Leïla Slimani

Adèle appears to have the perfect life: She is a successful journalist in Paris who lives in a beautiful apartment with her surgeon husband and their young son. But underneath the surface, she is bored--and consumed by an insatiable need for sex. Driven less by pleasure than compulsion, Adèle organizes her day around her extramarital affairs, arriving late to work and lying to her husband about where she's been, until she becomes ensnared in a trap of her own making. Suspenseful, erotic, and electrically charged, Adèle is a captivating exploration of addiction, sexuality, and one woman's quest to feel alive.

The award-winning, #1 internationally bestselling new novel by the author of The Perfect Nanny--a passionate interracial love story between a Moroccan soldier who fought for France in World War II and a French woman whose fierce desire for autonomy parallels colonial Morocco's fight for independence. The world of men is just like the world of botany. In the end, one species dominates another. One day, the orange will win out over the lemon, or vice versa, and the tree will once again produce fruit that people can eat. Mathilde, a spirited young Frenchwoman, falls in love with Amine, a handsome Moroccan soldier in the French army during World War II. After the war, the couple settles in Morocco. While Amine tries to cultivate his family farm’s rocky terrain, Mathilde feels her vitality sapped by the isolation, the harsh climate, the lack of money, and the mistrust she inspires as a foreigner. Left increasingly alone to raise her two children in a world whose rules she does not understand, and with her daughter taunted at school by rich French girls for her secondhand clothes and unruly hair, Mathilde goes from being reduced to a farmer’s wife to defying the country’s chauvinism and repressive social codes by offering medical services to the rural population. As tensions mount between the Moroccans and the French colonists, Amine finds himself caught in the crossfire: in solidarity with his Moroccan workers yet also a landowner, despised by the French yet married to a Frenchwoman, and proud of his wife’s resolve but ashamed by her refusal to be subjugated. All of them live in the country of others–especially the women, forced to live in the land of men–and with this novel, Leïla Slimani issues the first salvo in their emancipation.

This is an alternate cover edition for ISBN 9780143132172. When Myriam, a French-Moroccan lawyer, decides to return to work after having children, she and her husband look for the perfect nanny for their two young children. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family's chic apartment in Paris's upscale tenth arrondissement, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau.

When Myriam, a French-Moroccan lawyer, decides to return to work after having children, she and her husband look for the perfect caretaker for their two young children. They never dreamed they would find Louise: a quiet, polite and devoted woman who sings to their children, cleans the family's chic apartment in Paris's upscale tenth arrondissement, stays late without complaint and is able to host enviable birthday parties. The couple and nanny become more dependent on each other. But as jealousy, resentment and suspicions increase, Myriam and Paul's idyllic tableau is shattered...

Lorsque Myriam, mère de deux jeunes enfants, décide malgré les réticences de son mari de reprendre son activité au sein d'un cabinet d'avocats, le couple se met à la recherche d'une nounou. Après un casting sévère, ils engagent Louise, qui conquiert très vite l'affection des enfants et occupe progressivement une place centrale dans le foyer. Peu à peu le piège de la dépendance mutuelle va se refermer, jusqu'au drame. À travers la description précise du jeune couple et celle du personnage fascinant et mystérieux de la nounou, c'est notre époque qui se révèle, avec sa conception de l'amour et de l'éducation, des rapports de domination et d'argent, des préjugés de classe ou de culture. Le style sec et tranchant de Leïla Slimani, où percent des éclats de poésie ténébreuse, instaure dès les premières pages un suspense envoûtant.

Лейла Слімані — популярна французька письменниця з марокканським корінням. Друга книга Лейли «Солодка пісня» принесла їй у 2016 році Гонкурівську премію. Поль і Міріам живуть у красивому будинку на вулиці д’Отвіль, що в десятому окрузі Парижа. У них двоє чудових дітей — Міла та Адам. Щаслива родина не знає фінансових труднощів, але Міріам, юрист за фахом, відчуває, що їй дуже не вистачає роботи: домашня рутина затягує жінку в незадоволеність собою. Подружжя шукає няню для своїх малюків. І, після кількох невдалих спроб, знаходить ідеальну Луїзу, яка, здається, чудово дає раду Мілі та Адаму. Луїза стає частиною їхньої сім'ї, вона полюбила цих дітей, інколи їй здається, що це — її життя, і вона боїться втратити його. Одного дня Міріам, повернувшись з роботи, застає вдома жахливу картину…

The women of Morocco speak out about the secrets and lies of their intimate lives in this fearless exposé by the bestselling author of The Perfect Nanny and Adèle. “All those in positions of authority–politicians, parents, teachers–maintain the same line: ‘Do what you like, but do it in private.‘“ In Morocco, adultery, abortion, homosexuality, prostitution, and sex outside of marriage are all punishable by law. Sexuality is both an obsession and a taboo, provoking violence, frustration, secrecy, and shame, and women have only two choices: They can be wives or virgins. Leila Slimani was in her native Morocco promoting her first novel, Adèle, about a woman addicted to sex, when she began meeting women who confided the dark secrets of their sexual lives, from assault to their closeted homosexuality to the perils of leading a sexually liberated lifestyle. Their vivid, often harrowing testimonies, combined with Slimani’s passionate and intelligent commentary, make a galvanizing case for a sexual revolution in the Arab world.

