Tom Gauld

"Living on the moon... Whatever were we thinking...? It seems so silly now." The lunar colony is slowly winding down, like a small town circumvented by a new super highway. As our hero, the Mooncop, makes his daily rounds, his beat grows ever smaller, the population dwindles. A young girl runs away, a dog breaks off his leash, an automaton wanders off from the Museum of the Moon.

In acclaimed graphic novelist Tom Gauld's first picture book for children, a little wooden robot embarks on a quest to find his missing sister-- making for a memorable contemporary bedtime story. For years, the king and queen tried desperately to have a baby. Their wish was twice granted when an engineer and a witch gave them a little wooden robot and an enchanted log princess. There's just one catch, every night when the log princess sleeps, she transforms back into an ordinary log. She can only be woken with the magic words Awake, little log, awake. The two are inseparable until one day when the sleeping log princess is accidentally carted off to parts unknown. Now it's up to her devoted brother to find her and return her safely to the kingdom. They need to take turns to get each other home, and on the way, they face a host of adventures involving the Queen of Mushrooms, a magic pudding, a baby in a rosebush, and an old lady in a bottle. This is acclaimed graphic novelist Tom Gauld's first picture book for children, inspired by a bedtime story he made up for his daughter. In his words, I was trying to make a book inspired by three different sets of books: The books that I remember enjoying as a child, the books that I watched my daughters enjoying, and the books I enjoy now as an adult. I wanted the book to have its own quirky feeling but also to function like a classic bedtime story.

A master of stripped-down, powerful storytelling reworks the David-and-Goliath myth.Goliath of Gath isn’t much of a fighter. Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings. This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.