Wendell Berry

“This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town's barber. Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty. He began his search as a "pre-ministerial student" at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with "Old Grit," his profound professor of New Testament Greek. "You have been given questions to which you cannot be given answers. You will have to live them out―perhaps a little at a time." "And how long is that going to take?" "I don't know. As long as you live, perhaps." "That could be a long time." "I will tell you a further mystery," he said. "It may take longer." Wendell Berry’s clear-sighted depiction of humanity’s gifts―love and loss, joy and despair―is seen though his intimate knowledge of the Port William Membership.

Hannah Coulter is Wendell Berry's seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now-elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth-century technologies.

Old Jack, born just after the American Civil War and dying in contemporary times, spends one beautiful September day in Port William, his home since birth, remembering. The story tells of the most searing moments of Old Jack’s life, particularly his debt to his sister Nancy and her husband Ben Feltner, Old Jack’s model of what an honorable manhood and strength might be. "Few novelists treat both their characters and their readers with the kind of respect that Wendell Berry displays in this deeply moving account . . . The Memory of Old Jack is a slab of rich Americana." ― The New York Times Book Review

Nine-year-old Andy Catlett embarks on a trip going alone by bus to visit his grandparents. It is Christmas 1943 and―as he sees modern life crowding out the old ways―those he meets become touchstones for his understanding of a precious and imperiled world. This beautiful short novel is a perfect introduction to Wendell Berry’s rich and ever-evolving saga of the Port William Membership.

Andy Catlett is nine years old when his Uncle Andrew is murdered and it destroys his sense of the order of things. Wendell Berry tackles the problem of truth and recollection as Andy Catlett gathers the details of this tragedy from the fragile memories of the townspeople. Tenderly, yet with directness, this short novel encompasses a changing way of life at the end of World War II.

None of us, says Wendell Berry, can in a true sense own land. We can only hold it in trust. Clearing is a sequence of poems about the land he and his wife hold in trust: a farm they bought years ago as their abiding place, another they took over more recently to save from ecological disaster. Berry writes, first, of the land’s past, and of its use or abuse by earlier trustees. Then he makes poetry out of his own feeling for the place, and out of his loving labors on it— his efforts to restore it to its old fertility and beauty. Technically, the verse ranges from a kind of cadenced prose, through the open forms of which Berry has long been a master, to the sometimes subtle, sometimes forthright use of rhyme and meter. Clearing is the most considerable volume of poetry yet to have come from an author whose circle of devotees steadily widens.

A new collection of poems and the companion volume to the popular bestseller This Day , Wendell Berry's Another Day is another stunning contribution to the poetry canon from one of America's most beloved writers A companion to his beloved volume This Day and Wendell Berry's first new poetry collection since 2016, this new selection of Sabbath Poems are filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials. With the publication of this new edition, it has become increasingly clear that the Sabbath Poems have become the very heart of Berry's work.

If you stop and look around you, you'll start to see. Tall marigolds darkening. A spring wind blowing. The woods awake with sound. On the wooden porch, your love smiling. Dew-wet red berries in a cup. On the hills, the beginnings of green, clover and grass to be pasture. The fowls singing and then settling for the night. Bright, silent, thousands of stars. You come into the peace of simple things. From the author of the 'compelling' and 'luminous' essays of The World-Ending Fire comes a slim volume of poems. Tender and intimate, these are consoling songs of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging. They celebrate and elevate what is sensuous about life, and invite us to pause and appreciate what is good in life, to stop and savour our fleeting moments of earthly enjoyment. And, when fear for the future keeps us awake at night, to come into the peace of wild things.