Andrea di Robilant

In the autumn of 1948, Ernest Hemingway and his wife travelled to Venice for the first time. At a duck shoot in the lagoon he met and fell in love with Adriana Ivancich, a striking Venetian girl just out of finishing school. Adriana was the model for Renata in Hemingway's Across the River and into the Trees, and he continued to visit Venice to see her. When the Ivanciches travelled to Cuba, Adriana was there with him as he wrote The Old Man and the Sea.

In the waning days of Venice’s glory in the mid-1700s, Andrea Memmo was scion to one the city’s oldest patrician families. At the age of twenty-four he fell passionately in love with sixteen-year-old Giustiniana Wynne, the beautiful, illegitimate daughter of a Venetian mother and British father. Because of their dramatically different positions in society, they could not marry. And Giustiniana’s mother, afraid that an affair would ruin her daughter’s chances to form a more suitable union, forbade them to see each other. Her prohibition only fueled their desire and so began their torrid, secret seven-year-affair, enlisting the aid of a few intimates and servants (willing to risk their own positions) to shuttle love letters back and forth and to help facilitate their clandestine meetings. Eventually, Giustiniana found herself pregnant and she turned for help to the infamous Casanova–himself infatuated with her. Two and half centuries later, the unbelievable story of this star-crossed couple is told in a breathtaking narrative, re-created in part from the passionate, clandestine letters Andrea and Giustiniana wrote to each other.

From the author of the best-selling A Venetian Affair , here is the charming chronicle of his search for the identity of a mysterious old rose. Andrea di Robilant’s tale takes us back to the time of Josephine Bonaparte, as well as into some of the most delightful rose gardens in Italy today, brought to colorful life on the page in the watercolors of artist Nina Fuga.   In his 2008 biography of the Venetian lady Lucia Mocenigo (his great-great-great-great- grandmother), di Robilant described a pink rose that grows wild on the family’s former country estate, mentioning its light peach-and-raspberry scent. This passing detail led to an invitation for an audience with a local rose doyenne, Eleonora Garlant. She and other experts wondered if di Robilant’s unnamed rose could possibly be one of the long-lost China varieties that nineteenth-century European growers had cultivated but which have since disappeared. On the hunt for the identity of his anonymous yet quietly distinctive rose, Di Robilant finds himself captivated by roseophiles through time––from Lucia and her friend Josephine Bonaparte to the gifted Eleonora, whose garden of nearly fifteen hundred varieties of old roses is one of the most significant in Europe––and by the roses themselves, each of which has a tale to tell. What starts out as a lighthearted quest becomes a meaningful journey as di Robilant contemplates the enduring beauty of what is passed down to us in a rose, through both the generosity of nature and the cultivating hand of human beings, who for centuries have embraced and extended the life of this mysterious flower.

From the acclaimed author of A Venetian Affair comes the vivid and dramatic story of the fall of Venice and the rise of a new age during the tumultuous Napoleonic period, as seen through the eyes of his great-great-great-great-grandmother. In 1787, Lucia, the beautiful sixteen-year-old daughter of a prominent Venetian statesman, is married off to Alvise Mocenigo, scion of one of the most powerful Venetian families. But their life as a golden couple will be suddenly transformed when Venice falls to Bonaparte. As the larger events unfolding around Lucia mingle with her most personal concerns, we witness—through her letters to her sister and other primary sources—her painful series of miscarriages and the pressure on her to produce an heir; her impassioned affair with an Austrian officer and its stunning results; the glamour and strain of her career as a hostess in Hapsburg Vienna and lady-in-waiting at the court of Napoleon’s stepson, Prince Eugène de Beauharnais, as well as her intimate relationship with the Empress Joséphine; and her amazing firsthand account of the defeat of Napoleon in Paris in 1814. In her later years, Lucia, regal and still beautiful and a bit battle-hardened herself, was Byron’s landlord during the poet’s stay in Venice. In a fitting finale to this sweeping drama, Lucia stands as a relic of a lost golden she created, in part, the aura that gave rise to the Romantic view of Italy and its culture that we still nourish today. With the brave and articulate Lucia at the center of his re-creation of this remarkable historical period, Andrea di Robilant has once again reached across the centuries, and deep into his own past, to bring history to rich and vivid life on the page.

From the author of the best-selling A Venetian Affair ("A narrative of novelistic resonance...Astonishing" — The Washington Post ), the story of an Italian Renaissance book editor who introduced European minds to the wider world through his passion for geography In the autumn of 1550, a thick volume containing a wealth of new geographical information, with startling wood-cut maps of Africa, India and Indonesia, was published in Venice under the title Navigationi & Viaggi (Journeys & Navigations). The person who had edited this remarkable collection of travelogues, journals, and classified government reports was unknown. Two more volumes delivered the most accurate information on Asia and the "New" World that was available. The three volumes together constituted an unparalleled release of geographical data into the public domain. It was, Andrea di Robilant writes, the biggest Wikileak of the Renaissance. In This Earthly Globe , di Robilant brings to life the palace intrigues, editorial wheedling, delicate alliances, and vibrant curiosity that resulted in this coup by the editor G. B. Ramusio. Learned and self-effacing, he gathered a diverse array of both popular and closely guarded narratives, from the journals of Marco Polo (he fact-checked them!) to detailed reports on Northern African cultures from Hasan ibn Mohammad al-Wazzan of Andalusia. Diverse voices spill out from these chapters as di Robilant recounts how Ramusio pursued the sources, and how he understood both the darker episodes of "exploration," which included colonial violence, and the accounts of people from African and Asian lands, who had a great deal to share about their cultures. The result is a far-flung and delightful homage to one of the founding fathers of book publishing.