J.W. Ocker

An illustrated compendium that reveals the true stories behind the most infamous, creepy, and bizarre real-life cursed objects throughout history. Spanning decades and continents, subjects range from the opulent Hope Diamond to the humble Busby Stoop chair. They're lurking in museums, graveyards, and private homes around the world. Their stories have inspired countless horror movies, reality TV shows, campfire tales, books, and even chain emails. They're cursed objects, and in order to unleash a wave of misfortune, all they need...is you. As a culture, we can't seem to get enough of cursed objects. But never before have the true stories of these infamous real-life items been compiled into a fascinating and chilling volume. Entries include: • Annabelle the Doll, a Raggedy Ann doll which inspired the acclaimed horror franchise The Conjuring • The Tomb of Tutankhamen, the discovery of which kicked-started media hysteria over a rumored "Curse of the Pharaohs" • The Ring of Silvianus, a Roman artifact believed to have inspired J. R. R. Tolkien's The Hobbit • The Hope Diamond, which was owned by kings and inspired the Heart of the Ocean in James Cameron's Titanic • The Dybbuk Box, which was sold on eBay and inspired the horror film The Possession Whether you believe in curses or not, the often tragic and always bizarre stories behind these objects will fascinate you. Many of them have intersected with some of the most notable events and people in history. But beyond Hollywood and beyond the hysteria, author J. W. Ocker suggests that cursed objects are simply objects which have been witness to great human tragedy, and thereafter operate as mechanisms for remembering and retelling those stories. Cursed Objects will be equally appealing to true believers as well as history buffs, horror fans, and anyone who loves a good spine-tingling tale.

Meet the monsters in our midst, from bigfoot to Mothman and beyond! Welcome to the United States of Cryptids, where mysterious monsters lurk in the dark forests, deep lakes, and sticky swamps of all fifty states. From the infamous Jersey Devil to the obscure Snallygaster, travel writer and chronicler of the strange J. W. Ocker uncovers the bizarre stories of these creatures and investigates the ways in which communities embrace and celebrate their local cryptids. Readers will learn about: • Batsquatch of Washington, a winged bigfoot that is said to have emerged from the eruption of Mount Saint Helens • Nain Rouge of Michigan, a fierce red goblin that has been spotted before every major city disaster in Detroit • Flatwoods Monster of West Virginia, a robotic extraterrestrial that crash-landed in rural Appalachia • Lizard Man of South Carolina, a reptilian mutant that attacked a teenager in the summer of 1988 • Glocester Ghoul of Rhode Island, a fire-breathing dragon that guards a hoard of pirate treasure • And many more! Whether you believe in bigfoot or not, this fully illustrated compendium is a fun, frightening, fascinating tour through American folklore and history, exploring the stories we tell about monsters and what those stories say about us.

Felix Allsey is a travel writer with a keen eye for the paranormal, and he's carved out a unique, if only slightly lucrative, niche for himself in nonfiction; he writes travelogues of the country's most haunted places, after haunting them himself. When he convinces the owner of the infamous Rotterdam Mansion to let him stay on the premises for two weeks, he believes he's finally found the location that will bring him a bestseller. As with his other gigs, he sets rules -- no leaving the house for any reason, refrain from outside contact, and sleep during the day. When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That's when things start going -- screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he's writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that's been staring these men in the face: In Rotter House, who's haunting who?