Elizabeth Peters

A new year, 1917, is dawning, and the Great War that ravages the world shows no sign of abating. In these perilous times, archaeologist Amelia Peabody and her extended family must confront shocking dangers. But it is son Ramses who faces the most dire threat, answering a call that will carry him to the fabled seaport of Gaza on a mission as personal as it is perilous -- where death will be the certain consequence of exposure. While far away, Ramses's beautiful wife, Nefret, guards a secret of her own ...

Bestselling author Peters brings back 19th-century Egyptologist Amelia Peabody and her entourage in a delicious caper that digs up mystery in the shadow of the pyramids.

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1914 finds archaelogists Amelia Peabody, narrator, and husband Radcliffe Emerson back in Egypt for another dig, despite civil unrest. Defiantly pacifist son Ramses hides his spy activity with cousin David. He rescues Molly, and his dazzling smile conquers yet another female. An artifact from Giza confirms the return of archnemesis Sethos.

'Stay away from tomb Twenty-Al' says an ominous message delivered by an unseen hand. The year is 1903, the place is Cairo, and it's time for Amelia's ninth adventure. She is asked for help by an old friend whose husband has fallen for a spiritualist; then a plea arrives from an expat colonel whose daughter is threatened by an unknown enemy, and Ramses, now a headstrong teenager, undertakes an adventure that is guaranteed to turn his mother's hair white! Amelia then dreams of a large cat, an Egyptian sign of good luck - which as the situation stands, is in precious short supply...

Amelia, her husband Emerson, their 13-year-old son Ramses, and their beautiful ward Nefret return to Egypt for an exciting excavation. The dig is at an undisturbed Royal Tomb, a true find--and an irresistible temptation for art thieves, jealous colleagues, looters, the press, and the countless evil-doers. As Ramses and Nefret rub elbows with thieves and thugs, Amelia finds herself faced with a surprising new villain who is every bit as clever and resourceful as the intrepid Amelia herself.

Alternate cover for ISBN 13: 9780446364782 A brand-new Elizabeth Peters novel is one of the uncompromising pleasures in life. As Peter Theroux in the New York Times Book Review points out, "Her wonderfully witty voice and her penchant for history lessons of the Nile both ancient and modern keep [her] high adventure moving for even the highest brows." In her previous outing, The Last Camel Died at Noon, Amelia Peabody and her dashing husband, Emerson, discovered a fabulous lost oasis in the Nubian desert. Now, in the seventh mystery in the series, the Emerson-Peabodys are traveling up the Nile once again to encounter their most deadly adversary, the Master Criminal, who is back at his sinister best. Amelia Peabody was unabashedly proud of her newest translation, a fragment of the ancient fairytale "The Doomed Prince." Later, she would wonder why no sense of foreboding struck her as she retold the story of the king's favorite son who had been warned that he would die from the snake, the crocodile, or the dog. Little did she realize, as she and her beloved husband sailed blissfully toward the pyramids of ancient Egypt, that those very beasts (and a cat as well) would be part of a deadly plot. The expedition began so happily....Leaving their delightful, but catastrophically precocious, son, Ramses, back in England, Amelia hoped this romantic trip might rejuvenate her thirteen-year-old marriage and bring back the thrills that she feared were fading. She and her dear Emerson were returning to the remote desert site where they had first fallen in love, Amarna, the holy city of Akhenaton and his beautiful queen, Nefertiti. But their return would threaten not only their marriage, but their very lives with perils as chilling as a mummy'scurse. An old enemy was determined to learn Amelia and Emerson's most closely guarded secret: the location of a legendary long-lost oasis and a race of people bedecked in gold. So cunning was his scheme that Amelia might overlook - until it was too late - the truth about the myst

Amelia Peabody, that indomitable product of the Victorian age, embarks on her debut Egyptian adventure armed with unshakable self-confidence, a journal to record her thoughts, and, of course, a sturdy umbrella. On her way to Cairo, Amelia rescues young Evelyn Barton-Forbes, who has been abandoned by her scoundrel lover. Together the two women sail up the Nile to an archeological site run by the Emerson brothers-the irascible but dashing Radcliffe and the amiable Walter. Soon their little party is increased by one-one mummy that is, and a singularly lively example of the species. Strange visitations, suspicious accidents, and a botched kidnapping convince Amelia that there is a plot afoot to harm Evelyn. Now Amelia finds herself up against an unknown enemy-and perilous forces that threaten to make her first Egyptian trip also her last . . .

