Maria Dahvana Headley

Where is home when you were born in the stars? Aza Ray is back on earth. Her boyfriend Jason is overjoyed. Her family is healed. She’s living a normal life, or as normal as it can be if you’ve spent the past year dying, waking up on a sky ship, and discovering that your song can change the world. As in, not normal. Part of Aza still yearns for the clouds, no matter how much she loves the people on the ground. When Jason’s paranoia over Aza’s safety causes him to make a terrible mistake, Aza finds herself a fugitive in Magonia, tasked with opposing her radical, bloodthirsty, recently-escaped mother, Zal Quel, and her singing partner, Dai. She must travel to the edge of the world in search of a legendary weapon, the Flock, in a journey through fire and identity that will transform her forever.

A new, feminist translation of Beowulf by the author of The Mere Wife. Nearly twenty years after Seamus Heaney’s translation of Beowulf — and fifty years after the translation that continues to torment high-school students around the world — there is a radical new verse translation of the epic poem by Maria Dahvana Headley, which brings to light elements never before translated into English. A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

#1 New York Times bestseller Maria Dahvana Headley’s soaring sky fantasy Magonia is now in paperback! Since she was a baby, Aza Ray Boyle has suffered from a mysterious lung disease that makes it ever harder for her to breathe, to speak—to live. So when Aza catches a glimpse of a ship in the sky, her family chalks it up to a cruel side effect of her medication. But Aza doesn’t think this is a hallucination. She can hear someone on the ship calling her name. Only her best friend, Jason, listens. Jason, who’s always been there. Jason, for whom she might have more-than-friendly feelings. But before Aza can consider that thrilling idea, something goes terribly wrong. Aza is lost to our world—and found by another. Magonia. Above the clouds, in a land of trading ships, Aza is not the weak and dying thing she was. In Magonia, she can breathe for the first time. Better, she has immense power—but as she navigates her new life, she discovers that war between Magonia and Earth is coming. In Aza’s hands lies the fate of the whole of humanity—including the boy who loves her. Where do her loyalties lie?

There’s more than one path to immortality… A thrilling, chilling reimagining of the story of the most famous woman in history. Once there was a queen of Egypt…a queen who became through magic something else… The year is 30 BC. Octavian Caesar and his massed legions are poised to enter Alexandria. A messenger informs Egypt’s queen, Cleopatra, that her beloved Mark Antony has died by his own hand. Desperate to save her kingdom, resurrect her husband and protect all she holds dear, Cleopatra turns to the gods for help. Ignoring the warnings of those around her, she summons Sekhmet, goddess of death and destruction, and strikes a mortal bargain. And not even the wisest of Egypt’s scholars could have predicted what would follow… For, in return for Antony’s soul, Sekhmet demands something in return: Cleopatra herself. And so Egypt’s queen is possessed. She becomes an immortal, shape-shifting, not-quite-human manifestation of a deity who seeks to destroy the world. Fighting to preserve something of her humanity, Cleopatra pursues Octavian back to Rome: she desires revenge, she yearns for her children…and she craves human blood. It is a journey that will take her from the tombs of the Pharaohs to the great amphitheatres of imperial Rome and on, to Hell itself where, it seems, the fate of the world will finally be decided. Blending authentic historical fiction and the darkest of fantasy, Queen of Kings is a spectacular and spellbinding feat of the imagination that fans of Neil Gaiman, Diana Gabaldon, George R.R. Martin, Patricia Briggs, Philippa Gregory, and Ridley Scott's Gladiator won’t want to miss.

It begins with a letter from a prisoner... As he attempts to rebuild his life in rural Oregon after a tragic accident, Malcolm Mays finds himself corresponding with Dusha Chuchonnyhoof, a mysterious entity who claims to be the owner of Malcolm's house, jailed unjustly for 117 years. The prisoner demands that Malcolm perform a gory, bewildering task for him. As the clock ticks toward Dusha's release, Malcolm must attempt to find out whether he's assisting a murderer or an innocent. The End of the Sentence combines Kalapuya, Welsh, Scottish and Norse mythology, with a dark imagined history of the hidden corners of the American West. Maria Dahvana Headley and Kat Howard have forged a fairytale of ghosts and guilt, literary horror blended with the visuals of Jean Cocteau, failed executions, shapeshifting goblins, and magical blacksmithery. In Chuchonnyhoof, they've created a new kind of Beast, longing, centuries later, for Beauty.

Two mothers—a suburban housewife and a battle-hardened veteran—struggle to protect those they love in this modern retelling of Beowulf. From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings—high and gabled—and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside—in lawns and on playgrounds—wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights. For Willa, the wife of Roger Herot (heir of Herot Hall), life moves at a charmingly slow pace. She flits between mommy groups, playdates, cocktail hour, and dinner parties, always with her son, Dylan, in tow. Meanwhile, in a cave in the mountains just beyond the limits of Herot Hall lives Gren, short for Grendel, as well as his mother, Dana, a former soldier who gave birth as if by chance. Dana didn’t want Gren, didn’t plan Gren, and doesn’t know how she got Gren, but when she returned from war, there he was. When Gren, unaware of the borders erected to keep him at bay, ventures into Herot Hall and runs off with Dylan, Dana’s and Willa’s worlds collide.

Nebula Award-nominated author Maria Dahvana Headley has always loved Damon Runyon's stylized faux-reporting on New York City. This is her version of a Runyon tale—this one dealing with the architectural guys and dolls of New York City—and a valentine to all the beautiful buildings she knows. It's Valentine's Day, 1938, and the Chrysler Building's tired of waiting on the corner of Forty-second and Lex for a certain edifice to notice her. Here's the story of what might happen if two of New York's greatest creations met on a day built for romance. This short story was acquired and edited by editor Liz Gorinsky.At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.