Samrat Upadhyay

From the first Nepali author writing in English to be published in the West, Arresting God in Kathmandu brilliantly explores the nature of desire and spirituality in a changing society. With the assurance and unsentimental wisdom of a long-established writer, Upadhyay records the echoes of modernization throughout love and family. Here are husbands and wives bound together by arranged marriages but sometimes driven elsewhere by an intense desire for connection and transcendence. In a city where gods are omnipresent, where privacy is elusive and family defines identity, these men and women find themselves at the mercy of their desires but at the will of their society. Psychologically rich and astonishingly acute, Arresting God in Kathmandu introduces a potent new voice in contemporary fiction.

“A Dickensian sweep and a vast cast of characters, Upadhyay created an ancient world saturated with the spirit of our time and shaped by political ambition and dark vision . . . A grand novel indeed.” —Ha Jin, National Book Award–winning author of Waiting An epic tale of love and political violence set in earthquake-ravaged Darkmotherland, a dystopian reimagining of Nepal, from the Whiting Award–winning author of Arresting God in Kathmandu In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne—in an earthquake-ravaged dystopian reimagining of Nepal. At its heart are two intertwining narratives: one of Kranti, a revolutionary’s daughter who marries into a plutocratic dynasty and becomes ensnared in the family’s politics. And then there is the tale of Darkmotherland’s new dictator and his mistress, Rozy, who undergoes radical body changes and grows into a figure of immense power. Darkmotherland is a romp through the vast space of a globalized universe where personal ambitions are inextricably tied to political fortunes, where individual identities are shaped by family pressures and social reins, and where the East connects to and collides with the West in brilliant and unsettling ways.

Samrat Upadhyay’s new collection vibrates at the edges of intersecting cultures. Journalists in Kathmandu are targeted by the government. A Nepali man studying in America drops out of school and finds himself a part of the unrest in Ferguson, Missouri. A white American woman moves to Nepal and changes her name. A Nepali man falls in love with a mysterious foreign black woman. A rich kid is caught up in his own fantasies of poverty and bank robbery. In the title story, a powerful woman, the owner of a construction company, becomes a political prisoner, and in stark and unflinching prose we see both her world and her mind radically remade. Through the course of the stories in this collection, Upadhyay builds new modes of seeing our interconnected contemporary world. A collection of formal inventiveness, heartbreak and hope, it reaffirms Upadhyay’s position as one or our most important chroniclers of globalization and exile.

If you see Orwell and Kafka together walking down a street, you are in the world of Samrat Upadhyay's Mad Country. The editor of an investigative magazine contends with the trauma of a disappeared colleague, a political tragedy that vies for her attention with a more domestic crisis: a friend who’s suicidal over a divorce. An American hippie in Kathmandu in the 1980s undergoes a drastic identity change, only to discover that the metamorphosis brings its own heartbreak. A young man forms a bond with an African woman who has inexplicably appeared on the streets of the city. A wealthy Nepali boy—a Richie Rich—finds himself pretending to be a beggar to understand why his mother abandoned him. These eight stories are from the master chronicler of our modern-day anxieties, globalization and exile. Mad Country takes you to places that you have always yearned to go but were always afraid to.

Set in Samrat Upadhyay’s signature and timeless Nepal, The City Son offers a vivid portrait of a scorned woman’s lifelong obsession with revenge and the devastating ramifications for an impressionable young man. Acclaimed and award-winning author Samrat Upadhyay—the first Nepali-born novelist writing in English to be published in the West—has crafted a spare, understated work examining a taboo a wife’s obsession with her husband’s illegitimate son. When Didi discovers that her husband, the Masterji, has been hiding his beautiful lover and their young son, Tarun, in a nearby city, she takes the Masterji back into her grasp and expels his second family. Tarun’s mother, heartsick and devastated, slowly begins to lose her mind, and Tarun turns to Didi for the mothering he longs for. But as Tarun gets older, Didi’s domination of the boy turns from the emotional to the physical, and the damages she inflicts spiral outward, threatening to destroy Tarun’s one chance at true happiness. Potent, disturbing, and gorgeously stark in its execution, The City Son is a novel not soon forgotten.

Writing of Samrat Upadhyay’s story collection, critics “like a Buddhist Chekhov . . . speak[s] to common truths . . . startlingly good” ( San Francisco Chronicle ) and “subtle and spiritually complex” ( New York Times ). Upadhyay’s novel showcases his finest writing and his signature themes. The Guru of Love is a moving and important story—important for what it illuminates about the human need to love as well as lust, and for the light it shines on the political situation in Nepal and elsewhere. Ramchandra is a math teacher earning a low wage and living in a small apartment with his wife and two children. Moonlighting as a tutor, he engages in an illicit affair with one of his tutees, Malati, a beautiful, impoverished young woman who is also a new mother. She provides for him what his wife, who comes from a privileged background, does desire, mystery, and a simpler life. Complicating matters are various political concerns and a small city bursting with the conflicts of modernization, a static government, and a changing population. Just as the city must contain its growing needs, so must Ramchandra learn to accommodate both tradition and his very modern desires. Absolutely absorbing yet deceptively simple, this novel cements Upadhyay’s emerging status as one of our most exciting writers.