Helen Rappaport

Helen Rappaports mesterlige beretning om utbruddet av den russiske revolusjon, fortalt gjennom øyenvitneskildringer fra utenlandske aktører som var tett på hendelsene. Mellom den første revolusjonen i februar 1917 og Lenins bolsjevik-kupp i oktober samme år var Petrograd (tidligere St. Petersburg) i opprør. Midt i dramaet befant det seg en stor og sammensatt gruppe utlendinger – diplomater, journalister, forretningsmenn, bankierer, guvernanter, frivillige sykepleiere og selskapsløver i utlendighet. Mange skrev dagbok og sendte brev hjem – blant dem en engelsk sykepleier som hadde overlevd «Titanic» og den amerikanske ambassadørens svarte kammertjener. Helen Rappaport baserer fortellingen på dette svært rike materialet, hvorav mye aldri før har vært publisert. Det bringer oss rett inn i de blodige hendelsene, der vi ser, føler og hører revolusjonen slik den artet seg for de som var til stede. Den russiske revolusjonen har 100-årsmarkering i 2017. En bok for alle med interesse for historie og internasjonale samfunnsspørsmål.

From Helen Rappaport, the New York Times bestselling author of The Romanov Sisters comes After the Romanovs, the story of the Russian aristocrats, artists, and intellectuals who sought freedom and refuge in the City of Light.Paris has always been a city of cultural excellence, fine wine and food, and the latest fashions. But it has also been a place of refuge for those fleeing persecution, never more so than before and after the Russian Revolution and the fall of the Romanov dynasty. For years, Russian aristocrats had enjoyed all that Belle Époque Paris had to offer, spending lavishly when they visited. It was a place of artistic experimentation, such as Diaghilev’s Ballets Russes. But the brutality of the Bolshevik takeover forced Russians of all types to flee their homeland, sometimes leaving with only the clothes on their backs.Arriving in Paris, former princes could be seen driving taxicabs, while their wives who could sew worked for the fashion houses, their unique Russian style serving as inspiration for designers like Coco Chanel. Talented intellectuals, artists, poets, philosophers, and writers struggled in exile, eking out a living at menial jobs. Some, like Bunin, Chagall and Stravinsky, encountered great success in the same Paris that welcomed Americans like Fitzgerald and Hemingway. Political activists sought to overthrow the Bolshevik regime from afar, while double agents from both sides plotted espionage and assassination. Others became trapped in a cycle of poverty and their all-consuming homesickness for Russia, the homeland they had been forced to abandon. This is their story.

As she did in her critically acclaimed The Last Days of the Romanovs, Helen Rappaport brings a compelling documentary feel to the story of this royal marriage and of the queen's obsessive love for her husband - a story that began as fairy tale and ended in tragedy. After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later. Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and - after his death - with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.

Between the first revolution in February 1917 and Lenin’s Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil – felt nowhere more keenly than on the fashionable Nevsky Prospekt where the foreign visitors and diplomats who filled hotels, clubs, bars and embassies were acutely aware of the chaos breaking out on their doorsteps and beneath their windows. Among this disparate group were journalists, businessmen, bankers, governesses, volunteer nurses and expatriate socialites. Many kept diaries and wrote letters home: from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women’s Death Battalion led by Maria Bochkareva. Helen Rappaport draws upon this rich trove of material, much of it previously unpublished, to carry us right up to the action – to see, feel and hear the Revolution as it happened to a diverse group of individuals who suddenly felt themselves trapped in a ‘red madhouse.’

Hinn 17. júlí 1918 gengu fjórar ungar konur niður tuttugu og þrjú kjallarþrep húss í Jekaterinburg í Úralfjöllunum í Rússlandi. Sú elsta var tuttugu og tveggja ára, sú yngsta sautján ára. Ásamt foreldrum sínum og þrettán ára bróður voru þær allar teknar af lífi með hrottafengnum hætti. Hver var glæpur þeirra? Þær voru dætur síðasta keisara Rússlands. Í þessari margrómuðu bók enska sagnfræðingsins Helen Rappaport er brugðið upp lifandi myndum af stuttri ævi rússnesku keisaradætranna, Olgu, Tatjönu, Maríu og Anastasíu. Rúmri öld eftir andlát sitt fá þær loks rödd – með innsýn í dagbækur þeirra og einkabréf. Bókin lýsir þroskasögu systranna allt frá barnæsku uns þær voru orðnar ungar konur með vonir og þrár. Við kynnumst líka fjölskyldu þeirra, móður sem glímdi við langvarandi veikindi, bróður sem þjáðist af dreyrasýki og áhrifum furðumannsins Raspútíns.

