Martha Waters

The widowed Diana, Lady Templeton and Jeremy, Marquess of Willingham are infamous among English high society as much for their sharp-tongued bickering as their flirtation. One evening, an argument at a ball turns into a serious wager: Jeremy will marry within the year or Diana will forfeit one hundred pounds. So shortly after, just before a fortnight-long house party at Elderwild, Jeremy’s country estate, Diana is shocked when Jeremy appears at her home with a very different kind of proposition. After his latest mistress unfavorably criticized his skills in the bedroom, Jeremy is looking for reassurance, so he has gone to the only woman he trusts to be totally truthful. He suggests that they embark on a brief affair while at the house party—Jeremy can receive an honest critique of his bedroom skills and widowed Diana can use the gossip to signal to other gentlemen that she is interested in taking a lover. Diana thinks taking him up on his counter-proposal can only help her win her wager. With her in the bedroom and Jeremy’s marriage-minded grandmother, the formidable Dowager Marchioness of Willingham, helping to find suitable matches among the eligible ladies at Elderwild, Diana is confident her victory is assured. But while they’re focused on winning wagers, they stand to lose their own hearts.

Librarian Note: Older cover of B07THBFMMT. An estranged husband and wife in Regency England feign accidents and illness in an attempt to gain attention—and maybe just win each other back in the process. Five years ago, Lady Violet Grey and Lord James Audley met, fell in love, and got married. Four years ago, they had a fight to end all fights, and have barely spoken since. Their once-passionate love match has been reduced to one of cold, detached politeness. But when Violet receives a letter that James has been thrown from his horse and rendered unconscious at their country estate, she races to be by his side—only to discover him alive and well at a tavern, and completely unaware of her concern. She’s outraged. He’s confused. And the distance between them has never been more apparent. Wanting to teach her estranged husband a lesson, Violet decides to feign an illness of her own. James quickly sees through it, but he decides to play along in an ever-escalating game of manipulation, featuring actors masquerading as doctors, threats of Swiss sanitariums, faux mistresses—and a lot of flirtation between a husband and wife who might not hate each other as much as they thought. Will the two be able to overcome four years of hurt or will they continue to deny the spark between them?

The final installment in the Regency Vows series follows the heir to a dukedom and a young widow, once very much in love, as they reunite years later to fake an engagement for the benefit of her sister.West, the Marquess of Weston, and Sophie, Lady Fitzwilliam Bridewell, have lately been spending a considerable amount of time together. But West and Sophie are not new acquaintances. In fact, years ago, they had once been nearly engaged until West’s almost fatal curricle accident and his meddling father threw them off course. Now recently widowed, Sophie has put aside all thoughts of romance. But when her widowed sister, Alexandra, mentions a fondness for an earl, Sophie realizes that she may be holding her sister back. Alexandra won’t move forward with an engagement until Sophie, too, settles down again, and so Sophie approaches West with a plan. They will announce their engagement and break things off once Alexandra is happily married. It’ll be simple. After all, it’s not like she is going to fall for West a second time, not when Sophie has sworn not to risk her heart again.

Viscount Penvale has been working for years to buy back his ancestral home, Trethwick Abbey, from his estranged uncle. And so he’s thrilled when his uncle announces that he is ready to sell but with one major caveat—Penvale must marry his uncle’s ward, Jane Spencer. When the two meet in London, neither is terribly impressed. Penvale finds Jane headstrong and sharp-tongued. Jane finds him cold and aloof. Nevertheless, they agree to a marriage in name only and return to the estate. There, Jane enlists her housekeeper for a scheme: to stage a haunting so that Penvale will return to London, leaving her to do as she pleases at Trethwick Abbey. But Penvale is not as easily scared as his uncle and as their time together increases, Jane realizes that she might not mind her husband’s company all that much. With her trademark “arch sense of humor and a marvelously witty voice” (Entertainment Weekly), Martha Waters crafts another delightful romp for all historical romance fans.

The Regency Vows series continues with a witty, charming, and joyful novel following a seasoned debutante and a rakish theater owner as they navigate a complicated marriage of convenience. Lady Emily Turner has been a debutante for six seasons now and should have long settled into a suitable marriage. However, due to her father’s large debts, her only suitor is the persistent and odious owner of her father’s favorite gambling house. Meanwhile, Lord Julian Belfry, the second son of a marquess, has scandalized society as an actor and owner of a theater—the kind of establishment where men take their mistresses, but not their wives. When their lives intersect at a house party, Lord Julian hatches a plan to benefit them both. With a marriage of convenience, Emily will use her society connections to promote the theater to a more respectable clientele and Julian will take her out from under the shadows of her father’s unsavory associates. But they soon realize they have very different plans for their marriage—Julian wants Emily to remain a society wife, while Emily discovers an interest in the theater. But when a fleeing actress, murderous kitten, and meddlesome friends enter the fray, Emily and Julian will have to confront the fact that their marriage of convenience comes with rather inconvenient feelings.

A former child star learns that holiday magic can come from a change in perspective in this charming and hilarious holiday rom-com. Charlotte hates the holidays. As a former child actress, she starred in a modern classic of a holiday movie, and its fans won’t let her move on. When a piece revealing that her reluctance nixed plans for a reboot, she flees to London to spend the five-week countdown to the holidays with her sister. But the ghosts of Christmas past follow her there when she ends up at Eden Priory, a filming location for the movie she has never visited. There, after being recognized by a fan while viewing the extraordinary holiday decorations, she’s accidently left behind, forcing her to accept a ride back to London by Graham, the son of the owners. Their family business—and the funds to keep their historic house running—relies on holiday cheer, and Graham knows a visit from a holiday star would bring in more visitors. Now an illustrator, Charlotte accepts a commission illustrating iconic holiday movie scenes in London and its environs. Graham offers to help escort her, as long as she’ll commit to an art workshop at Eden Priory. But as Charlotte’s chaotic family holiday goes awry, she begins spending more time scouting locations with Graham. Charlotte may not love Christmas, but is it so bad if you’re also falling in love?