Edmund White

An instant classic upon its original publication, A Boy’s Own Story is the first of Edmund White’s highly acclaimed trilogy of autobiographical novels that brilliantly evoke a young man's coming of age and document American gay life through the last forty years. The nameless narrator in this deeply affecting work reminisces about growing up in the 1950s with emotionally aloof, divorced parents, an unrelenting sister, and the schoolmates who taunt him. He finds consolation in literature and his fantastic imagination. Eager to cultivate intimate, enduring friendships, he becomes aware of his yearning to be loved by men, and struggles with the guilt and shame of accepting who he is. Written with lyrical delicacy and extraordinary power, A Boy’s Own Story is a triumph.

______________ 'Elegant, filthy – and quite possibly the queerest thing you will read all year.' - Guardian 'Intriguing and inventive.' - Electric Literature, "Most Anticipated LGBTQ+ Book of the Year" 'A dizzyingly enticing and kaleidoscopic take on the spectrum of sexual experiences.' - Publishers Weekly, starred review _____________ A daring, category-confounding, and ruthlessly funny novel from National Book Award honored author Edmund White that explores polyamory and bisexuality, aging and love. Sicilian aristocrat and musician, Ruggero, and his younger American wife, Constance, agree to break their marital silence and write their Confessions. Until now they had a ban on speaking about the past, since transparency had wrecked their previous marriages. As the two alternate reading the memoirs they’ve written about their lives, Constance reveals her multiple marriages to older men, and Ruggero details the affairs he’s had with men and women across his lifetime―most importantly his passionate affair with the author Edmund White. Sweeping outward from the isolated Swiss ski chalet where the couple reads to travel through Europe and the United States, White’s new novel pushes for a broader understanding of sexual orientation and pairs humor and truth to create his most fascinating and complex characters to date. As in all of White’s earlier novels, this is a searing, scintillating take on physical beauty and its inevitable decline. But in this experimental new mode―one where the author has laid himself bare as a secondary character―White explores the themes of love and age through numerous eyes, hearts and minds. Delightful, irreverent, and experimental, A Previous Life proves once more why White is considered a master of American literature.

From Edmund White, a bold and sweeping new novel that traces the extraordinary fates of twin sisters, one destined for Parisian nobility and the other for Catholic sainthood. Yvette and Yvonne Crawford are twin sisters, born on a humble patch of East Texas prairie but bound for far grander fates. Just as an untold fortune of oil lies beneath their daddy's land, both girls harbor their own secrets and dreams-ones that will carry them far from Texas and from each other. As the decades unfold, Yvonne will ascend the highest ranks of Parisian society as Yvette gives herself to a lifetime of worship and service in the streets of Jericó, Colombia. And yet, even as they remake themselves in their radically different lives, the twins find that the bonds of family and the past are unbreakable. Spanning the 1950s to the recent past, Edmund White's marvelous novel serves up an immensely pleasurable epic of two Texas women as their lives traverse varied worlds: the swaggering opulence of the Dallas nouveau riche, the airless pretention of the Paris gratin, and the strict piety of a Colombian convent. For nearly half a century, Edmund White's work has revitalized American literature, blithely breaking down boundaries of class and sexuality, and A Saint in Texas is one of his most joyous, gorgeously written, and piercing works to date.

Groundbreaking literary icon Edmund White reflects on his remarkable life in New York in an era when the city was economically devastated but incandescent with art and ideas. White struggles to gain literary recognition, witnesses the rise of the gay rights movement, and has memorable encounters with luminaries from Elizabeth Bishop to William Burroughs, Susan Sontag to Jasper Johns. Recording his ambitions and desires, recalling lovers and literary heroes, White displays the wit, candor, and generosity that have defined his unique voice over the decades.

Jack Holmes and Will Wright arrive in New York in the calm before the storm of the 1960s. Coworkers at a cultural journal, they soon become good friends. Jack even introduces Will to the woman he will marry. But their friendship is complicated: Jack is also in love with Will. Troubled by his subversive longings, Jack sees a psychiatrist and dates a few women, while also pursuing short-lived liaisons with other men. But in the two decades of their friendship, from the first stirrings of gay liberation through the catastrophe of AIDS, Jack remains devoted to Will. And as Will embraces his heterosexual sensuality, nearly destroying his marriage, the two men share a newfound libertinism in a city that is itself embracing its freedom. Moving among beautifully delineated characters in a variety of social milieus, Edmund White brings narrative daring and an exquisite sense of life's submerged drama to this masterful exploration of friendship, sexuality, and sensibility during a watershed moment in history.

Jack Holmes and Will Wright arrive in New York in the calm before the storm of the 1960s. Coworkers at a cultural journal, they soon become good friends. Jack even introduces Will to the woman he will marry. But their friendship is complicated: Jack is also in love with Will. Troubled by his subversive longings, Jack sees a psychiatrist and dates a few women, while also pursuing short-lived liaisons with other men. But in the two decades of their friendship, from the first stirrings of gay liberation through the catastrophe of AIDS, Jack remains devoted to Will. And as Will embraces his heterosexual sensuality, nearly destroying his marriage, the two men share a newfound libertinism in a city that is itself embracing its freedom. Moving among beautifully delineated characters in a variety of social milieus, Edmund White brings narrative daring and an exquisite sense of life's submerged drama to this masterful exploration of friendship, sexuality, and sensibility during a watershed moment in history.