Helen Rappaport, an expert in the field of Russian history, brings you the riveting day-by-day account of the last fourteen days of the Russian Imperial family, in this first of two books about the Romanovs. The brutal murder of the Russian Imperial family on the night of July sixteenth to seventeenth, 1918 has long been a defining moment in world history. The Last Days of the Romanovs reveals in exceptional detail how the conspiracy to kill them unfolded. In the vivid style of a TV documentary, Helen Rappaport reveals both the atmosphere inside the family's claustrophobic prison and the political maneuverings of those who wished to save--or destroy--them. With the watching world and European monarchies proving incapable of saving the Romanovs, the narrative brings this tragic story to life in a compellingly new and dramatic way, culminating in a bloody night of horror in a cramped basement room.

The murder of the Russian imperial family in July 1918 has been intensively investigated, but the failed attempts to rescue them have received less attention. Based on previously unseen sources in Russia, Spain, the US and the UK, this book reveals the numerous plots to save them that were launched by their royal relatives, other governments and Russian monarchists, and examines the reasons for their failure.

From the New York Times bestselling author of The Romanov Sisters comes the story of a courageous young Imperial Grand Duchess who scandalized Europe in search of freedom. In 1795, Catherine the Great of Russia was in search of a bride for her grandson Constantine, who stood third in line to her throne. In an eerie echo of her own story, Catherine selected an innocent young German princess, Julie of Saxe-Coburg, aunt of the future Queen Victoria. Though Julie had everything a young bride could wish for, she was alone in a court dominated by an aging empress and riven with rivalries, plotting, and gossip―not to mention her brute of a husband, who was tender one moment and violent the next. She longed to leave Russia and her disastrous marriage, but her family in Germany refused to allow her to do so. Desperate for love, Julie allegedly sought consolation in the arms of others. Finally, Tsar Alexander granted her permission to leave in 1801, even though her husband was now heir to the throne. Rootless in Europe, Julie gave birth to two―possibly three―illegitimate children, all of whom she was forced to give up for adoption. Despite entreaties from Constantine to return and provide an heir, she refused, eventually finding love with her own married physician. At a time when many royal brides meekly submitted to disastrous marriages, Julie proved to be a woman ahead of her time, sacrificing her reputation and a life of luxury in exchange for the freedom to live as she wished. The Rebel Romanov is the inspiring tale of a bold woman who, until now, has been ignored by history.

They were the Princess Dianas of their day—perhaps the most photographed and talked about young royals of the early twentieth century. The four captivating Russian Grand Duchesses—Olga, Tatiana, Maria and Anastasia Romanov—were much admired for their happy dispositions, their looks, the clothes they wore and their privileged lifestyle. Over the years, the story of the four Romanov sisters and their tragic end in a basement at Ekaterinburg in 1918 has clouded our view of them, leading to a mass of sentimental and idealized hagiography. With this treasure trove of diaries and letters from the grand duchesses to their friends and family, we learn that they were intelligent, sensitive and perceptive witnesses to the dark turmoil within their immediate family and the ominous approach of the Russian Revolution, the nightmare that would sweep their world away, and them along with it. The Romanov Sisters sets out to capture the joy as well as the insecurities and poignancy of those young lives against the backdrop of the dying days of late Imperial Russia, World War I and the Russian Revolution. Rappaort aims to present a new and challenging take on the story, drawing extensively on previously unseen or unpublished letters, diaries and archival sources, as well as private collections. It is a book that will surprise people, even aficionados

The official companion to the Masterpiece presentation on PBS, Victoria delves into the private writings of the young Queen Victoria, painting a vivid picture of the personal life of one of England’s greatest monarchs. From the producers of Poldark and Endeavour, ITV’s Victoria follows the early years of the young queen’s reign, based closely on Victoria’s own letters and journals. Now explore this extensive collection in greater depth, and discover who Victoria really was behind her upright public persona. At only eighteen years old, Victoria ascended the throne as a rebellious teenager and gradually grew to become one of the most memorable, unshakeable and powerful women in history. The extensive writings she left behind document this personal journey and show how she triumphed over scandal and corruption. Written by author and Victoria historical consultant, Helen Rappaport, and including a foreword by Daisy Goodwin—acclaimed novelist and scriptwriter of the series—Victoria details the history behind the show. Revealing Victoria’s own thoughts about the love interests, family dramas and court scandals during her early reign, it also delves into the running of the royal household, the upstairs-downstairs relationships, and what it was like to live in Victorian England. Full of beautiful photography from the series and genuine imagery from the era, Victoria takes you behind the palace doors and discover the girl behind the queen.