Amelia and family have arrived in Egypt for the 1911 archeological season -- after the marriage of young Ramses' best friend David to Amelia's niece Lia. But trouble finds them immediately when David is accused of selling ancient artifacts. While Amelia and company try to clear his name and expose the real culprit, the body of an American is found at the bottom of their excavation shaft. As accusations of drug dealing and moral misconduct fly, a child of mysterious antecedents sparks a crisis that threatens to tear the family apart. Amelia brings her brilliant powers of deduction to bear, but someone is shooting bullets at her -- and coming awfully close!

Jessica Tregarth went to England to visit her grandfather: an invitation which surprised and pleased her. The only link she had with her dead father’s family was an antique ring he had brought with him to America. This would be a chance to learn more about who she is; it would be fun. She’s barely off the boat before the chase begins and Jess finds herself playing a deadly game of cat-and-mouse through Cornwall, helped by David Randall, the ingenious author of a series of paperback gothic novels. But even Randall’s cleverness may not be enough—the couple doesn’t know what the pursuers want...and it is not the obvious.

An assistant curator of Munich's National Museum, Vicky Bliss is no expert on Egypt, but she does have a Ph.D. in solving crimes. So when an intelligence agency offers her a luxury Nile cruise if she'll help solve a murder and stop a heist of Egyptian antiquities, all 5'11" of her takes the plunge. Vicky suspects the authorities really want her to lead them to her missing lover, the art thief and master of disguises she knows only as "Sir John Smythe." And right in the shadow of the Sphinx she spots him. . . with his new flame. Vicky is so furious at this romantic stab-in-the-back, not to mention the sudden arrival of her meddling boss, Herr Dr. Schmidt, that she may overlook a danger as old as the pharaohs and as unchanging. . . a criminal who hides behind a mask of charm while moving in for the kill.

Egypt, 1912—Amelia Peabody and her dashing archeologist husband, Radcliffe Emerson, are once again in danger as they search for a priceless, stolen bust of legendary Queen Nefertiti and Amelia finds herself the target of assassins in this long-awaited, eagerly anticipated final installment of Elizabeth Peters’ bestselling, beloved mystery series. Arriving in Cairo for another thrilling excavation season, Amelia is relaxing in a well-earned bubble bath in her elegant hotel suite in Cairo, when a man with knife protruding from his back staggers into the bath chamber and utters a single word—"Murder"—before collapsing on the tiled floor, dead. Among the few possessions he carried was a sheet of paper with Amelia’s name and room number, and a curious piece of pasteboard the size of a calling card bearing one word: "Judas." Most peculiarly, the stranger was wearing a gold-rimmed monocle in his left eye. It quickly becomes apparent that someone saved Amelia from a would-be assassin—someone who is keeping a careful eye on the intrepid Englishwoman. Discovering a terse note clearly meant for Emerson—Where were you?"—pushed under their door, there can be only one answer: the brilliant master of disguise, Sethos. But neither assassins nor the Genius of Crime will deter Amelia as she and Emerson head to the excavation site at Amarna, where they will witness the discovery of one of the most precious Egyptian artifacts: the iconic Nefertiti bust. In 1345 B.C. the sculptor Thutmose crafted the piece in tribute to the great beauty of this queen who was also the chief consort of Pharaoh Akhenaten and stepmother to King Tutankhamun. For Amelia, this excavation season will prove to be unforgettable. Throughout her journey, a parade of men in monocles will die under suspicious circumstances, fascinating new relics will be unearthed, a diabolical mystery will be solved, and a brilliant criminal will offer his final challenge... and perhaps be unmasked at last.