Quella di Arthur Rimbaud è una vita da enfant prodige e poeta rivoluzionario, che con "Una stagione all'inferno" e le "Illuminazioni" creò una delle pietre miliari del Romanticismo e della letteratura moderna, chiuse la propria carriera di scrittore a soli ventun anni per intraprendere quella di mercante e avventuriero (e morire prima dei quaranta per un'infezione contratta in Africa). La sua vicenda esistenziale e artistica viene qui raccontata, unendo il rigore documentario alla passione personale, da un biografo d' Edmund White, autore di culto della letteratura americana contemporanea. Indagando il rapporto del giovane Rimbaud con la famiglia e i maestri, ripercorrendo il suo controverso rapporto amoroso con il poeta Paul Verlaine, fornendo interpretazioni moderne e originali dei suoi versi, il biografo instaura con il suo soggetto un dialogo intellettuale a cavallo di un secolo e mezzo di storia, restituendoci più viva che mai la figura di un artista che non smette di influenzare il nostro immaginario, di sorprenderci e affascinarci.

"A searing, and often bitingly funny collection of personal essays by almost two dozen writers—John Berendt, Brad Gooch, Allan Gurganus, and Sarah Schulman among them— Loss within Loss remembers over twenty creative artists lost to AIDS in the past twenty years, including poet James Merrill, filmmaker Derek Jarman, and painter and writer David Wojnarowicz. Rather than being a harrowing, in-the-trenches account of AIDS . . . Loss within Loss is a reflective, self-possessed, and frequently inspiring testimonial, benefiting from the perspective that only time provides."—David Bahr, The AdvocateAuthor Biography: Edmund White is the award-winning author of The Married Man, The Farewell Symphony, Genet, The Beautiful Room Is Empty, A Boy's Own Story, and several other books. He is professor of creative writing at Princeton University.

I miei analisti, Mio padre, Mia madre, Le mie marchette, Le mie donne, La mia Europa, Il mio master, I miei biondi, Il mio Genet, I miei amici. Sono questi i capitoli dell'autobiografia che Edmund White scrive mescolando dramma e ironia, intrecciando la propria parabola personale con gli sviluppi della Storia e della società. Considerato fra i maggiori autori della letteratura americana contemporanea, Edmund White racconta gli Stati Uniti "sedati" e omofobi dell'era Eisenhower, gli anni della rivoluzione sessuale, ma anche l'oggi attraverso una storia d'amore inconsueta e toccante. Un percorso esistenziale raccontato con sincerità.

Our Young Man follows the life of a gorgeous Frenchman, Guy, as he goes from the industrial city of Clermont-Ferrand to the top of the modeling profession in New York City's fashion world, becoming the darling of Fire Island's gay community. Like Wilde's Dorian Grey, Guy never seems to age; at thirty-five he is still modeling, still enjoying lavish gifts from older men who believe he's twenty-three--though their attentions always come at a price. Ambivalently, Guy lets them believe, driven especially by the memory of growing up poor, until he finds he needs the lie to secure not only wealth, but love itself. Surveying the full spectrum of gay amorous life through the disco era and into the age of AIDS, Edmund White (who wrote for Vogue for ten years) explores the power of physical beauty--to fascinate, to enslave, and to deceive--with sparkling wit and pathos.

A famous author comes face-to-face with America's most notorious terrorist. One has a story to write,the other has a story to tell. As the clock ticks on Death Row, the bond between the two men grows. Terre Haute is inspired by Gore Vidal's famous essays on Oklahoma bomber Timothy McVeigh. A scorching new play by one of America's greatest living writers, it premiered to critical acclaim at the Edinbrugh Fringe Festival in August 2006, before touring the UK in spring 2007.

When the narrator of White's poised yet scalding autobiographical novel first embarks on his sexual odyssey, it is the 1950s, and America is "a big gray country of families on drowsy holiday." That country has no room for a scholarly teenager with guilty but insatiable stirrings toward other men. Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising--and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink--The Beautiful Room is Empty conflates the acts of coming out and coming of age.

White has created a richly diverse anthology that explores the literary expression of male homosexuality in the American and English tradition. Contributors include Henry James, Alfred Chester, Armistead Maupin, Neil Bartlett, Allan Gurganus, and others. A Lambda Literary Award finalist.

