Mary Oliver

Mary Oliver, winner of the Pulitzer Prize, celebrates love in her new collection of poems   “If I have any secret stash of poems, anywhere, it might be about love, not anger,” Mary Oliver once said in an interview. Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection. As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty. 

Mary Oliver is one of the most popular and widely honored poets in the United States. In this much-awaited collection of forty poems - eighteen previously unpublished - she writes of the silky bonds between every person and the natural world, of the delight of writing, of the value of silence. Says James Dickey, "Mary Oliver works . . . a true spell, unlike any other poet's, the enchantment of the true maker."

An astonishing book-length poem in seven parts from the winner of the Pulitzer Prize and the National Book Award. With piercing clarity and craftsmanship, Mary Oliver has fashioned an unforgettable poem of questioning and discovery, about what is observable and what is not, about what passes and what persists.  "It's hard to imagine anyone putting down Oliver's book-length poem and not sighing with satisfaction, so sensible is every word and thought." -- Virginia Quarterly Review

Mary Oliver's Dog Songs is a celebration of the special bond between human and dog, as understood through the poet's relationship to the canines that have accompanied her daily walks, warmed her home, and inspired her work. Oliver's poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision these observations become higher meditations on the world and our place in it. Dog Songs includes visits with old friends, like Oliver's beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life emerge as fellow travelers and guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. In these pages, Oliver shares the wonder of dawn, the grace of animals, and the transformative power of attention. Whether studying the leaves of a tree or mourning her adored dog, Percy, she is ever patient in her observations and open to the teachings contained in the smallest of moments. Our most precious chronicler of physical landscape, Oliver opens our eyes to the nature within, to its wild and its quiet. With startling clarity, humor, and kindness, A Thousand Mornings explores the mysteries of our daily experience.

Comprising a selection of essays, Upstream finds beloved poet Mary Oliver reflecting on her astonishment and admiration for the natural world and the craft of writing.  As she contemplates the pleasure of artistic labor, finding solace and safety within the woods, and the joyful and rhythmic beating of wings, Oliver intimately shares with her readers her quiet discoveries, boundless curiosity, and exuberance for the grandeur of our world. This radiant collection of her work, with some pieces published here for the first time, reaffirms Oliver as a passionate and prolific observer whose thoughtful meditations on spiders, writing a poem, blue fin tuna, and Ralph Waldo Emerson inspire us all to discover wonder and awe in life's smallest corners.

Pulitzer Prize-winning poet Mary Oliver presents a personal selection of her best work in this definitive collection spanning more than five decades of her esteemed literary career. Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years. Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

Dream Work, a collection of forty-five poems, follows both chronologically and logically Mary Oliver's American Primitive, which won for her the Pulitzer Prize for the finest book of poetry published in 1983 by an American poet. The depth and diversity of perceptual awareness-so steadfast and radiant in American Primitive-continue in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit-to accepting the truth about one's personal world, and to valuing the triumphs while transcending the failures of human relationships. Whether by way of inheritance-as in her poem about the Holocaust-or through a painful glimpse into the present-as in "Acid," a poem about an injured boy begging in the streets of Indonesia-the events and tendencies of history take on a new importance also. More deeply than in her previous volumes, the sensibility behind these poems has merged with the world. Mary Oliver's willingness to be joyful continues, deepened by self-awareness, by experience, and by choice.

Red bird came all winter / firing up the landscape / as nothing else could. So begins Mary Oliver's twelfth book of poetry, and the image of that fiery bird stays with the reader, appearing in unexpected forms and guises until, in a postscript, he explains himself: "For truly the body needs / a song, a spirit, a soul. And no less, to make this work, / the soul has need of a body, / and I am both of the earth and I am of the inexplicable / beauty of heaven / where I fly so easily, so welcome, yes, / and this is why I have been sent, to teach this to your heart." This collection of sixty-one new poems, the most ever in a single volume of Oliver's work, includes an entirely new direction in the poet's work: a cycle of eleven linked love poems-a dazzling achievement. As in all of Mary Oliver's work, the pages overflow with her keen observation of the natural world and her gratitude for its gifts, for the many people she has loved in her seventy years, as well as for her disobedient dog, Percy. But here, too, the poet's attention turns with ferocity to the degradation of the Earth and the denigration of the peoples of the world by those who love power. Red Bird is unquestionably Mary Oliver's most wide-ranging volume to date.

