Patricia Highsmith
Patricia Highsmith was an American novelist who is known mainly for her psychological crime thrillers which have led to more than two dozen film adaptations over the years. She lived with her grandmother, mother and later step-father (her mother divorced her natural father six months before 'Patsy' was born and married Stanley Highsmith) in Fort Worth before moving with her parents to New York in 1927 but returned to live with her grandmother for a year in 1933. Returning to her parents in New York, she attended public schools in New York City and later graduated from Barnard College in 1942. Shortly after graduation her short story 'The Heroine' was published in the Harper's Bazaar magazine and it was selected as one of the 22 best stories that appeared in American magazines in 1945 and it won the O Henry award for short stories in 1946. She continued to write short stories, many of them comic book stories, and regularly earned herself a weekly $55 pay-check. During this period of her life she lived variously in New York and Mexico.Her first suspense novel 'Strangers on a Train' published in 1950 was an immediate success with public and critics alike. The novel has been adapted for the screen three times, most notably by Alfred Hitchcock in 1951. In 1955 her anti-hero Tom Ripley appeared in the splendid 'The Talented Mr Ripley', a book that was awarded the Grand Prix de Litterature Policiere as the best foreign mystery novel translated into French in 1957. This book, too, has been the subject of a number of film versions. Ripley appeared again in 'Ripley Under Ground' in 1970, in 'Ripley's Game' in 1974, 'The boy who Followed Ripley' in 1980 and in 'Ripley Under Water' in 1991.Along with her acclaimed series about Ripley, she wrote 22 novels and eight short story collections plus many other short stories, often macabre, satirical or tinged with black humour. She also wrote one novel, non-mystery, under the name
Claire Morgan
, plus a work of non-fiction 'Plotting and Writing Suspense Fiction' and a co-written book of children's verse, 'Miranda the Panda Is on the Veranda'.She latterly lived in England and France and was more popular in England than in her native United States. Her novel 'Deep Water', 1957, was called by the Sunday Times one of the "most brilliant analyses of psychosis in America" and Julian Symons once wrote of her "Miss Highsmith is the writer who fuses character and plot most successfully ... the most important crime novelist at present in practice." In addition, Michael Dirda observed "Europeans honoured her as a psychological novelist, part of an existentialist tradition represented by her own favorite writers, in particular Dostoevsky, Conrad, Kafka, Gide, and Camus."She died of leukemia in Locarno, Switzerland on 4 February 1995 and her last novel, 'Small g: a Summer Idyll', was published posthumously a month later.Gerry WolstenholmeJuly 2010
A Suspension of Mercy
Patricia Highsmith
Sydney Bartleby has killed his wife, Alicia—at least he has thought about it, compulsively, over and over again, plotting schemes, designing escapes, forging alibis. Of course he has; he's a mystery-script writer. But when Alicia takes a long, unannounced vacation, Sydney seizes the opportunity to perfect his artistic method.
With her characteristic precision and unrivaled sensitivity to the inner tremblings of human character, Patricia Highsmith shockingly portrays Sydney's descent into the treacherous world of his own fictions. Once again Highsmith proves herself to be a master at depicting the unsettling forces that boil beneath the surface of everyday life.
Carol
Patricia Highsmith
Patricia Highsmith's story of romantic obsession may be one of the most important, but still largely unrecognized, novels of the twentieth century. First published in 1952 and touted as "the novel of a love that society forbids," the book soon became a cult classic.
Based on a true story plucked from Highsmith's own life, Carol tells the riveting drama of Therese Belivet, a stage designer trapped in a department-store day job, whose routine is forever shattered by a gorgeous epiphany—the appearance of Carol Aird, a customer who comes in to buy her daughter a Christmas toy. Therese begins to gravitate toward the alluring suburban housewife, who is trapped in a marriage as stultifying as Therese's job. They fall in love and set out across the United States, ensnared by society's confines and the imminent disapproval of others, yet propelled by their infatuation. Carol is a brilliantly written story that may surprise Highsmith fans and will delight those discovering her work.
This authorized edition includes an afterword by Patricia Highsmith. Previously titled The Price of Salt.
