Brian Evenson

A stuffed bear's heart beats with the rhythm of a dead baby; Reno keeps receding to the east no matter how far you drive; and in a mine on another planet, the dust won't stop seeping in. In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

At the urging of his wife, Provost Fochs reluctantly agrees to see a therapist, Dr. Feshtig. Through the therapist's detailed notes, correspondence from the church, and the provost himself, the provost's sickness emerges and the reader is drawn into the disturbing inner workings of a violent pedophile.The provost relays his crimes in excruciating detail. 'God told me that where evil made its mark, good must follow, burning evil out and purifying the body.' Fochs describes a dream in which he sodomizes two boys from the parish in an effort to exorcise their sins. Soon thereafter, two boys come forward accusing Fochs of that very deed. In another dream he strangles and dismembers a young girl in the woods near his house, where a child from his parish is later found. As the provost's dreams are discovered to be reality and accusations against him are made public, the church is forced to respond. In an effort to protect one of its own, and, in turn, to protect itself, the Committee for the Strengthening of the church demands that Dr. Feshtig turn over his notes about Provost Fochs. This marks the beginning of the church's all-out effort to cover up for the provost -- and launches the race to the novel's final revelation of whether good, in the form of the law, or evil, in the hands of the provost (and by association the church), will prevail. Brian Evenson holds the reader to the page until the novel's fateful end. En route, he questions whether obedience to God justifies taking every possible liberty, right or wrong. And he brings to light how an institution supposed to be under divine guidance can be as eager as its worldly counterpart to soil its hands in the furthering of the cause of supposed righteousness.

“PERHAPS TOMORROW I WILL WAKE UP ANOTHER PERSON. PERHAPS TOMORROW I WILL WAKE UP NOT A PERSON AT ALL.” From the “master of literary horror” (GQ) comes a collection of new stories tracing the limits and consequences of artificial intelligence and “post-human” relationships. Populated by twins stepping into worlds of absence, bears who lick their cubs into creation, and artificial beings haunted by their less-than-human nature, each page sketches a world where our all-too-real feelings of isolation and ecological dread take on an otherworldly tinge. In Good Night, Sleep Tight, Brian Evenson deftly weaves ethical dilemmas, maternal warmth, and echoes of apocalypse into his most tender, disquieting book yet.

When you open your eyes things already seem to be happening without you. You don't know who you are and you don't remember where you've been. You know the world has changed, that a catastrophe has destroyed what used to exist before, but you can't remember exactly what did exist before. And you're paralyzed from the waist down apparently, but you don't remember that either.A man claiming to be your friend tells you your services are required. Something crucial has been stolen, but what he tells you about it doesn't quite add up. You've got to get it back or something bad is going to happen. And you've got to get it back fast, so they can freeze you again before your own time runs out. Before you know it, you're being carried through a ruined landscape on the backs of two men in hazard suits who don't seem anything like you at all, heading toward something you don't understand that may well end up being the death of you.Welcome to the life of Josef

Intense and profoundly unsettling, Brian Evenson’s Last Days is a down-the-rabbit-hole detective novel set in an underground religious cult. The story follows Kline, a brutally dismembered detective forcibly recruited to solve a murder inside the cult. As Kline becomes more deeply involved with the group, he begins to realize the stakes are higher than he previously thought. Attempting to find his way through a maze of lies, threats, and misinformation, Kline discovers that his survival depends on an act of sheer will. Last Days was first published in 2003 as a limited edition novella titled The Brotherhood of Mutilation. Its success led Evenson to expand the story into a full-length novel. In doing so, he has created a work that’s disturbing, deeply satisfying, and completely original.

As climate change wreaks havoc on the earth and the fate of humanity grows dire, a scientist makes a plan to save humanity that would shame the devil.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses―whether we know it or not.

The trap has been set. What terror awaits those who stumble across it?"The Cabin" by Brian Evenson is one of 27 short horror stories in Nightfire's audio anthology.Come Join Us by the Fire S2 is the second installment of Nightfire's audio-only horror anthology, featuring a wide collection of short stories from emerging voices in the horror genre as well as longtime fan favorites. The collection showcases the breadth of talent writing in the horror genre today, with contributions from a wide range of genre luminaries including Laird Barron, Indrapramit Das, Shaun Hamill, Daniel M. Lavery, Matthew Lyons, T. Kingfisher, Seanan McGuire, Nibedita Sen, and Nightfire’s own Cassandra Khaw and Silvia Moreno-Garcia.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“Here is how monstrous humans are.” A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable humans. In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration. Combining psychological and ecological horror, each tale thrums with Evenson’s award-winning literary craftsmanship, dark humor, and thrilling suspense.

X doesn’t have a name. He thought he had one—or many—but that might be the result of the failing memories of the personalities imprinted within him. Or maybe he really is called X. He’s also not as human as he believes himself to be. But when he discovers the existence of another—above ground, outside the protection of the Warren—X must learn what it means to be human, or face the destruction of their two species.