Krishna-Dwaipayana Vyasa
Krishna Dvaipāyana Vyāsa, also known as Vyāsa or Veda-Vyāsa (वेदव्यास, the one who classified the Vedas into four parts) is a central and revered figure in most Hindu traditions. He is traditonally regarded as the author of the Mahābhārata, although it is also widely held that he only composed the core of the epic, the Bhārata. A significant portion of the epic later was only added in later centuries, which then came to be known as the Mahābhārata. The date of composition of this epic is not known - It was definitvely part of the traditions in Indian subcontinent at the time Gautam Buddha (~500 BCE) which would suggest it having been already around for atleast a few centuries. It was chiefy put down in the written form only somewhere between 300 BCE to 300 CE.As the name would suggest, Vyāsa is believed to have categorised the primordial single Veda into its four canonical collections. He is also considered to be the scribe of Purānās, ancient Hindu texts eulogizing various deities, primarily the divine Trimurti God in Hinduism through divine stories.
The Bhagavad Gita
Krishna-Dwaipayana Vyasa
The Mahabharata incorporates Bhagavad-Gita, a sacred Hindu text that takes the form of a philosophical dialogue in which Krishna instructs Arjuna, the prince, in ethical matters and the nature of God.
Krishna expounds the nature and the way that humans can come to know God to Arjuna, the warrior prince in the Bhagavad-Gita.
Mahabharata, a Sanskrit epic, contains the text of the Bhagavad-Gita.
This early epic poem recounts the conversation between the warrior and his charioteer, the divine manifestation. It sets out the important lessons to learn to change the outcome of the war in the moments before a great battle that the warrior fights, and culminates in revealing the true cosmic warrior and counselling him to search for the universal perfection of life. This most important work ranges from yoga postures to dense moral discussion and serves as a practical guide to living well.
The Mahābhārata
Krishna-Dwaipayana Vyasa
Centuries ago, it was proclaimed of the Mahabharata: "What is not in it, is nowhere." But even now, we can use the same words about it. He who knows it not, knows not the heights and depths of the soul; he misses the trials and tragedy and the beauty and grandeur of life. The Mahabharata is not a mere epic; it is a romance, telling the tale of heroic men and women, and of some who were divine; it is a whole literature in itself, containing a code of life, a philosophy of social and ethical relations, and speculative thought on human problems that is hard to rival; but, above all, it has for its core the Gita,which is, as the world is beginning to find out, the noblest of scriptures and the grandest of sagas in which the climax is reached in the wondrous apocalypse in the Eleventh Canto.
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