Elizabeth Gaskell

Elizabeth Gaskell's Ruth (1853) was the first mainstream novel to make a fallen woman its eponymous heroine. It is a remarkable story of love, of the sanctuary and tyranny of the family, and of the consequences of lies and deception, one that lays bare Victorian hypocrisy and sexualdouble-standards. Shocking to contemporary readers, its radical utopian vision of a pure woman faithfully presented predates Hardy's Tess by nearly forty years. This fully revised and corrected new edition is based on the three-volume first edition of 1853, collated with the one-volume 1855edition. Tim Dolin's fascinating new introduction challenges the view of Ruth as one of Gaskell's weaker novels and explores its radicalism and cultural influence, highlighting the remarkable story of love, family, and hypocrisy that it tells. In addition, the book includes an up-to-datebibliography, a chronology of Gaskell's life and work, and invaluable notes that shed much light on the book's historical, religious, and literary allusions and points of significance. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expertintroductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Wives and Daughters is a novel by Elizabeth Gaskell, first published in the Cornhill Magazine as a serial from August 1864 to January 1866. It was partly written whilst Gaskell was staying with the salon hostess Mary Elizabeth Mohl at her home on the Rue de Bac in Paris. When Mrs Gaskell died suddenly in 1865, it was not quite complete, and the last section was written by Frederick Greenwood.

This is Elizabeth Gaskell's first novel, a widely acclaimed work based on the actual murder, in 1831, of a progressive mill owner. It follows Mary Barton, daughter of a man implicated in the murder, through her adolescence, when she suffers the advances of the mill owner, and later through love and marriage. Set in Manchester, between 1837-42, it paints a powerful and moving picture of working-class life in Victorian England.

Elizabeth Gaskell's portrait of kindness, compassion, and hope Cranford depicts the lives and preoccupations of the inhabitants of a small village - their petty snobberies, appetite for gossip, and loyal support for each other in times of need This is a community that runs on cooperation and gossip, at the very heart of which are the daughters of the former rector: Miss Deborah Jenkyns and her sister Miss Matty, But domestic peace is constantly threatened in the form of financial disaster, imagined burglaries, tragic accidents, and the reapparance of long-lost relatives. to Lady Glenmire, who shocks everyone by marrying the doctor. When men do appear, such as 'modern' Captain Brown or Matty's suitor from the past, they bring disruption and excitement to the everyday life of Cranford. In her introduction, Patricia Ingham places the novel in its literary and historical context, and discusses the theme of female friendship and Gaskell's narrative technique. This edition also contains an account of Gaskell's childhood in Knutsford, on which Cranford is based, appendices on fashion and domestic duties supplemented by illustrations, a chronology of Gaskell's life and works, suggestions for further reading, and explanatory notes.

With an Introduction and Notes by Professor Emeritus John Chapple, University of Hull. The sheer variety and accomplishment of Elizabeth Gaskell's shorter fiction is amazing. This new volume contains six of her finest stories that have been selected specifically to demonstrate this, and to trace the development of her art. As diverse in setting as in subject matter, these tales move from the gentle comedy of life in a small English country town in Dr Harrison's Confessions, to atmospheric horror in far north-west Wales with The Doom of the Griffiths. The story of Cousin Phillis, her masterly tale of love and loss, is a subtle, complex and perceptive analysis of changes in English national life during an industrial age, while the gripping Lois the Witch recreates the terrors of the Salem witchcraft trials in seventeenth-century New England, as Gaskell shrewdly shows the numerous roots of this furious outbreak of delusion. Whimsically modified fairy tales are set in a French chateau, while an engaging love story poetically evokes peasant life in wine-growing Germany.