Following A Boy's Own Story (now a classic of American fiction) and his richly acclaimed The Beautiful Room Is Empty, here is the eagerly awaited final volume of Edmund White's groundbreaking autobiographical trilogy. Named for the work by Haydn in which the instrumentalists leave the stage one after another until only a single violin remains playing, this is the story of a man who has outlived most of his friends. Having reached the six-month anniversary of his lover's death, he embarks on a journey of remembrance that will recount his struggle to become a writer and his discovery of what it means to be a gay man. His witty, conversational narrative transports us from the 1960s to the near present, from starkly erotic scenes in the back rooms of New York clubs to episodes of rarefied hilarity in the salons of Paris to moments of family truth in the American Midwest. Along the way, a breathtaking variety of personal connections--and near misses--slowly builds an awareness of the transformative power of genuine friendship, of love and loss, culminating in an indelible experience with a dying man. And as the flow of memory carries us across time, space and society, one man's magnificently realized story grows to encompass an entire generation.Sublimely funny yet elegiac, full of unsparingly trenchant social observation yet infused with wisdom and a deeply felt compassion, The Farewell Symphony is a triumph of reflection and expressive elegance. It is also a stunning and wholly original panorama of gay life over the past thirty years--the crowning achievement of one of our finest writers.

Bloomsbury is proud to announce the first title in an occasional series in which some of the world's finest novelists reveal the secrets of the city they know best. These beautifully produced, pocket-sized books will provide exactly what is missing in ordinary travel guides: insights and imagination that lead the reader into those parts of a city no other guide can reach.A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search of adventure, esthetic or erotic. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, taking us into parts of Paris virtually unknown to visitors and indeed to many Parisians. Entering the Marais evokes the history of Jews in France, just as a visit to the Haynes Grill recalls the presence-festive, troubled-of black Americans in Paris for a century and a half. Gays, Decadents, even Royalists past and present are all subjected to the flaneur's scrutiny. Edmund White's The Flaneur is opinionated, personal, subjective. As he conducts us through the bookshops and boutiques, past the monuments and palaces, filling us in on the gossip and background of each site, he allows us to see through the blank walls and past the proud edifices and to glimpse the inner, human drama. Along the way he recounts everything from the latest debates among French law-makers to the juicy details of Colette's life in the Palais Royal, even summoning up the hothouse atmosphere of Gustave Moreau's atelier.

From National Book Award-honored author Edmund White, a wildly hilarious and irreverent novel about a rich older man who falls in love with a young ballerino. Aldwych West, an eighty-year-old modern-day aristocrat living alone in his Manhattan townhouse, is used to having what he wants. And when he sets eyes on August Dupond, a strong, stunningly beautiful soloist in the New York City Ballet, he decides he must have him. Soon they strike up a closeness that falls between the blurry lines of friendship, sponsorship, and love, and August moves in with Aldwych. But eventually August starts bringing home other men, and a formidable woman in Aldwych's circle named Ernestine also takes a deep interest in the young, enchanting star. Messy entanglements and fierce rivalries ensue, and the result is an unforgettable, outrageous tragicomedy that explores the many layers of love and sexual desire as only Edmund White can.

From the legendary author Edmund White, a stunning, revelatory memoir of a lifetime of gay love and sex. In this peerless memoir, the 85-year-old “paterfamilias of queer literature” (New York Times) recounts the sixty-plus years of sexual escapades that have inspired his many masterpieces. He explores the sex he had with other closeted boys in 50s Midwest, with women as a young man trying to be straight, the sex he's paid for and been paid for, sex during the Stonewall and HIV eras, and in the age of the apps. Through stories of transactional sex, mutual admiration, open relationships, domination, submission, love, and loss, he paints an indelible portrait of queer history in America and abroad in a way only someone who has lived through it can. Written with White's signature honesty, irreverence, and wit, The Loves of My Life is the culmination of this legend's life and work, a delightful and moving tour of over seventy years of being unabashedly gay and in love with love in all its forms.

In Edmund White's most moving novel yet, an American living in Paris finds his life transformed by an unexpected love affair. Austin Smith is pushing fifty, loveless and drifting, until one day he meets Julien, a much younger, married Frenchman. In the beginning, the lovers' only impediments are the comic clashes of culture, age, and temperament. Before long, however, the past begins to catch up with them. In a desperate quest to save health and happiness, they move from Venice to Key West, from Montreal in the snow to Providence in the rain. But it is amid the bleak, baking sands of the Sahara that their love is pushed to its ultimate crisis.

Primo volume della acclamata tetralogia parzialmente autobiografica di Edmund White, racconta la formazione di un adolescente negli Stati Uniti ingenui e moralisti degli anni Cinquanta. Il terrore degli altri, il senso di solitudine, il desiderio di appartenere al gruppo e di diventare popolare, l'indifferenza del padre, l'eccessivo attaccamento della madre, lo sforzo di capire se stesso. Sono questi i dolori, le angosce e le aspirazioni che il giovane protagonista fronteggia, immergendosi nell'arte e nell'immaginazione. Universi che considera più decifrabili e abitabili, ma che non riescono a esentarlo dalla vita. Questa, infatti, incombe nella forma del desiderio per gli uomini, costringendolo a combattere senso di colpa e vergogna, per arrivare, infine, a una più piena consapevolezza di sé.