A Picture Is Worth A Thousand Words But the photograph art historian Vicky Bliss has just received gives rise to a thousand questions instead. A quick glance at the blood-stained envelope is all the proof she needs that something is horribly wrong. The picture itself is familiar: a woman adorned in the gold of Troy. Yet this isn't the famous photograph of Frau Schliemann—no, this picture is contemporary. The gold, as Vicky and her fellow academics know, disappeared at the end of World War II. Now this circle of experts is gathered for a festive Bavarian Christmas. All of them—including the mysterious John Smythe and a very determined killer...

One perfect red rose, a one-way ticket to Stockholm, and a cryptic "message" consisting of two Latin words intrigue art historian Vicky Bliss—as they were precisely intended to do.Beautiful, brilliant and, as always, dangerously inquisitive, Vicky recognizes the handiwork of her former lover, the daring jewel thief John Smythe. So she takes the bait, eagerly following Smythe's lead in the hope of finding a lost treasure. But the trail begins at a priceless fifth century chalice which will place Vicky at the mercy of a gang of ruthless criminals who have their eyes on an even more valuable prize. And the hunt threatens to turn deadly on a remote island, where a captive Vicky Bliss must lead an excavation into the distant past—and where digging too deep for the truth could dig her own grave.

What did it all mean? The note with the hieroglyphs was found in the pocket of a man lying dead in an alley. The only other item of interest was a piece of jewelry, a reproduction of the Charlemagne talisman. It was good, so good that Vicky Bliss thought she was being shown the real jewel. The goldwork was done by a master; the jewels weren’t glass but top-quality synthetic stones. What did it mean? Vicky didn’t know … yet. But on the sunbathed streets and in the moonlit courtyards of Rome, she was going to find out—if the dangerously exciting young Englishman didn’t get in her way…

Meet art historian Vicky Bliss, She is as beautiful as she is brainy--with unassailable courage, insatiable curiosity, and an expertise in lost museum treasures that often leads her into the most dangerous of situations. A missing masterwork in wood, the last creation of a master carver who died in the violent tumult of the sixteenth century, may be hidden in a medieval German castle in the town of Rothenburg. The prize has called to Vicky Bliss, drawing her and an arrogant male colleague into the forbidding citadel and its dark secrets. But the treasure hunt soon turns deadly. Here, where the blood of the long forgotten damned stains ancient stones, Vicky must face two equally perilous possibilities. Either a powerful supernatural evil inhabits this place. . .or someone frighteningly real is willing to kill for what Vicky is determined to find.

From New York Times bestselling author Elizabeth Peters comes one of her most baffling and intriguing mysteries in her phenomenally popular Amelia Peabody series. August 1910. Banned from the Valley of the Kings, Amelia Peabody and husband Emerson are persuaded to follow would-be archaeologist Major George Morley on an expedition to Palestine. Somewhere in this province of the corrupt, crumbling Ottoman Empire—the Holy Land of three religions—Morley is determined to unearth the legendary Ark of the Covenant. At the request of British Intelligence, Emerson will be keeping an eye on the seemingly inept Morley, believed to be an agent of the Kaiser sent to stir up trouble in this politically volatile land. Amelia hopes to prevent a catastrophically unprofessional excavation from destroying priceless historical finds and sparking an armed protest by infuriated Christians, Jews, and Muslims. Meanwhile, Amelia's headstrong son, Ramses, working on a dig at Samaria, encounters an unusual party of travelers and makes a startling discovery—information that he must pass along to his parents in Jerusalem...if he can get there alive.