'Such whispered tales, such old temptations and hauntings, and devilish terrors' Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing. Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

When her father leaves the Church in a crisis of conscience, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the north of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction. In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

A departure from the stories Elizabeth Gaskell wrote for Charles Dickens’s Household Words magazine , The Poor Clare is a dark, gothic novella of thwarted love and a family curse that vividly illustrates the social tensions of Victorian England. The purposeful slaying of lonely Bridget’s beloved dog unleashes a torrent of rage that surges down through the generations. In her desire for revenge, Bridget utters a fearsome curse upon the dog’s All that the murderer loves most, he will lose. This haunting story of “the sins of the father being visited upon the children” brilliantly shows off Gaskell’s pioneering understanding of the tensions between Catholics and Protestants, and the harsh realities of class society. The Poor Clare stands as an innovative and exciting gem in Elizabeth Gaskell’s oeuvre.

"The Life of Charlotte Bronte," by Elizabeth Gaskell, is part of the "Barnes & Noble Classics"" "series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of "Barnes & Noble Classics" New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. "Barnes & Noble Classics "pulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works. In 1855 Charlotte Bronte, pregnant and married less than a year, fell ill and died of tuberculosis--the same disease that had killed her sisters and brother. Two years after Charlotte's death, her friend Elizabeth Gaskell, herself a well-known novelist, completed work on "The Life of Charlotte Bronte, " a biography that was met with immediate acclaim by readers curious to discover more about the enigmatic author of "Jane Eyre." Both a work of art and a well-documented interpretation of its subject, Gaskell's biography is an extraordinarily vivid and sensitive account of Bronte's outer and inner lives: her shyness and strangeness; her intense appreciation of the Bible, poetry, music, and the theater; her love of her family; and her fears of loneliness. Meant to be a defense and vindication of "a noble, true, and tender woman," the book paints Bronte as an unforgettable figure careening between depression and exaltation. It also portrays her suffering. In her personal life, Bronte knew deprivation and loss, while in her artistic life, despite her fame, she had been taunted as coarse and had none of the advantages that a man might take for granted. A powerful tribute from one writer to another, "The Life of Charlotte Bronte" remains one of the most evocative and perceptive biographies ever written.Anne Taranto was educated at Columbia and Oxford Universities and at Yale University, where she earned a Ph.D. She has taught courses on the novel and on eighteenth- and nineteenth-century literature at Georgetown University and is currently at work on a study of Charlotte Bront?'s relationship to the literary marketplace.

El joven Paul, hijo de un mecánico e inventor de máquinas ferroviarias, comienza a trabajar en las oficinas de una empresa de ferrocarril situada en Eltham. Lejos de sus padres le invade un sentimiento de independencia mezclado con el de desolación. En un pueblo de la zona conocerá a su prima Phillis, una muchacha culta, de la que se enamorará.

Una divertidíssima i tendra història d'amor i equívocs en l'Anglaterra rural victoriana. Havent completat la seva formació mèdica en un hospital de Londres, el jove i ben plantat senyor Harrison accepta una posició d'ajudant de metge a la petita localitat rural de Duncombe, on, curiosament, cinc de cada sis habitants són dones; per tant, en Harrison es trobarà que la majoria de les seves pacients són viudes riques i fadrines una mica aprensives. Tot i que des del primer moment el senyor Harrison es fixa en la dolça Sophy, la filla del rector, sense voler-ho es trobarà al bell mig d'un munt de còmiques equivocacions i festejos involuntaris que posaran a prova tant la seva paciència com la seva vanitat. Elizabeth Gaskell, una de les grans autores angleses del segle XIX.

'Wild, strong hearts, and powerful minds, were hidden under an enforced propriety and regularity of demeanour' Elizabeth Gaskell's biography of her close friend Charlotte Brontë was published in 1857 to immediate popular acclaim, and remains the most significant study of the enigmatic author who gave Jane Eyre the subtitle 'An Autobiography'. It recounts Charlotte Brontë's life from her isolated childhood, through her years as a writer who had 'foreseen the single life' for herself, to her marriage at thirty-eight and death less than a year later. The resulting work--the first full-length biography of a woman novelist by a woman novelist--explored the nature of Charlotte's genius and almost single-handedly created the Brontë myth. Elisabeth Jay's introduction discusses Gaskell's artistic construction of The Life and its lasting influence. The text follows the controversial first edition of 1857 throughout, and all the variations of the revised third edition are contained in an appendix. 'It will stand in the first rank, of Biographies, till the end of time'--Patrick Brontë 'A classic in its own right, still read today as one of the great works of Victorian literature'--Lucasta Miller Edited with an introduction and notes by Elisabeth Jay

