Alina Bronsky

An engrossing and thoroughly contemporary novel on what it means to be young, alive, and conscious in these first decades of the new century. The heroine of this engrossing and thoroughly contemporary novel is seventeen-year-old Sascha Naimann. Sascha was born in Moscow, but now lives in Berlin with her two younger siblings and, until recently, her mother. She is precocious, independent, street-wise, and, since her stepfather murdered her mother several months ago, an orphan. Unlike most of her companions, she doesn’t dream of escaping from the tough housing project where they live. Sascha’s dreams are different: she longs to write a novel about her beautiful but naïve mother and she wants to end the life of Vadim, the man who brutally murdered her. Sascha’s story, as touching as any in recent literature, is that of a young woman consumed by two competing impulses, one celebrative and redemptive, the other murderous. In a voice that is candid and self-confident, at times childlike and at others all too mature, Sascha relates the universal and timeless struggle between those forces that can destroy us, and those that lead us back from sorrow and pain to life itself. Germany’s Freundin Magazine called Broken Glass Park “a gripping portrayal of life on the margins of society.” But Sascha’s story does not remain on the margins; it goes straight to the heart of what it means to be young, alive, and conscious in these first decades of the new century.

Rosa Achmetowna is the outrageously nasty and wily narrator of this rollicking family saga from the author of Broken Glass Park. When she discovers that her seventeen-year-old daughter, "stupid Sulfia," is pregnant by an unknown man she does everything to thwart the pregnancy, employing a variety of folkloric home remedies. But despite her best efforts the baby, Aminat, is born nine months later at Soviet Birthing Center Number 134. Much to Rosa's surprise and delight, dark eyed Aminat is a Tartar through and through and instantly becomes the apple of her grandmother's eye. While her good for nothing husband Kalganow spends his days feeding pigeons and contemplating death at the city park, Rosa wages an epic struggle to wrestle Aminat away from Sulfia, whom she considers a woefully inept mother. When Aminat, now a wild and willful teenager, catches the eye of a sleazy German cookbook writer researching Tartar cuisine, Rosa is quick to broker a deal that will guarantee all three women a passage out of the Soviet Union. But as soon as they are settled in the West, the uproariously dysfunctional ties that bind mother, daughter and grandmother begin to fray. Told with sly humor and an anthropologist's eye for detail, The Hottest Dishes of the Tartar Cuisine is the story of three unforgettable women whose destinies are tangled up in a family dynamic that is at turns hilarious and tragic. In her new novel, Russian-born Alina Bronsky gives readers a moving portrait of the devious limits of the will to survive.

The acclaimed author of Broken Glass Park brings her “warmth, humor and sharp observational eye” to a disfigured teenager’s coming of age in Berlin (Kirkus Reviews).Once a handsome teenager, seventeen-year-old Marek is left badly disfigured after a Rottweiler attack. Now his mother sends him to a support group for young people with physical disabilities—what he calls “the cripple group”—led by an eccentric older man only known as “the guru”. Angry at the world and dismissive of the group, Marek sees no connection between their misfortunes and his own. Then a family crisis forces Marek to face his demons, and he finds himself in dire need of support. But the distance he has put between himself and the guru’s misshapen acolytes may well be too great to bridge.Just Call Me Superhero cements Alina Bronsky’s reputation as one of Germany’s most compelling and stylish young authors. An atmospheric evocation of modern Berlin, a vivid portrait of youth under pressure, and a moving story about learning to love, this new novel from the author of Broken Glass Park and Hottest Dishes of the Tartar Cuisine is an irreverent look at the sometimes-difficult work of self-acceptance.

Seit der ersten Klasse sind sie beste Freundinnen: Kim, 15, eher unauffällig, und Petrowna, klug, exzentrisch und daran gewöhnt, immer und überall den Ton anzugeben. Alles wird anders, als die beiden mit ihrer Klasse zu einer Schullesung gehen: Während die anderen tuscheln, sich die Haare kämmen oder aus dem Fenster schauen, wird Kim hellhörig, denn was die Autorin da vor sich hin nuschelt, handelt von ihr. Okay, es kommen andere Namen vor und ein paar unwichtige Details stimmen nicht, aber der Rest ist sie! Doch die Geschichte geht nicht gut aus, vor allem nicht für Jasper, Kims Klassenkameraden, der, wenn das Buch die Wahrheit sagt, am Ende an einem Wespenstich stirbt. Um das zu verhindern, bleibt Kim nichts anderes übrig, als ihr Leben völlig auf den Kopf zu stellen. Auf einmal macht sie alle möglichen Dinge zum ersten Mal, wie zum Beispiel Jasper zu küssen. Das aber passt Petrowna ganz und gar nicht ins Konzept ...

