as in NEVER. And when he finds the secret room that Grandpop is always disappearing into—a room so full of songbirds and plants that it’s almost as if it’s been pulled inside-out—he begins to wonder if his grandfather is really so brave after all. Then Ernie lets him down in the bravery department. It’s his fourteenth birthday, and, Grandpop says to become a man, you have to learn how to shoot a gun. Genie thinks that is AWESOME until he realizes Ernie has no interest in learning how to shoot. None. Nada. Dumbfounded by Ernie’s reluctance, Genie is left to wonder—is bravery and becoming a man only about proving something, or is it just as important to own up to what you won’t do?