Viktorya Dönemi edebiyatının en özgün kadın kahramanlarından Margaret Hale ile tanışmaya hazır mısınız? Kuzey ve Güney, döneminin en önemli sosyal eleştirilerinden ve en tutkulu aşk hikâyelerinden birini barındıran ve yazarı Elizabeth Gaskell’a o muhteşem ününü kazandıran bir yazınsal şölen… Margaret Hale, yaşamının baharında yer değiştirerek farklı bir yaşamın içine girmek zorunda kalan genç bir kız olarak, karşısına çıkan ve üstesinden gelmesi gereken sorunlara ürettiği çözümlerle, dönemin okurları üzerinde düşünsel bir devrim gerçekleştirmiş gerçek bir kahramandır. “Bugün şahit olduğum bu büyük acılardan sonra, artık nasıl güzel elbiseler giyip bu şık eğlencelere katılmaya devam edebilirim ki?” Margaret’ın babası ise kendi cemaatlerinin bir papazı olarak hayatında meydana gelen değişimler ve şahit olduğu korkunç acılardan sonra, neredeyse inancını kaybetmek noktasına gelen bir adam halini alır. Ama yaşamın onlara oynadığı oyun yeni başlamaktadır… Her şeyi değiştiren bir tanışma… Delicesine bir aşk… Yürek yakan sorgulamalar… Tadı damakta kalan bir edebiyat şaheseri… Kuzey ve Güney, yazılışından 160 yıl sonra, nihayet Türkçede… Üstelik büyük yazar Charles Dickens’ın kendi yayınevinden yayınlamak için yaptığı değişiklik ve yazarın onayını da almış düzeltmelerle birlikte… “Mary Barton ile Kuzey ve Güney… Şanslı olan okurun denk gelebileceği ve okuyanların asla bir daha eski kişiler olamayacakları iki büyük başucu kitabı…” Virginia Woolf “Kuzey ve Güney, gerçek bir başyapıt… Tüm Gaskell eserleri kadar ihtişamlı ama hepsinin arasında daima zirvede.” Wilkie Collins “İlk okuduğumda adı Margaret Hale idi. İçerdiği zıtlık, toplumsal derinlik yanında duygusal derinliği de düşünerek, kitabın adının Kuzey ve Güney olmasında ısrar ettim. Bu kitap sadece enfes bir anlatı değil, aynı zamanda insanları ve sorunları yüzleştiren bir metin. Okudukça, daha iyi anlaşılacağı konusunda inancım tam.” Charles Dickens

Comparsa per la prima volta sulla rivista dickensiana «Household Words» nel 1850, Lizzie Leigh è la storia di una ragazza che a diciassette anni rimane incinta senza un marito e dunque nel peccato, e dei suoi conflitti con i genitori, divisi tra un naturale sentimento di amore e una morale inflessibile che obbligherebbe alla condanna. Un piccolo gioiello che contiene tutti i temi cari a Gaskell – la critica delle dinamiche familiari dell’Inghilterra vittoriana e la discriminazione della donna, l’amore materno, il sacrificio, l’espiazione e il perdono. Nel volume si accompagna a un altro racconto – assai simile per le tematiche – ambientato nelle campagne del Galles, dal titolo Il pozzo di Pen-Mortha, incluso in una raccolta successiva alla pubblicazione sulla rivista insieme a Lizzie Leigh.

'How am I to dress up in my finery, and go off and away to smart parties, after the sorrow I have seen today?' When her father leaves the Church in a crisis of conscience, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the north of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill-workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction. In North and South, Elizabeth Gaskell skillfully fused individual feeling with social concern, and in Margaret Hale created one of the most original heroines of Victorian literature.

Even in the stillness of that dead-cold weather, I had heard no sound of little battering hands upon the window-glass... A phantom child roams the Northumberland moors, while a host of fairytale characters gone to seed gather in the dark, dark woods in these two surprising tales of the uncanny from the great Victorian novelist.