Sharp and tender at once, a humourous take on family dysfunction and human weakness seen through a young boy’s eyes. Max lives with his grandparents in a residential home for refugees in Germany. When his grandmother—a terrifying, stubborn matriarch and a former Russian primadonna—moved them from the Motherland it was in search of a better life. But she is not at all pleased with how things are run in Germany. His grandmother has been telling Max that he is an incompetent, clueless weakling since he was a child. While he may be dolt in his grandmother's eyes, Max is bright enough to notice that his stoic and taciturn grandfather has fallen hopelessly in love with their neighbour, Nina. When a child is born to Nina that is the spitting image of Max’s grandfather, things come to a hilarious if dramatic head. Everybody will have to learn to defend themselves from Max’s all-powerful grandmother.

Walter Schmidt has lived his whole life within the narrow, “comfortable” confines of traditional gender roles: he has made it to retirement without learning how to fry an egg or use a vacuum cleaner. After all, he could always count on his wife, Barbara. But when one morning she can’t get up from bed anymore, everything changes. With biting humour and great warmth, Alina Bronsky writes about how Walter, nearing the end of his life, is suddenly forced to reinvent himself as a caregiver and house-husband, and become the caring partner he never was in all his years with Barbara. Little by little, Walter’s rough facade begins to crumble—and with it his old certainties about his life and family.

Als einziges Mädchen im Umkreis von 13 Kilometern ist Maserati Aufmerksamkeit gewohnt. Dabei will sie nur eines: Den Feriengästen selbstgemachte Limonade ihrer Oma servieren und die Tage bis zur Volljährigkeit zählen. Mit der Liebe will sie nichts zu tun haben – und schon gar nichts mit den Annäherungsversuchen der Söhne der reichen Familie, die gerade die Villa im Dorf gekauft hat. Doch dann stellen Caspar und Theo verbotene Fragen: Warum hat Maserati kein Smartphone? Wovor hat sie solche Angst? Und wie kann es sein, dass ihr Gesicht das Cover einer alten Schallplatte ziert? Plötzlich steckt Maserati bis zum Hals in Geheimnissen zweier Familien und im eigenen Gefühlschaos.

Government warnings about radiation levels in her hometown (a stone’s throw from Chernobyl) be damned! Baba Dunja is going home. And she’s taking a motley bunch of her former neighbors with her. With strangely misshapen forest fruits to spare and the town largely to themselves, they have pretty much everything they need and they plan to start anew. The terminally ill Petrov passes the time reading love poems in his hammock; Marja takes up with the almost 100-year-old Sidorow; Baba Dunja whiles away her days writing letters to her daughter. Life is beautiful. That is until one day a stranger turns up in the village and once again the little idyllic settlement faces annihilation. From the prodigiously talented Alina Bronsky, this is a return to the iron-willed and infuriatingly misguided older female protagonist that she made famous with her unforgettable Russian matriarch, Rosa Achmetowna, in The Hottest Dishes of the Tartar Cuisine. Here she tells the story of a post-meltdown settlement, and of an unusual woman, Baba Dunja, who, late in life, finds her version of paradise.

»Wenn ich mich in meinem Alter noch über Menschen wundern würde, käme ich nicht mehr zum Zähneputzen.« Alina Bronsky lässt in ihrem neuen Roman eine untergegangene Welt wieder auferstehen. Komisch, klug und herzzerreißend erzählt sie die Geschichte eines Dorfes, das es nicht mehr geben soll – und einer außergewöhnlichen Frau, die im hohen Alter ihr selbstbestimmtes Paradies findet.Baba Dunja ist eine Tschernobyl-Heimkehrerin. Wo der Rest der Welt nach dem Reaktorunglück die tickenden Geigerzähler und die strahlenden Waldfrüchte fürchtet, baut sich die ehemalige Krankenschwester mit Gleichgesinnten ein neues Leben im Niemandsland auf. Wasser gibt es aus dem Brunnen, Elektrizität an guten Tagen und Gemüse aus dem eigenen Garten. Die Vögel rufen so laut wie nirgends sonst, die Spinnen weben verrückte Netze, und manchmal kommt ein Toter auf einen Plausch vorbei. Während der sterbenskranke Petrov in der Hängematte Liebesgedichte liest und die Melkerin Marja mit dem fast hundertjährigen Sidorow anbandelt, schreibt Baba Dunja Briefe an ihre Tochter Irina, die Chirurgin bei der deutschen Bundeswehr ist. Doch dann kommt ein Fremder ins Dorf – und die Gemeinschaft steht erneut vor der Auflösung. Auf kleinem Raum gelingt Alina Bronsky voller Kraft und Poesie, voller Herz und Witz eine märchenhafte und zugleich fesselnd gegenwärtige Geschichte.