Der Preis des GlücksSie wollen das perfekte Paar sein, Kinder und Beruf unter einen Hut bringen, alles irgendwie richtig machen. Und sie finden die ideale Nanny, die ihnen das alles erst möglich macht. Doch wie gut kann man einen fremden Menschen kennen? Und wie sehr kann man ihm vertrauen?Sie haben Glück gehabt, denken sich Myriam und Paul, als sie Louise einstellen - eine Nanny wie aus dem Bilderbuch, die auf ihre beiden kleinen Kinder aufpasst, in der schönen Pariser Altbauwohnung im 10. Arrondissement. Wie mit unsichtbaren Fäden hält Louise die Familie zusammen, ebenso unbemerkt wie mächtig. In wenigen Wochen schon ist sie unentbehrlich geworden. Myriam und Paul ahnen nichts von den Abgründen und von der Verletzlichkeit der Frau, der sie das Kostbarste anvertrauen, das sie besitzen. Von der tiefen Einsamkeit, in der sich die fünfzigjährige Frau zu verlieren droht. Bis eines Tages die Tragödie über die kleine Familie hereinbricht. Ebenso unaufhaltsam wie schrecklich.

En 1944, Mathilde, une jeune Alsacienne, s’éprend d’Amine Belhaj, un Marocain combattant dans l’armée française. Après la Libération, le couple s’installe au Maroc à Meknès, ville de garnison et de colons. Tandis qu’Amine tente de mettre en valeur un domaine constitué de terres rocailleuses et ingrates, Mathilde se sent vite étouffée par le climat rigoriste du Maroc. Seule et isolée à la ferme avec ses deux enfants, elle souffre de la méfiance qu’elle inspire en tant qu’étrangère et du manque d’argent. Le travail acharné du couple portera-t-il ses fruits? Les dix années que couvre le roman sont aussi celles d’une montée inéluctable des tensions et des violences qui aboutiront en 1956 à l’indépendance de l’ancien protectorat. Tous les personnages de ce roman vivent dans «le pays des autres» : les colons comme les indigènes, les soldats comme les paysans ou les exilés. Les femmes, surtout, vivent dans le pays des hommes et doivent sans cesse lutter pour leur émancipation. Après deux romans au style clinique et acéré, Leïla Slimani, dans cette grande fresque, fait revivre une époque et ses acteurs avec humanité, justesse, et un sens très subtil de la narration.

The rebellions within an interracial family play out against the countercultural rebellions of the 1960s in this sexy, stylish, sophisticated new novel by the award-winning, internationally bestselling author of The Perfect Nanny and In the Country of Others. Morocco, 1968: Two siblings, unusual for their biracial parentage--their father is Moroccan, their mother French--search for their place in a world not made to fit them. Aicha, strong-willed and studious, dreams of leaving Morocco to study medicine in her mother's homeland. Her younger brother, Selim, the family's errant misfit, will forge a path of rebellion among the European hippies descending en masse to practice drugs and free love. Children of the revolution, now coming of age in the violent, nihilistic "years of lead," they seem destined to echo their homeland's fate: teetering between liberation and corruption, idealism and compromise. Enduring racism and abandonment, and experiencing the thrills and terrors of freedom and the iron thralls of desire, they navigate a path toward themselves: who they are, and who they dream of becoming. In Watch Us Dance, Leila Slimani draws on her family's inspiring story to craft a bold, powerful chronicle of the relentless human quest for freedom and self-knowledge.

Myriam, madre de dos niños, decide reemprender su actividad laboral en un bufete de abogados a pesar de las reticencias de su marido. Tras un minucioso proceso de selección para encontrar una niñera, se deciden por Louise, que rápidamente conquista el corazón de los niños y se convierte en una figura imprescindible en el hogar. Pero poco a poco la trampa de la interdependencia va a convertirse en un drama. Con un estilo directo, incisivo y tenebroso en ocasiones, Leila Slimani despliega un inquietante thriller donde, a través de los personajes, se nos revelan los problemas de la sociedad actual, con su concepción del amor y de la educación, del sometimiento y del dinero, de los prejuicios de clase y culturales. "Canción dulce" ganó el Premio Goncourt 2016.

The first work of non-fiction in English from the prize-winning and internationally bestselling author of Lullaby and Adèle. In these essays, Leila Slimani gives voice to young Moroccan women who are grappling with a conservative Arab culture that at once condemns and commodifies sex. In a country where the law punishes and outlaws all forms of sex outside marriage, as well as homosexuality and prostitution, women have only two options for their sexual identities: virgin or wife. Sex and Lies is an essential confrontation with Morocco's intimate demons and a vibrant appeal for the universal freedom to be, to love and to desire.