Come si scrive un giallo
Patricia Highsmith
Torna in una nuova edizione, sempre corredata dalla preziosa prefazione di Andrea Camilleri, il manuale di scrittura giallistica di Patricia Highsmith. Un vero e proprio vademecum del thriller, che insegna a tessere la trama di una storia da brivido, ma è anche un manuale di scrittura di più ampia portata, capace di condurci per mano nell’officina di uno scrittore. La grande giallista americana ci svela come è strutturato un thriller e ce ne mostra gli strumenti creativi attraverso saggi sul metodo di scrittura e la costruzione del plot, sulla capacità di osservare e appuntare particolari per poi richiamarli alla memoria, e ci guida perfino passo passo nell’analisi di uno dei suoi stessi romanzi, L’alibi di cristallo.
«Tra i tantissimi libri che insegnano a scrivere dovuti anche a penne famose, questo della Highsmith, con la sua civile modestia, col suo tono volutamente sommesso, col suo volersi presentare come un utile “manualetto”, potrebbe dare dei buoni consigli anche agli scrittori che insegnano a diventare scrittori». Andrea Camilleri
Deep Water
Patricia Highsmith
In Deep Water, set in the quiet, small town of Little Wesley, Patricia Highsmith has created a vicious and suspenseful tale of love gone sour. Vic and Melinda Van Allen's loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family. Eventually, Vic can no longer suppress his jealousy and tries to win back his wife by asserting himself through a tall tale of murder — one that soon comes true. In this complex portrayal of a dangerous psychosis emerging in the most unlikely of places, Highsmith examines the chilling reality behind the idyllic facade of American suburban life.
Der süße Wahn
Patricia Highsmith
Der süsse Wahn - bk1498; Diogenes Verlag; Patricia Highsmith; pocket_book; 1974
Der talentierte Mr. Ripley
Patricia Highsmith
Tom Ripley will ohne zu arbeiten ein luxuriöses Leben führen. Dafür ermordet er heimlich seinen ehemaligen Schulkollegen, der in Italien dem Nichtstun fröhnt. Tom schlüpft in die Rolle des Toten und kommt so an sein Geld. Als er sogar seine nichts ahnende Freundin Marge für sich gewinnen kann, glaubt er, das Spiel gewonnen zu haben.
Diario di Edith
Patricia Highsmith
La storia di una follia che si nasconde dietro le solide pareti domestiche di una famiglia comune.
Diarios y cuadernos (1941-1995)
Patricia Highsmith
Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks—posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something.”Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating “atmosphere of nameless dread” (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations, at last we see how Patricia Highsmith became Patricia Highsmith.
DOS Caras de Enero, Las (Spanish Edition) by Patricia Highsmith (1999-08-04)
Patricia Highsmith
Duboka voda
Patricia Highsmith
Duboka voda jedan je od najpoznatijih psiholoških trilera slavne Patricije Highsmith. Iako prvi put objavljen 1957. godine roman je ubrzo postao klasikom i od tada nikada nije nestao s knjižarskih polica. Prvi je puta po njemu snimljen film u Francuskoj 1981. godine, a 2021. godine izlazi i filmska adaptacija s Benom Affleckom u ulozi Vica Van Allena.
Melinda Van Allen prekrasna je, privlačna ali i tvrdoglava mlada žena. Na nesreću Vica Van Allena ona mu je supruga. Premda je u njihovu braku ostalo još nešto malo ljubavi i ljubomore, Melinda ni ne pokušava skrivati svoje avanture s naočitim i uspješnim muškarcima. No kad jedan od njezinih ljubavnika bude ubijen Melinda će odmah optužiti svoga supruga. A onda će mjestom krenuti i glasine, zbilja i izmišljotine će se pomiješati i dovesti Vica do ludila. Bit će samo pitanje dana kad će Vic doista zakrvaviti ruke.
Edith's Diary
Patricia Highsmith
As Edith Howland's life becomes harsh, her diary entries only become brighter and brighter. She invents a happy life. As she knits for imaginary grandchildren, the real world recedes. Her descent into madness is subtle, appalling, and entirely believable.
