Deepa Anappara

Down market lanes crammed with too many people, dogs, and rickshaws, past stalls that smell of cardamom and sizzling oil, below a smoggy sky that doesn’t let through a single blade of sunlight, and all the way at the end of the Purple metro line lies a jumble of tin-roofed homes where nine-year-old Jai lives with his family. From his doorway, he can spot the glittering lights of the city’s fancy high-rises, and though his mother works as a maid in one, to him they seem a thousand miles away. Jai drools outside sweet shops, watches too many reality police shows, and considers himself to be smarter than his friends Pari (though she gets the best grades) and Faiz (though Faiz has an actual job). When a classmate goes missing, Jai decides to use the crime-solving skills he has picked up from TV to find him. He asks Pari and Faiz to be his assistants, and together they draw up lists of people to interview and places to visit. But what begins as a game turns sinister as other children start disappearing from their neighborhood. Jai, Pari, and Faiz have to confront terrified parents, an indifferent police force, and rumors of soul-snatching djinns. As the disappearances edge ever closer to home, the lives of Jai and his friends will never be the same again. Drawing on real incidents and a spate of disappearances in metropolitan India.

Discover the “extraordinary” ( The Washington Post ) debut novel that “announces the arrival of a literary supernova” ( The New York Times Book Review ),“a drama of childhood that is as wild as it is intimate” (Chigozie Obioma).   WINNER OF THE EDGAR® AWARD • ONE OF TIME ’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • LONGLISTED FOR THE WOMEN’S PRIZE ONE OF THE BEST BOOKS OF THE The New York Times Book Review, Time, The Washington Post, NPR, The Guardian, Library Journal In a sprawling Indian city, a boy ventures into its most dangerous corners to find his missing classmate. . . . Through market lanes crammed with too many people, dogs, and rickshaws, past stalls that smell of cardamom and sizzling oil, below a smoggy sky that doesn’t let through a single blade of sunlight, and all the way at the end of the Purple metro line lies a jumble of tin-roofed homes where nine-year-old Jai lives with his family. From his doorway, he can spot the glittering lights of the city’s fancy high-rises, and though his mother works as a maid in one, to him they seem a thousand miles away. Djinn Patrol on the Purple Line plunges readers deep into this neighborhood to trace the unfolding of a tragedy through the eyes of a child as he has his first perilous collisions with an unjust and complicated wider world. Jai drools outside sweet shops, watches too many reality police shows, and considers himself to be smarter than his friends Pari (though she gets the best grades) and Faiz (though Faiz has an actual job). When a classmate goes missing, Jai decides to use the crime-solving skills he has picked up from TV to find him. He asks Pari and Faiz to be his assistants, and together they draw up lists of people to interview and places to visit. But what begins as a game turns sinister as other children start disappearing from their neighborhood. Jai, Pari, and Faiz have to confront terrified parents, an indifferent police force, and rumors of soul-snatching djinns. As the disappearances edge ever closer to home, the lives of Jai and his friends will never be the same again. Drawing on real incidents and a spate of disappearances in metropolitan India, Djinn Patrol on the Purple Line is extraordinarily moving, flawlessly imagined, and a triumph of suspense. It captures the fierce warmth, resilience, and bravery that can emerge in times of trouble and carries the reader headlong into a community that, once encountered, is impossible to forget.

A vital collection of essays on the power of literature and the craft of writing from an international array of writers of color, sharing the experiences, cultural traditions, and convictions that have shaped them and their work These seventeen essays by celebrated writers of color start a more inclusive conversation about storytelling and encourage readers and writers to re-evaluate the codes and conventions that have shaped their assumptions about how fiction should be written. Edited by Deepa Anappara, author of Djinn Patrol on the Purple Line, and Taymour Soomro, author of Other Names for Love, this anthology features writers from around the world, from a diversity of backgrounds and across genres, including: American Dirt critic Myriam Gurba, who describes the circle of Latina writers she has always worked within; award-winning novelist Tahmima Anam, who writes about giving herself permission to be funny as an artist of color; and New York Times opinion columnist Mohammed Hanif, who recalls censorship he experienced at the hands of political authorities. Combining memoir with aspects of craft, this book asks readers and writers to be more inclusive not only in what they read, but how they read, and introduces them to diverse storytelling traditions and techniques. Filled with important questions about the state of fiction and what the future might hold, this is a touchstone for aspiring and working writers and for curious readers everywhere.