The Ape Who Guards the Balance begins in 1907 in England where Amelia is attending a suffragettes' rally outside the home of Mr. Geoffrey Romer of the House of Commons. It seems Romer is one of the few remaining private collectors of Egyptian antiquities, and a series of bizarre events at the protest soon embroil Amelia in grave personal danger. Suspecting that the Master Criminal, Sethos, is behind their problems, the Emerson Peabody's hasten to Egypt to continue their studies in the Valley of Kings where they soon acquire a papyrus of the Book of the Dead. As with past seasons, however, their archaeological expedition is interrupted. The murdered body of a woman is found in the Nile. Ramses, Radcliffe, and Amelia all have their theories as to the origin of the crime, but their own lives might soon be at stake if the cult of Thoth and their ancient book is, indeed, involved.

Convinced that the tomb of the little-known king Tutankhamon lies somewhere in the Valley of the Kings, eminent Egyptologist Radcliffe Emerson and his intrepid wife, Amelia Peabody, seem to have hit a wall. Having been banned forever from the East Valley, Emerson, against Amelia's advice, has tried desperately to persuade Lord Carnarvon and Howard Carter to relinquish their digging rights. But Emerson's trickery has backfired, and his insistent interest in the site has made his rivals all the more determined to keep the Emerson clan away. Powerless to intervene but determined to stay close to the unattainable tomb, the family returns to Luxor and prepares to continue their dig in the less promising West Valley—and to watch from the sidelines as Carter and Carnarvon "discover" the greatest Egyptian treasure of all time: King Tut's tomb. But before their own excavation can get underway, Emerson and his son, Ramses, find themselves lured into a trap by a strange group of villains ominously demanding "Where is he?" Driven by distress—and, of course, Amelia's insatiable curiosity—the Emersons embark on a quest to uncover who "he" is and why "he" must be found, only to discover that the answer is uncomfortably close to home. Now Amelia must find a way to protect her family—and perhaps even her would-be nemesis—from the sinister forces that will stop at nothing to succeed in the nefarious plot that threatens the peace of the entire region. Filled with heart-stopping suspense, political intrigue, and Amelia Peabody's trademark wit and wisdom, Tomb of the Golden Bird is the latest thrilling installment from the renowned and beloved "grande dame of historical mystery" (Washington Post).

This book is the lost season 1907-08 and fits in between books 10 and 11 if you want to read them in that order. Amelia Peabody and her husband Emerson, along with their son Ramses and foster daughter Nefret, are summoned back to the Lost Oasis, a hidden stronghold in the western desert whose existence they discovered many years ago (in The Last Camel Died At Noon) and have kept secret from the entire world, including their fellow Egyptologists. According to Merasen, the brother of the ruling monarch, their old friend Prince Tarek is in grave danger and needs their help, however it's not until they retrace their steps back to the Oasis, with its strange mixture of Meroitic and Egyptian cultures, that they learn the real reason for their journey. There's no better company on an archaeological expedition than the Father of Curses and the Lady Doctor, their beautiful Anglo-Egyptian ward, and Ramses, the Demon Brother who loves her, as Peters once again demonstrates in the latest historical mystery in this immensely popular series. If you haven't met the indomitable Amelia yet, this intriguing tale is a great place to start! --Jane Adams

A priceless relic has been delivered to the Emerson home overlooking the Nile. But more than history surrounds this golden likeness of a forgotten king, for it is said early death will befall anyone who possesses it.. The woman who implores the renowned family of archaeologists and adventurers to accept the cursed statue insists the ill-gotten treasure has already killed her husband. Further, she warns, unless it is returned to the tomb from which it was stolen, more will surely die. With the world finally at peace—and with Egypt's ancient mysteries opened to them once more—Amelia Peabody and her loved ones are plunged into a storm of secrets, treachery, and murder by a widow's strange story and even stranger request. Each step toward the truth reveals a new peril, suggesting this curse is no mere superstition. And the next victim of the small golden king could be any member of the close-knit clan—perhaps even Amelia herself.