El talento de Mr. Ripley (Ripley, #1)
Patricia Highsmith
Esta es la más celebre novela de esta autora. Aparece aqui su más fascinante personaje, el inquietante y amoral Tom Ripley, figura prototipica de un genero que ella ha inventado, y que se sitúa entre la novela policíaca y la novela negra. Un millonario americano que le pide a Tom Ripley, que intente convencer a su hijo Dickie para que regrese al hogar. Tom acepta el encargo y de paso pone tierra por medio a posibles problema policiales, y encuentra a Dickie y a su amiga Marge, con quienes establece una turbia y compleja relación.
Em Águas Profundas
Patricia Highsmith
Vic e Melinda estão longe de ser um casal feliz ― seu casamento é mantido por um acordo nada convencional: Melinda pode ter quantos amantes quiser contanto que não arraste os dois e a filha para o caos de um divórcio. Tudo parece bem, mas, com o passar do tempo, Vic começa a se incomodar com os homens escolhidos pela esposa e adota uma estratégia inusitada para afugentá-los, assumindo a autoria do assassinato de um deles. Só que a notícia se espalha por toda a cidade do interior dos Estados Unidos e o antes cidadão-modelo, benfeitor, marido mais do que tolerante e empreendedor abnegado vira alvo da maledicência de todos.
Tudo levava a crer que a vida voltaria ao normal quando o verdadeiro assassino é descoberto, mas a revelação da mentira de Vic é o estopim de uma reviravolta nas convicções do próprio e nas relações que mantém com a comunidade, com os amigos e com Melinda e seus vários amantes. O que se cria é uma trama intrincada, repleta de segredos, manipulação psicológica e sangue.
Em águas profundas tem a marca registrada de Patricia Highsmith: explora os abismos mais sombrios da psique humana e lança luz para o fato de que sob a superfície das personalidades mais pacatas e exemplares podem se esconder as mais sórdidas psicopatias.
Extraños en un tren
Patricia Highsmith
Dos desconocidos acuerdan asesinar cada uno al enemigo del otro, permitiendo así una coartada indestructible.
Il piacere di Elsie
Patricia Highsmith
Elsie, una delle migliaia di ragazze che arrivano a New York in cerca di fortuna, è giovane, vitale, ambiziosa, una specie di calamita che attira gli sguardi di uomini e donne. Ralph Linderman, un missionario, solitario e fanatico, se ne innamora. Jack Sutherland, un illustratore di libri, aiuta Elsie a diventare modella e si innamora di lei. Per le strade del Village si svolge una lotta invisibile tra Jack e Ralph, tra lucidità e paranoia, classe e volgarità, bene e male. Come sempre nei romanzi della Highsmith, però, ogni manicheismo è fuori posto e l'ambiguità della scrittrice si rivela in un finale che è un'assoluta sorpresa.
Il talento di Mr. Ripley
Patricia Highsmith
Torna finalmente in una nuova edizione rivista il capolavoro di Patricia Highsmith, il romanzo che ha scolpito per sempre nella storia della letteratura un personaggio indimenticabile: Tom Ripley.
Napoli, anni cinquanta. Il giovane e spiantato Tom Ripley sbarca da New York in missione per conto del ricco Mr. Greenleaf. Deve convincere il figlio di lui, Dickie, a ritornare in America. Ma l’incontro con Dickie, un ragazzo bellissimo che dalla vita ha avuto tutto, fa nascere un’idea nella mente di Tom: non potrebbe sostituirsi a lui e vivere una vita senza problemi? È l’inizio di un’avventura insieme terribile e coinvolgente, in cui Patricia Highsmith conduce per mano il lettore nei percorsi mentali di un assassino senza scrupoli, e forse proprio per questo irresistibile.
Katzen
Patricia Highsmith
« Un chat fait qu’une maison soit un foyer. Un écrivain n’est jamais seul avec un chat, tout en étant suffisamment seul pour pouvoir travailler. Qui plus est, qu’il déambule ou qu’il dorme, un chat est une œuvre d’art vivante, en perpétuelle métamorphose. » Ces mots de Patricia Highsmith disent bien la passion que ce grand écrivain a nourrie pour les chats tout au long de sa vie. Elle en a eu jusqu’à six en même temps – des siamois pour la plupart. Ils dormaient sur son lit, la regardaient travailler, assis sur son bureau, et parfois lui inspiraient une intrigue.Ce petit recueil célèbre le chat dans tous ses états : en personnage de fiction, en inspirateur de poème, en sujet d’étude, en modèle d’artiste.Trois nouvelles amusantes ou troublantes comme le sont les chats, qui laisseront au lecteur un arrière-goût étrange et pénétrant.