A través de la historia de Margaret Hale, una joven del Sur de Inglaterra que por circunstancias familiares se ve obligada a trasladarse al Norte, a la ciudad industrial de Milton -un trasunto apenas disfrazado de Manchester-, Elizabeth Gaskell plasma de forma magistral los conflictos sociales y políticos derivados de la revolución industrial en la Inglaterra de mediados del siglo XIX. Para la heroína, el Sur donde ha nacido simboliza el idilio rural, el triunfo de la armonía social y el decoro; frente a él, el Norte es sucio, rudo y violento. Sin embargo, a medida que va penetrando en ese nuevo mundo y sus distintos estratos -desde Bessy, la joven obrera enferma y su padre, líder sindical, hasta John Thornton, dueño de una fábrica textil, por quien siente una creciente atracción-, tendrá que ir corrigiendo sus prejuicios; y del mismo modo, su condición de mujer subordinada evolucionará hacia una madura aceptación de sí misma y de sus sentimientos.

En un molino-restaurante a orillas del Necker, en Alemania, el retrato de una mujer de tez y expresión enigmáticas llama la atención de un grupo de viajeros. El dueño del molino les enseña un documento que cuenta la historia de esta mujer, que la narradora se apresta a traducir. La bella hija de un molinero de Heidelberg pasa una temporada en Carlsruhe, invitada por una antigua amiga del colegio. Allí, por mediación de la pretenciosa -aunque pobre- madre de su amiga, es pretendida por un noble francés, monsieur de la Tourelle, y, con la aprobación de todos, se casa con él.

La casa del páramo fue publicada como cuento de Navidad a finales de 1850 y, respetuosa con el género, Elizabeth Gaskell compuso una hermosa historia de amor campestre, con un cuadro potente de virtudes y vicios y una apelación al sentimiento de buena voluntad. Maggie Browne, su heroína, vive con una madre indiferente y un hermano ambicioso que la considera una jovencita «enjaulada en el campo, rodeada siempre de la misma gente». Después de luchar por superar las diferencias sociales que la separan de su amor –el heredero de un terrateniente–, se verá empujada a un supremo sacrificio para salvar a su propia e ingrata familia. «Este pequeño volumen –escribiría Charlotte Brontë– tiene un bello comienzo, adquiere fuerza en su desarrollo, y concluye con pathos.» Swinburne vio en él un precedente claro de El molino del Floss de George Eliot. Combinando elementos de cuentos de hadas con recursos de melodrama y una romántica observación de la naturaleza, Gaskell ahonda además en los entresijos de la vida doméstica, y muestra cómo el amor y la bondad pueden ser armas de doble filo, a menudo utilizadas con fines innobles. «¡Conocemos tan poco la verdadera realidad de aquellos hogares que visitamos como amigos íntimos!», dice la narradora de estas páginas y se propone, con fortuna, entrar allí donde las apariencias y presuposiciones desvelan sus conflictos y sus secretos.

Set against the backdrop of the Salem witch hunts, Elizabeth Gaskell's somber novella reveals much about the complicity of mankind. Recently orphaned, Lois is forced to leave the English parsonage that had been her home and sail to America. A God-fearing and honest girl, she has little to concern her in this new life. Yet as she joins her distant family, she finds jealousy and dissension are rife, and her cousins quick to point the finger at the �imposter." With the whole of Salem gripped by a fear of the supernatural, it seems her new home is where she is in most danger. Lonely and afraid, the words of an old curse return to haunt her. Collaborator and friend of Charles Dickens and Wilkie Collins, Elizabeth Gaskell is a leading figure in Victorian literature.

"The house is of grey stone two stories high heavily roofed with flags in order to resist the winds that might strip off a lighter covering. It appears to have been built about a hundred years ago and to consist of four rooms on each story; the two windows on the right (as the visitor stands with his back to the church ready to enter in at the front door) belonging to Mr. Bronte's study the two on the left to the family sitting-room." (Excerpt)