Deborah Levy

'Perhaps when Orwell described sheer egoism as a necessary quality for a writer, he was not thinking about the sheer egoism of a female writer. Even the most arrogant female writer has to work over time to build an ego that is robust enough to get her through January, never mind all the way to December.' Deborah Levy

A new novel from the Booker Prize finalist Deborah Levy, the celebrated author of The Man Who Saw Everything and The Cost of Living. At the height of her career, the piano virtuoso Elsa M. Anderson―former child prodigy, now in her thirties―walks off the stage in Vienna, mid-performance. Now she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history. So begins her journey across Europe, shadowed by the elusive woman who seems to be her double. A dazzling portrait of melancholy and metamorphosis, Deborah Levy’s August Blue uncovers the ways in which we attempt to revise our oldest stories and make ourselves anew.

It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life. The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,

A searching examination of all the dimensions of love, marriage, mourning, and kinship from two-time Booker Prize finalist Deborah Levy. To strip the wallpaper off the fairy tale of The Family House in which the comfort and happiness of men and children has been the priority is to find behind it an unthanked, unloved, neglected, exhausted woman. The Cost of Living explores the subtle erasure of women's names, spaces, and stories in the modern everyday. In this “living autobiography” infused with warmth and humor, Deborah Levy critiques the roles that society assigns to us, and reflects on the politics of breaking with the usual gendered rituals. What does it cost a woman to unsettle old boundaries and collapse the social hierarchies that make her a minor character in a world not arranged to her advantage? Levy draws on her own experience of attempting to live with pleasure, value, and meaning--the making of a new kind of family home, the challenges of her mother's death--and those of women she meets in everyday life, from a young female traveler reading in a bar who suppresses her own words while she deflects an older man's advances, to a particularly brilliant student, to a kindly and ruthless octogenarian bookseller who offers the author a place to write at a difficult time in her life. The Cost of Living is urgent, essential reading, a crystalline manifesto for turbulent times.

'Three bicycles. Seven ghosts. A crumbling apartment block on the hill. Fame. Tenderness. The statue of Peter Pan. Silk. Melancholy. The banana tree. A Pandemic. A love story.' From one of the great thinkers and writers of our time, comes the highly anticipated final installment in Deborah Levy's critically acclaimed 'Living Autobiography' 'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer on The Cost of Living Following the international critical acclaim of The Cost of Living, this final volume of Deborah Levy's 'Living Autobiography' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it. 'I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it - but we must also knock it down.' 'Wise, subtle and ironic, Levy's every sentence is a masterpiece of clarity and poise... A brilliant writer' Daily Telegraph on The Cost of Living 'Extraordinary and beautiful, suffused with wit and razor-sharp insights' Financial Times on The Cost of Living

The stories in Black Vodka, by acclaimed author Deborah Levy, are perfectly formed worlds unto themselves, written in elegant yet economical prose. She is a master of the short story, exploring loneliness and belonging; violence and tenderness; the ephemeral and the solid; the grotesque and the beautiful; love and infidelity; and fluid identities national, cultural, and personal. In "Shining a Light," a woman's lost luggage is juxtaposed with far more serious losses. An icy woman seduces a broken man in "Vienna," and a man's empathy threatens to destroy him in "Stardust Nation." "Cave Girl" features a girl who wants to be a different kind of woman--she succeeds in a shocking way. A deformed man seeks beauty amid his angst in the title story. These are twenty-first century lives dissected with razor-sharp humor and curiosity. Levy's stories will send you tumbling into a rabbit hole, and you won't be able to scramble out until long after you've turned the last page.

Plunge into this hypnotic tale of female sexuality and power Two women arrive in a village on the Spanish coast. Rose is suffering from a strange illness and her doctors are mystified. Her daughter Sofia has brought her here to find a cure with the infamous and controversial Dr Gomez - a man of questionable methods and motives. Intoxicated by thick heat and the seductive people who move through it, both women begin to see their lives clearly for the first time in years. Through the opposing figures of mother and daughter, Deborah Levy explores the strange and monstrous nature of womanhood. Dreamlike and utterly compulsive, Hot Milk is a delirious fairy tale of feminine potency, a story both modern and timeless.

Winner of the Los Angeles Times Christopher Isherwood Prize for Autobiographical Prose Named a Best Book of the Year by NPR, the Washington Post , TIME , and Kirkus A Millions Most Anticipated Book of the Year A USA Today Book Not to Miss A LitHub Best-Reviewed Book of the Year Real Estate is the third and final installment in three-time Booker Prize nominated Deborah Levy’s Living Autobiography an exhilarating, thought-provoking and boldly intimate meditation on home and the specters that haunt it in our patriarchal society. “Three bicycles. Seven ghosts. A crumbling apartment block on the hill. Fame. Tenderness. The statue of Peter Pan. Silk. Melancholy. The banana tree. A love story.” Virginia Woolf wrote that in order to be a writer, a woman needs a room of one’s own. Now, in Real Estate , acclaimed author Deborah Levy concludes her ground-breaking trilogy of living autobiographies with an exhilarating, boldly intimate meditation on home and the specters that haunt it. In this vibrant memoir, Levy employs her characteristic indelible writing, sharp wit, and acute insights to craft a searing examination of womanhood and ownership. Her inventory of possessions, real and imagined, pushes readers to question our cultural understanding of belonging and belongings and to consider the value of a woman’s intellectual and personal life. Blending personal history, gender politics, philosophy, and literary theory, Real Estate is a brilliant, compulsively readable narrative.