L'amico americano
Patricia Highsmith
Jonathan Trevanny è un uomo comune con una moglie e un figlio e un lavoro che ama ma economicamente poco soddisfacente. Quando scopre di essere affetto da una terribile malattia, cerca di continuare la sua esistenza nella normalità più assoluta. Ma un giorno viene avvicinato da uno sconosciuto che, venuto a conoscenza delle sue condizioni, gli offre un'ingente somma di denaro per uccidere due uomini. Jonathan rifiuta, ma quella proposta lo turba profondamente. Comincia a pensare che quei soldi garantirebbero alla sua famiglia la tranquillità economica dopo il suo trapasso. Accetta, quindi, entrando così a contatto con un mondo inquietante che però lo fa sentire di nuovo padrone della sua vita. Attraverso la scrittura puntuale della Highsmith osserviamo, come in un trattato di psicologia, i mutamenti che avvengono, prima impercettibili poi sempre più evidenti, nella coscienza esaltata di Trevanny, facendo di un uomo comune un killer spietato. Da questo libro è stato tratto l'omonimo film di Wim Wenders.
Little Tales of Misogyny
Patricia Highsmith
Nowhere is Patricia Highsmith more edgy than in these mordantly hilarious sketches that make up Little Tales of Misogyny.
Here you'll meet seemingly familiar women with the power to destroy both themselves and the men around them. In these stories Highsmith is at her most scathing as she draws out the mystery and menace of her once ordinary subject.
O Desconhecido do Norte-Expresso
Patricia Highsmith
O Desconhecido do Norte-Expresso, romance que Alfred Hitchcock celebrizou com a sua adaptação ao cinema, apresenta uma das mais interessantes e complexas figuras de criminosos da literatura policial de todos os tempos. O diabólico e insinuante Bruno é uma das mais obsessivas personagens do romance negro do último meio século, e o pacto que ele celebra com Guy, a bordo de um comboio, desencadeia consequências tão trágicas e situações tão fortes, que o próprio Hitchcock foi forçado a atenuá-las consideravelmente na transposição cinematográfica.
O talentoso Ripley
Patricia Highsmith
Clássico de Patricia Highsmith marca o surgimento de um ícone da literatura policial
Desde a publicação de O talentoso Ripley, em 1955, e as posteriores adaptações para o cinema — como a estrelada por Matt Damon, em 1999, e a por Andrew Scott, em 2024 —, Tom Ripley conquista fãs ao redor do mundo, sendo reconhecido como um dos maiores sociopatas da literatura.
Neste primeiro volume da série de cinco livros que narra sua trajetória, ele tenta se estabelecer em Manhattan, após fugir de seu lar mais do que disfuncional. Bom de lábia, exímio imitador e piadista, praticante de furtos e pequenos golpes, Tom vê sua sorte mudar ao receber uma proposta inusitada. Ele deve ir a uma aldeia na Itália e convencer Dickie Greenleaf, o filho de um rico industrial, a voltar para casa e assumir os negócios da família. O problema é que o vigarista é seduzido pelo estilo de vida refinado do playboy. A relação de amizade entre os dois se complica com a interferência de Marge, a típica boa menina americana, rica e apaixonada por Dickie. Não demora para o fascínio de Tom pela vida de Dickie assumir contornos de obsessão. Quando este percebe o perigo e tenta se afastar, já é tarde Tom vê na rejeição a motivação que faltava para dar vazão aos seus desejos mais sombrios e rouba não só o dinheiro do amigo, mas também sua vida e personalidade.
Com O talentoso Ripley, Patricia Highsmith faz a introdução sangrenta e repleta de adrenalina dos percalços desse jovem capaz de tudo para manter seus novos privilégios. Matar ou se reinventar em diversas personalidades não serão empecilhos neste thriller eletrizante, repleto de cenas memoráveis e fugas inesperadas.