This collection of poems by Mary Oliver once again invites the reader to step across the threshold of ordinary life into a world of natural and spiritual luminosity. Tell me, what is it you plan to do with your one wild and precious life? —Mary Oliver, "The Summer Day" (one of the poems in this volume) Winner of a 1991 Christopher Award Winner of the 1991 Boston Globe Lawrence L. Winship Book Award

A collection of new and favorite poems, celebrating the dogs that have enriched the poet’s world Beloved by her readers, special to the poet’s own heart, Mary Oliver’s dog poems offer a special window into her world. Dog Songs collects some of the most cherished poems together with new works, offering a portrait of Oliver’s relationship to the companions that have accompanied her daily walks, warmed her home, and inspired her work. To be illustrated with images of the dogs themselves, the subjects will come to colorful life here. These are poems of love and laughter, heartbreak and grief. In these pages we visit with old friends, including Oliver’s well-loved Percy, and meet still others. Throughout, the many dogs of Oliver’s life emerge as fellow travelers, but also as guides, spirits capable of opening our eyes to the lessons of the moment and the joys of nature and connection.Dog Songs is a testament to the power and depth of the human-animal exchange, from an observer of extraordinary vision.

The forty-seven new works in this volume include poems on crickets, toads, trout lilies, black snakes, goldenrod, bears, greeting the morning, watching the deer, and, finally, lingering in happiness. Each poem is imbued with the extraordinary perceptions of a poet who considers the everyday in our lives and the natural world around us and finds a multitude of reasons to wake early.

Winner of the Pulitzer Prize for Poetry Her most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside. "American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz "These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson

A rich collection of ten poems, two essays, and two dozen of Mary Oliver's classic works on flowers, trees, and plants of all sorts, elegantly illustrated, Blue Iris is the essential companion to Owls and Other Fantasies , one of the best-selling volumes of poetry of 2003 and a Book Sense 76 selection.

“Joy is not made to be a crumb,” writes Mary Oliver, and certainly joy abounds in her new book of poetry and prose poems. Swan , her twentieth volume, shows us that, though we may be “made out of the dust of stars,” we are of the world she captures here so the acorn that hides within it an entire tree; the wings of the swan like the stretching light of the river; the frogs singing in the shallows; the mockingbird dancing in air. Swan is Oliver’s tribute to “the mortal way” of desiring and living in the world, to which the poet is renowned for having always been “totally loyal.”   As the Los Angeles Times noted, innumerable readers go to Oliver’s poetry “for solace, regeneration and inspiration.” Few poets express the immense complexities of human experience as skillfully, or capture so memorably the smallest nuances. Speaking, for example, of stones, she writes, “the little ones you can / hold in your hands, their heartbeats / so secret, so hidden it may take years / before, finally, you hear them.” It is no wonder Oliver ranks, according to the Weekly Standard, “among the finest poets the English language has ever produced.” 

Thirst, a collection of forty-three new poems from the Pulitzer Prize-winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of the love of her life and partner of over forty years, the remarkable photographer Molly Malone Cook, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the first time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades. In three stunning long poems, Oliver explores the dimensions and tests the parameters of religious doctrine, asking of being good, for example, "To what purpose? / Hope of Heaven? Not that. But to enter / the other kingdom: grace, and imagination, / and the multiple sympathies: to be as a leaf, a rose,/ a dolphin."

Blue Pastures collects fifteen prose works from Pulitzer Prize– and National Book Award–winning poet Mary Oliver. With consummate craftsmanship, Mary Oliver has fashioned fifteen luminous prose on nature, writing, and herself and those around her. She praises Whitman, denounces cuteness, notes where to find the extraordinary, and extols solitude. Nature speaks to her and she speaks to nature. "This book is biased, opinionated; also it is also joyful, and probably there is despair here too...But the reader will find the pleasures more certain, and more constant, than the rills of despond. Thus it has turned out in my life thus far, influenced by the sustaining love of the wild world, love of literature, love for and from another person."—Mary Oliver "This transcendent collection is Oliver's joyful sharing of her love of her craft."— Library Journal

‘The gift of Oliver's poetry is that she communicates the beauty she finds in the world and makes it unforgettable.’ (Miami Herald) This has never been truer than in Long Life, a luminous collection of seventeen essays and ten poems. With the grace and precision that are the hallmarks of her work, Oliver shows us how writing ‘is a way of offering praise to the world’ and suggests we see her poems as ‘little alleluias’. Whether describing a goosefish stranded at low tide, the feeling of being baptized by the mist from a whale's blowhole, or the ‘connection between soul and landscape’, Oliver invites readers to find themselves and their experiences at the center of her world. In Long Life she also speaks of poets and writers: Wordsworth's ‘whirlwind’ of ‘beauty and strangeness’; Hawthorne's ‘sweet-tempered’ side; and Emerson's belief that ‘a man's inclination, once awakened to it, would be to turn all the heavy sails of his life to a moral purpose’. With consummate craftsmanship, Mary Oliver has created a breathtaking volume sure to add to her reputation as ‘one of our very best poets’ (New York Times Book Review).

