Nell Stevens

A playful and daring tale about a teenage ghost who falls in love with the writer George Sand.In 1473, fourteen-year-old Blanca dies in a hilltop monastery in Mallorca. Nearly four hundred years later, when George Sand, her two children, and her lover Frederic Chopin arrive in the village, Blanca is still there: a spirited, funny, righteous ghost, she’s been hanging around the monastery since her accidental death, spying on the monks and the townspeople and keeping track of her descendants. Blanca is enchanted the moment she sees George, and the magical novel unfolds as a story of deeply felt, unrequited longing—a teenage ghost pining for a woman who can’t see her and doesn’t know she exists. As George and Chopin, who wear their unconventionality, in George’s case, literally on their sleeves, find themselves in deepening trouble with the provincial, 19th-century villagers, Blanca watches helplessly and reflects on the circumstances of her own death (which involved an ill-advised love affair with a monk-in-training). Charming, original, and emotionally moving -- gorgeous and surprising exploration of artistry, desire, and life after death.

On a frozen island in the Falklands, with only penguins for company, a young would-be writer struggles to craft a debut novel...and instead writes a funny, clever, moving memoir that heralds the arrival of a fresh new literary talent. Twenty-seven-year-old Nell Stevens was determined to write a novel, but somehow life kept getting in the way. Then came an irresistible opportunity: she won a fellowship to spend three months, all expenses paid, anywhere in the world to research and write a book. Did she choose a glittering metropolis, a romantic village, an exotic paradise? Um, no. Nell chose Bleaker Island, a snowy, windswept pile of rock off the Falklands. There, in a guesthouse where she would be the only guest, she imagined she could finally rid herself of distractions and write her 2,500 words a day. In three months, surely she'd have a novel, right? It's true that there aren't many distractions on Bleaker, other than sheep, penguins, paranoia and the weather. But as Nell gets to work on her novel--a delightful Dickensian fiction she calls Bleaker House--she discovers that an excruciatingly erratic Internet connection and 1100 calories a day (as much food as she could carry in her suitcase, budgeted to the raisin) are far from ideal conditions for literary production. With deft humour, this memoir traces Nell's island days and slowly reveals details of the life and people she has left behind in pursuit of her art. They pop up in her novel, as well, as memoir and novel start to reflect one another. It seems that there is nowhere Nell can run--neither a remote island nor the pages of her notebook--to escape herself. A whimsical, entertaining, thought-provoking blend of memoir and travelogue, laced with tongue-in-cheek writing advice, Bleaker House brilliantly captures the hopes, fears, self-torture and humour of being young and yearning to make a creative life. With winning honesty and wit, Nell's race to finish her book emerges as a fascinating narrative in its own right.

History meets memoir in two irresistible true-life romances--one set in 19th century Rome, one in present-day Paris and London--linked by a bond between women writers a hundred years apart In 1857, English novelist Elizabeth Gaskell completed her most famous work: the biography of her dear friend Charlotte Bronte. As publication loomed, Mrs. Gaskell was keen to escape the reviews. So, leaving her dull minister husband and dreary provincial city behind, she set off with her daughters to Rome. There she met a dazzling group of artists and writers, among them the American critic Charles Eliot Norton. Seventeen years her junior, Norton was her one true love. They could not be together--it would be an unthinkable breach of convention--but by his side and amidst that splendid circle, Mrs. Gaskell knew she had reached the "tip-top point of [her] life." In 2013, Nell Stevens is embarking on her PhD--about the community of artists and writers living in Rome in the mid-19th century--and falling head over heels for a soulful American screenwriter in another city. As her long-distance romance founders and her passion for academia never quite materializes, she is drawn to Mrs. Gaskell. Could this indomitable Victorian author rescue Nell's pursuit of love, family and a writing career? Lively, witty, and impossible to put down, The Victorian and the Romantic is a moving chronicle of two women each charting a way of life beyond the rules of her time.

En 1473, Blanca, de catorce años, muere en un monasterio en Mallorca. Casi cuatrocientos años después, cuando George Sand, sus dos hijos y su amante, Frederic Chopin, llegan al pueblo, Blanca sigue ahí: un fantasma vivaz, divertido y honesto que ha estado pasando el tiempo en el monasterio desde su muerte accidental, espiando a los monjes y a los habitantes del pueblo y haciendo un registro de sus descendientes. Blanca queda encantada desde el momento en que ve a George, y la novela mágica se despliega como una historia de un fuerte amor no correspondido -una fantasma adolescente anhelando a una mujer que no puede verla y que no sabe que existe. Mientras George y Chopin, que lucen su poco convencionalismo, se encuentran con problemas cada vez más serios con los aldeanos, Blanca observa sin poder hacer nada y reflexiona sobre las circunstancias de su propia muerte, que involucraron un romance desacertado con un monje en formación.

In a grand English country house in 1899, an aspiring art forger must unravel whether the man claiming to be her long-lost cousin is an impostor. An unwanted guest of her uncle’s family since childhood, Grace has grown up on the periphery of a once-great household. She has unusual predilections: for painting, particularly forgery; for deception; for other girls. Her life is altered when a letter arrives from the South Atlantic. The writer claims to be her cousin Charles, long presumed dead at sea. When he returns, a rift emerges between family members who claim he is an imposter and Grace’s aunt, who insists he is her son. Grace, whose intimate knowledge of fakes is her own closely guarded secret, is forced to decide who to believe and who to pretend to believe. In deciphering the truth about her cousin, she comes to understand other truths: how money is found and lost, and who deserves to be rich; what family means to queer people; and the value of authenticity, in art and in love.