Pájaros a punto de volar
Patricia Highsmith
Un acontecimiento literario: la publicación por primera vez de estos textos del legado literario de Patricia Highsmith, escritos entre 1938 y 1949. No son historias de crímenes ni de suspense, ni historias de animales, sino relatos psicológicos. Nos presentan a una joven y aún desconocida escritora que era demasiado tímida o inexperta para revelar todo el alcance de su talento, pero que alcanzó un temprano éxito al expresar una vida turbulenta, febril y a menudo desesperada con una forma artística disciplinada y un lenguaje sencillo y casi brusco. Son catorce narraciones acerca de habitantes sin hogar de las grandes ciudades, sobre niñas espabiladas, sobre amantes atrapados en sus sueños y sobre hombres y mujeres maduros tristes y baqueteados por la vida. Hablan de normas y de transgresiones de ellas, de actitudes conformistas y actitudes rebeldes. No siguen una pauta ni un método. Es como si la joven Patricia Highsmith hubiera inventado un nuevo estilo y forjado una nueva relación con el mundo en cada relato. Y, sin embargo, la monotonía de lo familiar, la magia de una ansiada afinidad de espíritu y los fatigados pasos de figuras abocadas al dolor aparecen captados con un gran derroche de tacto, con enorme simpatía y con una asombrosa sensibilidad para los detalles incisivos.
«Patricia Highsmith escribe acerca de los hombres como escribiría una araña acerca de las moscas» (The Observer).
«Una escritora que ha creado un mundo propio, un mundo opresivamente cerrado, irracional, en el que entramos cada vez casi a la fuerza, con la sensación de estar corriendo personalmente un peligro, conscientes de acercarnos a placeres crueles» (Graham Greene).
Patricia Highsmith: Her Diaries and Notebooks: 1941-1995
Patricia Highsmith
Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks—posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something.”Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating “atmosphere of nameless dread” (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations, at last we see how Patricia Highsmith became Patricia Highsmith.
Patricia Highsmith: Her Diaries and Notebooks: The New York Years, 1941–1950
Patricia Highsmith
Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks—posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something.”
Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating “atmosphere of nameless dread” (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations, at last we see how Patricia Highsmith became Patricia Highsmith.
Patricia Highsmith's Diaries and Notebooks: The New York Years, 1941-1950
Patricia Highsmith
Essential for understanding Patricia Highsmith’s transgressive life and prophetic work, this volume is also “one of the most observant and ecstatic accounts . . . about being young and alive in New York City” (Dwight Garner,― New York Times ). Before Alfred Hitchcock adapted her debut novel, Strangers on a Train , for the big screen; before her suave and sociopathic Thomas Ripley snaked his way into the canon of psychological suspense; and before The Price of Salt became a cult classic of romantic obsession, who was Patricia Highsmith?
Focused on her formative years in Manhattan, this condensed edition of Highsmith’s monumental Diaries and Notebooks reveals “Pat” at her most passionate and florescent. Beginning in 1941 at Barnard College and encompassing the Texas native’s adventurous twenties,? The New York Years intertwines scenes from her dizzying social life―rife with sleepless nights barhopping in the queer underground Greenwich Village scene, always juggling too many lovers―with an intimate self-portrait of a young artist who by day dispassionately wrote comics for a paycheck. Amid all the hangovers and the breakups, she read voraciously and honed her craft with verve. Laid bare in this perennial reader’s edition are the bold, hilarious, romantic, tragic, and maddeningly contradictory observations of one of “our greatest modernist writers” (Gore Vidal).
Ripley pod ziemią (Ripley, #2)
Patricia Highsmith
Tom Ripley is now the owner of a beautiful estate in France, a wealthy art collector and married to an heiress.
The Buckmaster Gallery is staging an exhibition by the celebrated artist Derwatt, but an American collector claims that the expensive masterpiece he bought three years ago is a fake. It is, of course, and he wants to talk to Derwatt - but Derwatt, inconveniently, is dead. Ripley needs the perfect solution to keep his role in the fraud a secret and his reputation clean, but not everyone's nerves are as steady as his. Especially when it comes to murder.
