Stacey Halls

Numa época de suspeita e perseguição, o medo do desconhecido pode ser o pior inimigo… Fleetwood está grávida pela quarta vez. Nenhuma das gestações anteriores teve sucesso, e o seu marido Richard está ansioso por um herdeiro. Quando a jovem encontra uma carta escondida do seu médico, descobre que desta vez ela própria poderá não sobreviver. Quando conhece Alice Gray, esta promete ajudar Fleetwood a dar à luz um bebé saudável. Contudo, Alice é acusada de bruxaria, e Fleetwood terá de arriscar tudo para provar a inocência da amiga. O julgamento aproxima-se, tal como o momento de a jovem dar à luz, e todas as vidas estão em risco. Rico em detalhes, extraordinariamente bem construído e baseado nos julgamentos de Pendle Hill, este romance explora os direitos das mulheres no século XVII e levanta a questão: terá sido uma caça às bruxas ou uma caça às mulheres?

ABY OCALIĆ NIENARODZONE DZIECKO, ZAUFA OBCEJ. ABY OCHRONIĆ SWÓJ SEKRET, ZARYZYKUJE ŻYCIE. 1612, WZGÓRZE PENDLE, LANCASTER, ANGLIA Fleetwood Shuttleworth, pani na Gawthorpe Hall, spodziewa się dziecka. Niczego nie pragnie bardziej, niż dać mężowi dziedzica. Pewnego dnia znajduje list, w którym jej medyk ostrzega, że nie przeżyje ona ciąży. Zrozpaczona Fleetwood spotyka Alice, miejscową akuszerkę. Dziewczyna zapewnia, że pani na Gawthorpe Hall może urodzić zdrowe dziecko, lecz wkrótce zostaje posądzona o uprawianie czarnej magii. Czy Fleetwood może zaufać Alice? Czy jest ona osobą, za którą się podaje? Los dwóch kobiet splata się nierozerwanie, Fleetwood musi dowieść niewinności Alice. Czas ucieka. Za chwilę rozpoczną się procesy czarownic. Życie jednej i drugiej kobiety jest zagrożone. Tylko one znają prawdę. Tylko one mogą wzajemnie się ocalić. Bohaterowie osadzonej w czasach procesu wiedźm ze wzgórza Pendle, mocnej, angażującej powieści, nawiązują do postaci historycznych. Wiodą nas przez świat siedemnastowiecznych obyczajów i praw, na końcu stawiając niepokojące pytanie: CZY POLOWANIA NA CZAROWNICE TO TAK NAPRAWDĘ POLOWANIA NA KOBIETY?

1754. Zes jaar nadat Bess haar onwettige dochter Clara achterliet in een kindertehuis in Londen, wil ze de dochter die ze nooit heeft gekend terughalen. Ze is geschokt wanneer ze ontdekt dat Clara al eerder werd opgeëist, door haarzelf. Haar leven komt op zijn kop te staan terwijl ze probeert te achterhalen wie haar dochtertje heeft meegenomen en waarom. Aan de rand van Londen worstelt een jonge weduwe die haar huis al tien jaar niet heeft verlaten met het verwelkomen van een nieuw kindermeisje. Haar verleden dreigt haar in te halen en haar zorgvuldig geconstrueerde wereld uit elkaar te scheuren.

Nu există familie perfectă. Ea ar trebui să știe cel mai bine. Dar cum poate împiedica istoria să se repete? West Yorkshire, Anglia, 1904. Când Ruby May primește o poziție de dădacă în casa lui Charles și Lilian England, o familie de industriași bogați, ea speră că acesta va fi noul început pe care și-l dorește. Dar, pe când încearcă din greu să se adapteze la viața însingurată de pe domeniul Hardcastle House, își dă seama că ceva e putred în familie. Ceva legat de frumoasa și misterioasa doamnă England... Doamna England este portretul extraordinar al unei căsnicii din epoca edwardiană, o poveste captivantă despre bărbați și femei, putere și control, curaj, adevăr și cea mai amară decepție. Pe fundalul unui peisaj dramatic, cu personaje vibrante, acest roman demonstrează că Stacey Halls este una dintre cele mai incitante voci noi din literatura britanică.

Fleetwood Shuttleworth, a 17. század elején játszódó történet főhőse alig 17 éves, és negyedszer várandós. Ő Gawthorpe Hall úrnője, de eddig még nem sikerült gyermeket világra hoznia, pedig a férje, Richard már nagyon vágyik örökösre. Amikor Fleetwoodnak a kezébe kerül egy levél, amelyet a harmadik halvaszülését levezető orvos írt a férjének, lesújtó hírrel szembesül: egy újabb terhességet már nem fog túlélni. Találkozik egy fiatal bábával, Alice Grayjel, aki megígéri, segít, és bebizonyítja, hogy az orvos tévedett. Alice-t boszorkánysággal vádolják, és Fleetwood mindent kockára tesz, hogy megmentse. De vajon Alice valóban az, aminek látszik? Csak ők tudják az igazságot. Csak ők menthetik meg egymást.