The fifteenth adventure for Amelia, Emerson and the whole Peabody-Emerson clan! At last the Great War is over. Amelia, her distinguished Egyptologist husband Emerson and their extended family are preparing for another season of excavation in Egypt. To everyone's great joy their son Ramses and his wife Nefret have become parents. Amelia, enjoying her role of fond (yet firm) grandmother, hopes that for once, this will be a quiet year with Ramses no longer undertaking perilous missions for British intelligence and no old enemies on their trail. Amelia is sadly mistaken. Past dangers cast shadows across the seemingly peaceful present, and a new adversary - unlike any Amelia has ever encountered - will chart a course that puts her beloved family directly in the path of destruction.

Undeterred by world war and enemy submarines, Amelia Peabody -- Grandmaster Elizabeth Peters's indomitable archaeologist-sleuth -- once again sets sail for Egypt, where ghosts of an ancient past and specters of a present-day evil hover silently over an inscrutable land. With son Ramses, his wife, Nefret, and a few unwelcome additions in tow, the elder Peabody-Emersons embark on a dangerous sea voyage to Alexandria, ultimately ending up in Cairo for their annual excavations. But in this autumn of 1915 the exotic, alluring city is not what it used to be. Cairo has been transformed into an armed camp teeming with enemy agents, and shockingly bold tomb robbers are brazenly desecrating the ancient sites. Amelia's foremost priority is to prevent the War Office from pressing Ramses into service again, on the same sort of job that almost cost him his life the previous year. But in these terrible days of global conflict and relentless skullduggery, no place in Egypt is safe. Even remote Luxor provides no guarantee of safety, especially after Amelia discovers a fresh corpse resting in an ancient tomb. The grim discovery presages further trouble for the Emersons, as the sinister conundrum pulls them all into a bubbling morass of corruption, intrigue, and international espionage deeper and more fiendish than any they have hitherto encountered. Yet there is an even darker danger in store for the Emersons. Can it be that one of Amelia's oldest and most dangerous adversaries will intervene to alter the family's destiny? Tantalizing clues suggest that this may be so and point toward an archaeological discovery of unparalleled importance -- and the resurrection of a voice that has been silent for millennia.

Can fear kill? There are those who believe so but Amelia Peabody is skeptical. A respected Egyptologist and amateur sleuth, Amelia has foiled felonious schemes from Victoria's England to the Middle East. And she doubts that it was a Nineteenth-Dynasty mummy's curse that caused the death of a night watchman in the British Museum. The corpse was found sprawled in the mummy's shadow, a look of terror frozen on the guard's face. What or who killed the unfortunate man is a mystery that seems too intriguingly delicious for Amelia to pass up, especially now that she, her dashing archaeologist husband, Emerson, and their precocious son, Ramses, are back on Britain's shores. But a contemporary curse can be as lethal as one centuries old and the foggy London thoroughfares can be as treacherous as the narrow, twisting alleyways of Cairo after dark when a perpetrator of evil deeds sets his murderous sights on his relentless pursuer... Amelia Peabody!

The 1895-96 season promises to be an exceptional one for Amelia Peabody, her dashing Egyptologist husband, Radcliffe Emerson, and their precocious (some might say rambunctious) eight-year-old son, Ramses. The long-denied permission to dig at the pyramids of Dahshoor has finally been granted, and the much-coveted burial chamber of the Black Pyramid is now theirs for the exploring. Before the young family exchanges the relative comfort of Cairo for the more rudimentary quarters near the excavation site, they engage a young Englishman, Donald Fraser, as a tutor and companion for Ramses, and Amelia takes a wayward young woman, Enid Debenham, under her protective wing. But there is danger and deception in the wind that blows across the hot Egyptian sands. A brazen kidnapping attempt, a gruesome murder, and an expedition subsequently cursed by misfortune and death—all serve to alert Amelia to the likely presence of her arch nemesis, the "Master Criminal," notorious looter of the living and the dead. But it is far more than ill-gotten riches that motivate the man known as Sethos. The evil genius has a score to settle with the meddling lady archaeologist who has sworn to deliver him to justice . . . and he's got her dead-on in his sights. Replete with edge-of-the-seat suspense and scrupulous archaeological and historical detail, all delivered in Amelia Peabody's unique, wry voice, Lion in the Valley is a classic installment in Elizabeth Peters's beloved mystery-adventure series.