Ripley's Game (Ripley, #3)
Patricia Highsmith
Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime—forgery, extortion, serial murder—Ripley still finds his appetite unquenched and longs to get back in the game.
In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime—and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most psychologically nuanced—particularly memorable for its dark, absurd humor—and was hailed by critics for its ability to manipulate the tropes of the genre. With the creation of Ripley, one of literature's most seductive sociopaths, Highsmith anticipated the likes of Norman Bates and Hannibal Lecter years before their appearance.
Ripley Under Ground (Ripley, #2)
Patricia Highsmith
It's been six years since Ripley murdered Dickie Greenleaf and inherited his money. Now, in Ripley Under Ground (1970), he lives in a beautiful French villa, surrounded by a world-class art collection and married to a pharmaceutical heiress. All seems serene in Ripley's world until a phone call from London shatters his peace. An art forgery scheme he set up a few years ago is threatening to unravel: a nosy American is asking questions and Ripley must go to London to put a stop to it. In this second Ripley novel, Patricia Highsmith offers a mesmerizing and disturbing tale in which Ripley will stop at nothing to preserve his tangle of lies.
Ripley Under Water (Ripley, #5)
Patricia Highsmith
Tom Ripley passes his leisured days at his French country estate tending the dahlias, practicing the harpsichord, and enjoying the company of his lovely wife, Heloise. Never mind the bloodstains on the basement floor.
But some new neighbors have moved to Villeperce: the Pritchards, just arrived from America. they are a ghastly pair, with vulgar manners and even more vulgar taste. Most inconvenient, though, is their curiosity. Ripley does, after all, have a few things to hide. When menacing coincidences begin to occur, a spiraling contest of sinister hints and mutual terrorism ensues, resulting in one of Patricia Highsmith's most elegantly harrowing novels to date.
Sconosciuti in treno
Patricia Highsmith
Guy Haines e Charles Anthony Bruno si trovano per caso a viaggiare nello stesso vagone di un treno diretto verso sud. Per vincere la noia del viaggio cominciano a parlare e a raccontarsi vicende sempre piu personali, per quello strano meccanismo per cui talvolta agli sconosciuti si rivelano i particolari piu intimi dell'esistenza. E così i due viaggiatori solitari, scoprono di vivere due situazioni assai simili. Guy vuole divorziare dalla moglie per riposarsi, mentre Charles deve liberarsi di suo padre. A un certo punto Charles chiede a Guy: "Hai mai avuto voglia di ammazzare qualcuno?" Da questa fatidica domanda prenderà avvio un'inquietante vicenda al limite del surreale, il cui esito, secondo il piano preciso di Charles, sarebbe stato un duplice omicidio in cui ciascuno avrebbe dovuto uccidere l'altro.
Un thriller avvincente che analizza parallelamente la meccanica del delitto e la psicologia dei due uomini che finiranno per essere legati l'uno all'altro da un rapporto morboso che li condurrà definitivamente alla rovina.
Small g: A Summer Idyll
Patricia Highsmith
Finally published in the United States ten years after Patricia Highsmith's death, Small g, in the words of her biographer Andrew Wilson, is an "extended fairy tale suggesting that…happiness is precarious and…romance should be embraced."
In unmistakable Highsmithian fashion, the novel opens in a seedy Zurich bar with the brutal murder of Peter Ritter. Unraveling the vagaries of love, sexuality, jealousy, and death, Highsmith weaves a mystery both hilarious and astonishing, a classic tale executed with her characteristic penchant for darkness. Small g is at once an exorcism of Highsmith's literary demons and a revelatory capstone to a wholly remarkable career. It is a delightfully incantatory work that, in the tradition of Shakespeare's A Midsummer Night's Dream, shows us how bizarre and unpredictable love can be.
Strangers on a Train
Patricia Highsmith
" Strangers on a Train has lost none of its power to disturb…We will likely be reading Patricia Highsmith for the next one hundred years." ―Paula Hawkins Just in time for the centennial celebration of groundbreaking noir fiction writer Patricia Highsmith comes a reissue of her propulsive, engrossing debut, Strangers on a Train , with a new introduction by best-selling author Paula Hawkins. Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.
