Tracy K. Smith

Selected and with an Introduction by Tracy K. Smith Co-published by Graywolf Press and the Library of Congress, American Journal presents fifty contemporary poems that explore and celebrate our country and our lives. Poet Laureate of the United States and Pulitzer Prize winner Tracy K. Smith has gathered a remarkable chorus of voices that ring up and down the registers of American poetry. In the elegant arrangement of this anthology, we hear stories from rural communities and urban centers, laments of loss in war and in grief, experiences of immigrants, outcries at injustices, and poems that honor elders, evoke history, and praise our efforts to see and understand one another. Taking its title from a poem by Robert Hayden, the first African American appointed as Consultant in Poetry to the Library of Congress, American Journal investigates our time with curiosity, wonder, and compassion. Among the fifty poets included are: Jericho Brown, Natalie Diaz, Matthew Dickman, Mark Doty, Ross Gay, Aracelis Girmay, Joy Harjo, Terrance Hayes, Cathy Park Hong, Marie Howe, Major Jackson, Ilya Kaminsky, Robin Coste Lewis, Ada Limón, Layli Long Soldier, Erika L. Sánchez, Solmaz Sharif, Danez Smith, Susan Stewart, Mary Szybist, Natasha Trethewey, Brian Turner, Charles Wright, and Kevin Young.

Every poem is the story of itself.Pure conflict. Its own undoing.Breeze of dreams, then certain death. --from "History" Duende, that dark and elusive force described by Federico García Lorca, is the creative and ecstatic power an artist seeks to channel from within. It can lead the artist toward revelation, but it must also, Lorca says, accept and even serenade the possibility of death. Tracy K. Smith's bold second poetry collection explores history and the intersections of folk traditions, political resistance, and personal survival. Duende gives passionate testament to suppressed cultures, and allows them to sing.

With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like “love” and “illness” now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope.

From the Pulitzer Prize-winning poet: a deeply moving memoir that explores coming-of-age and the meaning of home against a complex backdrop of race, faith, and the unbreakable bond between a mother and daughter.Tracy K. Smith had a fairly typical upbringing in suburban California: the youngest in a family of five children raised with limitless affection and a firm belief in God by a stay-at-home mother and an engineer father. But after spending a summer in Alabama at her grandmother's home, she returns to California with a new sense of what it means for her to be black: from her mother's memories of picking cotton as a girl in her father's field for pennies a bushel, to her parents' involvement in the Civil Rights movement. These dizzying juxtapositions--between her family's past, her own comfortable present, and the promise of her future--will eventually compel her to act on her passions for love and "ecstatic possibility," and her desire to become a writer. But when her mother is diagnosed with cancer, which she says is part of God's plan, Tracy must learn a new way to love and look after someone whose beliefs she has outgrown. Written with a poet's precision and economy, this gorgeous, probing kaleidoscope of self and family offers us a universal story of belonging and becoming, and the ways we find and lose ourselves amid the places we call home.

“Tracy K. Smith’s poetry is an awakening itself.” ― Vogue Celebrated for its extraordinary intelligence and exhilarating range, the poetry of Tracy K. Smith opens up vast questions. Such New and Selected Poems , her first career-spanning volume, traces an increasingly audacious commitment to exploring the unknowable, the immense mysteries of existence. Each of Smith’s four collections moves farther when one seems to reach the limits of desire and the body, the next investigates the very sweep of history; when one encounters death and the outer reaches of space, the next bears witness to violence against language and people from across time and delves into the rescuing possibilities of the everlasting. Smith’s signature voice, whether in elegy or praise or outrage, insists upon vibrancy and hope, even―and especially―in moments of inconceivable travesty and grief. Such Color collects the best poems from Smith’s award-winning books and culminates in thirty pages of brilliant, excoriating new poems. These new works confront America’s historical and contemporary racism and injustices, while they also rise toward the registers of the ecstatic, the rapturous, and the sacred―urging us toward love as a resistance to everything that impedes it. This magnificent retrospective affirms Smith’s place as one of the twenty-first century’s most treasured poets.

The 2021 edition of the leading collection of contemporary American poetry is guest edited by the former US Poet Laureate Tracy K. Smith, providing renewed proof that this is “a ‘best’ anthology that really lives up to its title” ( Chicago Tribune ). Since 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents a choice of the year’s most memorable poems, with comments from the poets themselves lending insight into their work. The guest editor of The Best American Poetry 2021 is Tracy K. Smith, the former United States Poet Laureate, whose own poems are, Toi Derricotte’s words, “beautiful and serene” in their surfaces with an underlying “sense of an unknown vastness.” In The Best American Poetry 2021, Smith has selected a distinguished array of works both vast and beautiful by such important voices as Henri Cole, Billy Collins, Louise Erdrich, Nobel laureate Louise Glück, Terrance Hayes, and Kevin Young.

You are pure appetite. I am pureAppetite. You are a phantomIn that far-off city where daylightClimbs cathedral walls, stone by stolen stone.--from "Self-Portrait as the Letter Y" Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

A stunning personal manifesto on memory, family, and history that explores how we in America might—together—come to a new view of our shared past “A vulnerable, honest look at a life lived in a country still struggling with its evils...Hopeful...Beautiful and haunting.” —Eddie S. Glaude Jr., author of Begin Again In 2020, heartsick from constant assaults on Black life, Tracy K. Smith found herself soul-searching and digging into the historical archive for help navigating the “din of human division and strife.” With lyricism and urgency, Smith draws on several avenues of thinking—personal, documentary, and spiritual—to understand who we are as a nation and what we might hope to mean to one another. In Smith’s own words, “To write a book about Black strength, Black continuance, and the powerful forms of belief and community that have long bolstered the soul of my people, I used the generations of my own patrilineal family to lean backward toward history, to gather a fuller sense of the lives my own ancestors led, the challenges they endured, and the sources of hope and bolstering they counted on. What this process has led me to believe is that all of us, in the here and now, can choose to work alongside the generations that precede us in tending to America’s oldest wounds and meeting the urgencies of our present.” To Free the Captives touches down in Sunflower, Alabama, the red-dirt town where Smith’s father’s family comes from, and where her grandfather returned after World War I with a hero’s record but difficult prospects as a Black man. Smith considers his life and the life of her father through the lens of history. Hoping to connect with their strength and continuance, she assembles a new terminology of American life. Bearing courageous witness to the terms of Freedom afforded her as a Black woman, a mother, and an educator in the twenty-first century, Smith etches a portrait of where we find ourselves four hundred years into the American experiment. Weaving in an account of her growing spiritual practice, she argues that the soul is not merely a private site of respite or transcendence, but a tool for fulfilling our duties to each other, and a sounding board for our most pressing collective Where are we going as a nation? Where have we been?

The extraordinary new poetry collection by Tracy K. Smith, the Poet Laureate of the United States In Wade in the Water, Tracy K. Smith boldly ties America’s contemporary moment both to our nation’s fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith’s signature voice—inquisitive, lyrical, and wry—turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. Here, private utterance becomes part of a larger choral arrangement as the collection widens to include erasures of The Declaration of Independence and the correspondence between slave owners, a found poem comprised of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors’ reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America’s essential poets.