"Une semaine qu'elle tient. Une semaine qu'elle n'a pas cédé. Adèle a été sage. En quatre jours, elle a couru trente-deux kilomètres. Elle est allée de Pigalle aux Champs-Élysées, du musée d'Orsay à Bercy. Elle a couru le matin sur les quais déserts. La nuit, sur le boulevard Rochechouart et la place de Clichy. Elle n'a pas bu d'alcool et elle s'est couchée tôt. Mais cette nuit, elle en a rêvé et n'a pas pu se rendormir. Un rêve moite, interminable, qui s'est introduit en elle comme un souffle d'air chaud. Adèle ne peut plus penser qu'à ça. Elle se lève, boit un café très fort dans la maison endormie. Debout dans la cuisine, elle se balance d'un pied sur l'autre. Elle fume une cigarette. Sous la douche, elle a envie de se griffer, de se déchirer le corps en deux. Elle cogne son front contre le mur. Elle veut qu'on la saisisse, qu'on lui brise le crâne contre la vitre. Dès qu'elle ferme les yeux, elle entend les bruits, les soupirs, les hurlements, les coups. Un homme nu qui halète, une femme qui jouit. Elle voudrait n'être qu'un objet au milieu d'une horde, être dévorée, sucée, avalée tout entière. Qu'on lui pince les seins, qu'on lui morde le ventre. Elle veut être une poupée dans le jardin de l'ogre."Prix littéraire de la Mamounia 2015

RABAT – ÉTÉ 2015 Leïla Slimani fait la connaissance de Nour, une Marocaine qui lui raconte sans tabou sa sexualité et les tragédies intimes que subissent la plupart des femmes qu’elle connaît. Ce témoignage poignant, suivi d’autres rencontres à travers le pays, bouleverse la romancière franco-marocaine qui décide de mettre la parole de ces femmes à l’honneur. À travers leurs histoires personnelles, on découvre le drame de la condition sexuelle féminine au Maroc au sein d’une société hypocrite qui condamne le désir et la liberté d’aimer. Cette BD reportage dépeint sans concession la réalité complexe d’un pays où l’islam est religion d’État et rappelle à chacun de nous l’importance du combat pour les droits fondamentaux de la femme.

'Night is the land of reinvention, whispered prayers, erotic passions. Night is the place where utopias have the scent of the possible, where we no longer feel constrained by petty reality. Night is the country of dreams where we discover that, in the secrecy of our heart, we are host to a multitude of voices and an infinity of worlds...' Over one night, alone in the Punta della Dogana Museum in Venice, Leila Slimani grapples with the self as it is revealed in solitude. In a place of old and new, she confronts her past and her present, through her life as a Moroccan woman, as a writer, and as a daughter. Surrounded by art, she explores what it means to behold and clasp beauty; enveloped by night, she confronts the meaning of life and death. Translated from the French by Sam Taylor

Mãe de duas crianças pequenas, Myriam decide retomar a actividade profissional num escritório de advogados, apesar das reticências do marido. Depois do minucioso processo de selecção de uma ama, o casal escolhe Louise. A ama rapidamente conquista o coração dos pequenos Adam e Mila e a admiração dos pais, tornando-se uma figura imprescindível na casa da jovem família. O que Myriam e Paul não suspeitam - ou o que não querem ver - é que a sua pequena família é o único vínculo de Louise à normalidade. Pouco a pouco, o afecto e a atenção vão dando lugar a uma interdependência sufocante, com o cerco a apertar-se a cada dia, até desembocar num drama irremediável. Com um olhar incisivo sobre esta pequena família, Leïla Slimani aponta o foco para um palco maior: a sociedade moderna, com as suas debilidades e contradições. Com uma escrita cirúrgica e tensa, eivada de um lirismo enigmático, o mistério instala-se desde a primeira página, um mistério que é tanto sobre as razões do drama desta família como o das profundezas insondáveis da alma humana.

"A tensão latente em cada página aquece aos poucos a análise da burguesia, até ser dinamitada por um impulso de violência instintiva."Apesar da relutância do marido, Myriam, mãe de duas crianças pequenas, decide voltar a trabalhar em um escritório de advocacia.O casal inicia uma seleção rigorosa em busca da babá perfeita e fica encantado ao encontrar Louise: discreta, educada e dedicada,ela se dá bem com as crianças, mantém a casa sempre limpa e não reclama quando precisa ficar até tarde.Aos poucos, no entanto, a relação de dependência mútua entre a família e Louise dá origem a pequenas frustrações – até o dia em que ocorre uma tragédia.Com uma tensão crescente construída desde as primeiras linhas, Canção de ninar trata de questões que revelam a essência de nossos tempos, abordando as relações de poder, os preconceitos entre classes e culturas, o papel da mulher na sociedade e as cobranças envolvendo a maternidade.Publicado em mais de 30 países e com mais de 600 mil exemplares vendidos na França, Canção de ninar fez de Leïla Slimani a primeira autora de origem marroquina a vencer o Goncourt, o mais prestigioso prêmio literário francês.