Fleetwood Shuttleworth tiene diecisiete años, está casada y embarazada por cuarta vez. Como señora de Gawthorpe Hall, en el condado de Lancaster, todavía no ha conseguido traer al mundo un bebé que sobreviva al parto y su esposo Richard es eso precisamente lo que más ansía: un heredero. Cuando Fleetwood descubre una carta oculta del médico que la atendió en su último embarazo, sabe que es ella quien no sobrevivirá esta vez. Pero entonces su camino se cruza con el de Alice Gray, una jovencísima partera y curandera que le promete que le la ayudará a dar a luz a un bebé sano, el heredero que todos esperan y que convertirá a Fleetwood, por fin, en auténtica señora de su la mansión y sus las tierras. Sin embargo, el rey Jacobo I, consciente de que el condado de Lancaster se ha convertido en un nido de conspiradores, sabe que una buena manera de instaurar el orden es infundir miedo y temor entre sus habitantes. Y así arranca la caza de brujas más terrible de la historia de Inglaterra, una caza en la que cualquier joven con conocimientos médicos se vuelve sospechosa. Conforme el juicio de las brujas de Pendle se acerca, Fleetwood y Alice saben que se necesitan la una a la otra para sobrevivir.

West Yorkshire, 1904. When newly graduated nurse Ruby May takes a position looking after the children of Charles and Lilian England, a wealthy couple from a powerful dynasty of mill owners, she hopes it will be the fresh start she needs. But as she adapts to life at the isolated Hardcastle House, it becomes clear there's something not quite right about the beautiful, mysterious Mrs England. Ostracised by the servants and feeling increasingly uneasy, Ruby is forced to confront her own demons in order to prevent history from repeating itself. After all, there's no such thing as the perfect family - and she should know. Simmering with slow-burning menace, Mrs England is a portrait of an Edwardian marriage, weaving an enthralling story of men and women, power and control, courage, truth and the very darkest deception. Set against the atmospheric landscape of West Yorkshire, Stacey Halls' third novel proves her one of the most exciting and compelling new storytellers of our times.

Young Fleetwood Shuttleworth, a noblewoman, is with child again. None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Grey, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft. Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other. Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Grey and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.

London, 1754. Six years after leaving her illegitimate daughter Clara at London's Foundling Hospital, Bess Bright returns to reclaim the child she has never known. Dreading the worst - that Clara has died in care - the last thing she expects to hear is that her daughter has already been reclaimed - by her. Her life is turned upside down as she tries to find out who has taken her little girl - and why. Less than a mile from Bess' lodgings in the city, in a quiet, gloomy townhouse on the edge of London, a young widow has not left the house in a decade. When her close friend - an ambitious young doctor at the Foundling Hospital - persuades her to hire a nursemaid for her daughter, she is hesitant to welcome someone new into her home and her life. But her past is threatening to catch up with her and tear her carefully constructed world apart. From the bestselling author of The Familiars, and set against the vibrant backdrop of Georgian London, The Foundling explores families, secrets, class, equality, power and the meaning of motherhood.

From the Sunday Times bestseller and winner of the Women's Prize Futures Award, the captivating, highly anticipated new novel, inspired by real historical figures and events. In a quiet house in the countryside outside London, the finishing touches are being made to welcome a group of young women. The house and its location are top secret, its residents unknown to one another, but the girls have one thing in they are fallen. Offering refuge for prostitutes, petty thieves and the destitute, Urania Cottage is a second chance at life - but how badly do they want it? Meanwhile, a few miles away in a Piccadilly mansion, millionairess Angela Burdett-Coutts, one of the benefactors of Urania Cottage, makes a discovery that leaves her her stalker of 10 years has been released from prison . . . As the women's worlds collide in ways they could never have expected, they will discover that freedom always comes at a price . . . The Household is the new novel from the award-winning, Sunday Times bestselling author of The Familiars , The Foundling and Mrs England. Set against Charles Dicken's home for fallen women and inspired by real figures from history, it is Stacey Halls' most ambitious and compelling novel yet. PRAISE FOR STACEY HALLS 'Stacey Halls is a writer of great originality, great imagination and great sense of place. Atmospheric, intelligent, accessible, every novel is worth reading, then reading again and again' Kate Mosse 'The new Hilary Mantel' Cosmopolitan 'Outstanding. Haunting, compelling, atmospheric' Emma Stonex 'Utterly compelling. Menacing and marvellously written, this is hugely accomplished' Daily Mail 'Shimmers with menace... enticing and beautifully written' Sunday Express 'Jaw-droppingly brilliant. Exquisitely written, incredibly atmospheric, a masterclass in rising tension' Liz Hyder

A mother’s love knows no bounds… London, 1754. Six years after leaving her newborn, Clara, at London’s Foundling Hospital, young Bess Bright returns to reclaim the illegitimate daughter she has never really known. Dreading the worst—that Clara has died in care—the last thing she expects to hear is that her daughter has already been reclaimed. Her life is turned upside down as she tries to find out who has taken her little girl—and why. Less than a mile from Bess’s lodgings in a quiet town house, a wealthy widow barely ventures outside. When her close friend—an ambitious doctor at the Foundling Hospital—persuades her to hire a nursemaid for her young daughter, she is hesitant to welcome someone new into her home and her life. But her past is threatening to catch up with her—and will soon tear her carefully constructed world apart. Set against the vibrant backdrop of Georgian London, The Lost Orphan explores families and secrets, class and power, and how the pull of motherhood cuts across them all.