Never afraid to shed the pretense of academic poetry, never shy of letting the power of an image lie in unadorned language, Mary Oliver offers us poems of arresting beauty that reflect on the power of love and the great gifts of the natural world. Inspired by the familiar lines from William Wordsworth, “To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears,” she uncovers the evidence presented to us daily by nature, in rivers and stones, willows and field corn, the mockingbird’s “embellishments,” or the last hours of darkness. From the Trade Paperback edition.

Libro usado en buenas condiciones, por su antiguedad podria contener señales normales de uso

Forty poems by Pulitzer Prize-winning poet Mary Oliver "Mary Oliver's poetry is fine and deep; it reads like a blessing," wrote Stanley Kunitz. For the many admirers of Mary Oliver's dazzling poetry and luminous vision, as well as for those who may be coming to her work for the first time, What Do We Know will be a revelation. These forty poems-of observing, of searching, of pausing, of astonishment, of giving thanks embrace in every sense the natural world, its unrepeatable moments and its ceaseless cycles. Mary Oliver evokes unforgettable images from one hundred white-sided dolphins on a summer day to bees that have memorized every stalk and leaf in a field even as she reminds us, after Emerson, that "the invisible and imponderable is the sole fact."

In her fourth volume of poetry, Twelve Moons, Pulitzer Prize-winning Mary Oliver continues to explore the alluring, yet well-nigh inaccessible kingdoms of nature and human relationships, and man's profound, persistent desire for a joyous union with them. These vibrant, magical poems pulse with an aching awareness of nature's unaffected beauty. Her absorbing intimate vision leads us into the natural and human kingdoms we only fleetingly grasp.

Mary Oliver, winner of the Pulitzer Prize for poetry, is one of the most celebrated poets in America. Molly Malone Cook, who died in 2005, was Oliver's partner for many years, a pioneer gallery owner and photographer. Our World weaves forty-nine of Cook's photographs and selections from her journals with Oliver's extended writings, both reminiscence and reflection, in prose and in poetry. The result is an intimate revelation of their lives and art. Within the art world, Molly Malone Cook made her reputation as an early advocate of photography as an art form; she was a champion of the work of now-famous photographers, including Edward Steichen, Eugene Atget, Berenice Abbott, Minor White, Ansel Adams, Harry Callahan, and W. Eugene Smith. There are famous faces here as well, captured by Cook's camera, among them Walker Evans, Robert Motherwell and Henry Geldzahler, the first curator of twentieth-century art at the Metropolitan Museum. Cook and Oliver also lived among writers, and Cook caught several on film, including Lorraine Hansberry and Norman Mailer. Other artists and dozens of wonderful characters and scenes are also immortalized by Cook's unfailing eye for telling detail and composition. Oliver writes of Cook's work, the people they knew, and the places they visited or lived. The poet's beautiful text captures not only the vivifying qualities of her partner's work, but the texture of their shared world. In Mary Oliver's words, Cook taught the beginner poet "to see, with searching attention and compassion."

The New York Times has called Mary Oliver's poems "thoroughly convincing - as genuine, moving, and implausible as the first caressing breeze of spring." In this stunning collection of forty poems - nineteen previously unpublished - she writes of nature and love, of the way they transform over time. And the way they remain constant. And what did you think love would be like? A summer day? The brambles in their places, and the long stretches of mud? Flowers in every field, in every garden, with their soft beaks and their pastel shoulders? On one street after another, the litter ticks in the gutter. In one room after another, the lovers meet, quarrel, sicken, break apart, cry out. One or two leap from windows. Most simply lean, exhausted, their thin arms on the sill. They have done all they could. The golden eagle, that lives not far from here, has perhaps a thousand tiny feathers flowing from the back of its head, each one shaped like an infinitely small but perfect spear.

From a poet who teaches us the beauty and magic of the natural world comes a reminder that this world includes "the creatures, with their / thick fur, their shy and wordless gaze. Their / infallible sense of what their lives / are meant to be." In The Truro Bear and Other Adventures , Mary Oliver brings together ten new poems, thirty-five of her classic poems, and two essays, all about mammals, insects, and reptiles. The award-winning poet considers beasts of all bears, snakes, spiders, porcupines, humpback whales, hermit crabs, and, of course, her beloved and disobedient little dog, Percy, who appears and even speaks in thirteen poems, the closing section of this volume. As Renée Loth has observed in the Boston Globe , "Mary Oliver, who won the Pulitzer Prize in poetry in 1983, is my choice for her joyous, accessible, intimate observations of the natural world . . . She teaches us the profound act of paying attention." Tell me, what is it you plan to do with your one wild and precious life? —Mary Oliver, "The Summer Day" (one of the poems in this volume)

Mary Oliver's twelfth book of poetry, Red Bird comprises sixty-one poems, the most ever in a single volume of her work. Overflowing with her keen observation of the natural world and her gratitude for its gifts, for the many people she has loved in her seventy years, as well as for her disobedient dog Percy, Red Bird is a quintessential collection of Oliver's finest lyrics.

In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.