Victorian Amelia Peabody continues to journal her Egypt adventures, toddler Ramses left in England. Husband Radcliffe Emerson's old friend Lady Baskerville fears a curse killed her husband Sir Henry, and soon engages the attentions of American Cyrus. The will funds continued excavation. But a lady dressed in white floats, flutters, spreads fear, and more death.

Radcliffe Emerson, the irascible husband of fellow archaeologist Amelia Peabody, has earned the nickname "Father of Curses"—and in Mazghunah he demonstrates why. Denied permission to dig at the pyramids of Dahshoor, he and Amelia are resigned to excavating mounds of rubble in the middle of nowhere. But before long Amelia, Emerson, and their precocious son, Ramses, find themselves entangled in The Mummy Case In Cairo, before setting out to the site, Amelia visits an antiquities dealer to inquire about some papyri for her brother-in-law, Walter. At the dealer's shop she interrupts a mysterious-sounding conversation. And then, even more alarmingly, the dealer attempts to refuse to sell her a scrap of papyrus Ramses discovers in the back room. When the dealer is found dead in his shop just a day later, Amelia becomes convinced that foul play is at hand, a suspicion that is further confirmed when she catches sight of the sinister stranger from the crime scene at her own excavation site. But it takes more than Amelia's keen instincts to convince Emerson of dastardly deeds. When Ramses's scrap of papyrus is stolen from their camp, and a neighboring tourist is relieved of an entire mummy, Emerson concedes that they may be facing something more ominous than a simple grave robber. Aided (to their dismay) by Ramses and his preternaturally intelligent cat, Bastet, Amelia and Emerson turn their detective skills to investigating the neighboring suspects, including a trio of missionaries, a widowed German baroness, and even the head of the Department of Antiquities. But when the Emersons start digging for answers in an ancient tomb, events take a darker and deadlier turn—and there may be no surviving the very modern terrors their efforts reveal. Filled with spine-tingling suspense, precise archaeological and historical detail, and Amelia Peabody's trademark witty, wry voice, Elizabeth Peters's The Mummy Case is a classic installment in the beloved Amelia Peabody series.

At first, Jean Suttman thought she had died and gone to Heaven when she was granted the opportunity to study in Rome. But the body that's lying in the ancient subterranean Temple of Mithra—the murdered corpse of a repulsive and disliked fellow student—isn't her idea of heavenly. Now she is truly frightened, not just because small "accidents" seem to be occurring around her with disturbing regularity. It's the ever-increasing certainty that someone, for some unknown reason, is ruthlessly determined to do her harm. Jean's innocent underground excursion into a sacred pagan place has trapped her in something dark and terrifying, and even the knowledge that practical, perceptive fellow American Jacqueline Kirby is on the case won't ease her fears. Because there's only so far Jean Suttman can run . . . and no escape for her except death.

Scotland is Susan's passion and obsession—and the opportunity to join a Highland dig is a dream come true for the young archaeology student. But then a sinister stranger slips Susan a cryptic message and is later found viciously slain. A mysterious peril has emerged from the mists to haunt Susan, sending her running for her life in the company of handsome, unconventional laird Jamie Erskine. For she has an unseen enemy hiding in the shadows—someone who, for some unknown reason, is going to great lengths to frame her for murder . . . and to bury Susan, if necessary, in this land she loves.

In a remote English manor house, modern admirers of the much-maligned King Richard III—one of Shakespeare's most extraordinary villains—are gathered for a grand weekend of dress-up and make-believe murder. But the fun ends when the masquerade turns more sinister...and deadly. Jacqueline Kirby, an American librarian on hand for the festivities, suddenly finds herself in the center of strange, dark doings...and racing to untangle a murderous puzzle before history repeats itself in exceptionally macabre ways.