Edward Albee

Edwards Albee's Pulitzer Prize-winning play A Delicate Balance reveals the emotional savagery of suburbia and the psychological terror of empty lives. First produced in 1966, this dark drawing room comedy may be Albee's masterpiece, as powerful in its 1996 revival as it was thirty years before. Its characters maintain a delicate balance between self-destruction and survival when a bitter 36-year-old daughter returns home to the family nest after the collapse of her fourth marriage. The much wed Julia shatters the uneasy peace of her long-married parents, Agnes and Tobias, and their permanent guest — acerbic, unpredictable, and witty alcoholic sister-in-law Claire. When two lifelong friends gate-crash this impromptu reunion, the masks of civility drop and raw feelings emerge. Filled with shades of meaning, subtleties, and whole paragraphs of brilliant dialogue, A Delicate Balance has become classic theater, a timeless mirror of the worst, and sometimes the best, aspects of modern life.

THE STORY: Widely familiar as a successful novel and motion picture, LOLITA details the controversial obsession of Humbert Humbert, a middle-aged man of some education and refinement, to possess Dolores Haze, a pre-teen "nymphet." Comprised of a series of interrelated scenes which are commented on by an urbane narrator, the play follows the peregrinations of the increasingly desperate Humbert as he first marries Dolores's mother and then engineers her death—after which he and "Lolita" embark on a zigzag tour of America's motels, always one step ahead of another "dirty old man" with whom his hostage is in love. In the end, "Lolita" escapes Humbert's clutches only to marry a deaf man and die in childbirth—her tormentors, in turn, follow their own destinies toward either madness or murder.

Pulitzer Prize-winning author Edward Albee is one of our most important American playwrights. And nowhere is his dramatic genius more apparent than in two of his probing early works, The American Dream and The Zoo Story. The New Yorker hailed The American Dream as "unique ... brilliant ... a comic nightmare, fantasy of the highest order." The story of one of America's most dysfunctoinal families, it is a ferocious, uproarious attack on the substitution of artificial values for real values-a startling tale of murder and morality that rocks middle-class ethics to its complacent foundations. The Zoo Story is a harrowing depiction of a young man alienated from the human race-a searing story of loneliness and the desperate need for recognition that builds to a violent, shattering climax. Together, these plays show men and women at their most hilarious, heartbreaking, and above all, human-and demonstrate why Edward Albee continues to be one of our greatest living dramatists.

Three-time Pulitzer Prize-winner Edward Albee’s most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf, The Goat won every major award for best new play of the the Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle Awards. In the play, Martin―a hugely successful architect who has just turned fifty―leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters.The playwright himself describes it this “Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."

The Zoo Story is a one-act play by American playwright Edward Albee. His first play, it was written in 1958 and completed in just three weeks. The play explores themes of isolation, loneliness, miscommunication as anathematization, social disparity and dehumanization in a materialistic world.

This volume of plays contains Edward Albee's four most famous one-act works. They are "Death of Bessie Smith", "Zoo Story", "American Dream", and "Sand Box".

Yellow Pamphlet Booklet with Two Plays. This Edition of 'The Zoo Story' contains revisions to the original text. These revisions were made by the author in 1999 during rehearsals for his production of the play at the Alley Theatre in Houston, Texas. Diagram of stage arrangements and Property Lists for each play are included. 42 pages. 7.75 x 5.2 inches. Dramatists Play Service, Inc., USA, 1961.

This new collection features three acclaimed one-act plays from Edward Albee's early years. With the initial productions of The Death of Bessie Smith, The Sandbox, and The American Dream, Albee consolidated his reputation as a brilliant new talent of the New York theater scene. These three plays tackle major themes such as race relations, American family life, and the essence of theater itself—each of which still continue to resonate. Representing the bold and exciting periods in the then young career of widely considered America's most popular and imaginative playwrights, this edition is a must-have for theater lovers.

WINNER OF THE PULITZER PRIZE FOR DRAMA Recently revived on Broadway in a production directed by Joe Mantello, starring two-time Oscar winner Glenda Jackson and Tony winner Laurie Metcalf Earning a Pulitzer and Best Play awards from the Evening Standard, Critics Circle, and Outer Critics Circle, among others, when it premiered, Edward Albee has, in Three Tall Women , created a masterwork of modern theater. As an imperious, acerbic old woman lies dying, she is tended by two other women and visited by a young man. Albee’s frank dialogue about everything from incontinence to infidelity portrays aging without sentimentality. His scenes are charged with wit, pain, and laughter, and his observations tell us about forgiveness, reconciliation, and our own fates. But it is his probing portrait of the three women that reveals Albee’s genius. Separate characters on stage in the first act, yet actually the same “everywoman” at different ages in the second act, these “tall women” lay bare the truths of our lives—how we live, how we love, what we settle for, and how we die. Edward Albee has given theatergoers, critics, and students of drama reason to rejoice.

"Twelve times a week," answered Uta Hagen when asked how often she'd like to play Martha in Who's Afraid of Virginia Woolf? In the same way, audiences and critics alike could not get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art--an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come."