Talented MR Ripley by Patricia Highsmith(1999-08-05)
Patricia Highsmith
In a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley. Like a latter-day Henry James Hero, he is sent to Italy with the commission to coax Dickie Greenleaf back to his wealthy father. But Ripley finds himself very fond of this prodigal young American. He wants to be like him - exactly like him. Suave, agreeable, and utterly amoral, Ripley stops at nothing-certainly not only one murder-to accomplish his goal.
The Blunderer
Patricia Highsmith
For two years, Walter Stackhouse has been a faithful and supportive husband to his wife, Clara. She is distant and neurotic, and Walter finds himself harboring gruesome fantasies about her demise. When Clara's dead body turns up at the bottom of a cliff in a manner uncannily resembling the recent death of a woman named Helen Kimmel who was murdered by her husband, Walter finds himself under scrutiny. He commits several blunders that claim his career and his reputation, cost him his friends, and eventually threaten his life. The Blunderer examines the dark obsessions that lie beneath the surface of seemingly ordinary people. With unerring psychological insight, Patricia Highsmith portrays characters who cross the precarious line separating fantasy from reality.
NB: The title in England was changed to Lament for a Lover.
The Boy Who Followed Ripley (Ripley, #4)
Patricia Highsmith
The Boy Who Followed Ripley, the fourth novel in the Ripley series, is one of Patricia Highsmith's darkest and most twisted creations.
Tom Ripley meets a young American runaway who has a dark secret that he is desperate to hide. Soon this unlikely pair is drawn into the seamy underworld of Berlin and a shocking kidnapping. In this masterful thriller, Highsmith shatters our perceptions of her most famous creation by letting us glimpse a more compassionate side of this amoral charmer.
"Ripley is an unmistakable descendant of Gatsby, that 'penniless young man without a past' who will stop at nothing."—Frank Rich, New York Times Magazine
The Cry of the Owl
Patricia Highsmith
This "extraordinary story" (Julian Symons) begins with an act of naive voyeurism. Robert Forester, a depressed but fundamentally decent man, liked to watch Jenny through her kitchen window, a harmless palliative, as he saw it, to his lonely life and failed marriage. As he is drawn into her life, however, the recriminations of his simple pleasure shatter the deceptive calm of this small Pennsylvania town. With striking clarity and horrible inevitability, Forester is caught up in a series of deaths in which he is the innocent bystander, presumed guilty.
Highsmith has once again, as Graham Greene wrote "created a world of her own, a world claustrophobic and irrational which we enter each time with a sense of personal danger". And that sense of danger grows from the first page to the sinister and chilling conclusion.
The Price of Salt, or Carol
Patricia Highsmith
Patricia Highsmith's story of sexual obsession may be one of the most important, but still largely unrecognized, novels of the twentieth century. First published in 1952 under the pseudonym Claire Morgan and touted as "the novel of a love society forbids," the book soon became a cult classic. Yet it was always relegated to a mystery subgenre and never before given the literary recognition that it is now receiving. Based on a true story plucked from Highsmith's own life, The Price of Salt tells the riveting story of Therese Belivet, a stage designer trapped in a department store day job, whose routine is forever shattered by an erotic epiphany - the appearance of Carol Aird, a customer who comes in to buy her daughter a Christmas toy. Therese begins to stalk the alluring suburban housewife, who is trapped in a marriage as stultifying as Therese's job. They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol in a choice between her daughter and her lover.
The Talented Mr Ripley
Patricia Highsmith
Since his debut in 1955, Tom Ripley has evolved into the ultimate bad boy sociopath, influencing countless novelists and filmmakers. In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—is up to his tricks in a 90s film and also Rene Clement's 60s film, "Purple Noon."
The Talented Mr. Ripley (Ripley, #1)
Patricia Highsmith
Now a Netflix Series
It’s here, in the first volume of Patricia Highsmith’s five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a “sissy.” Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley’s fascination with Dickie’s debonair lifestyle turns obsessive as he finds himself enraged by Dickie’s ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game.
“Sinister and strangely alluring,” (Mark Harris, Entertainment Weekly) The Talented Mr. Ripley serves as an unforgettable introduction to this smooth confidence man, whose talent for self-invention is as unnerving—and unnervingly revealing of the American psyche—as ever.
The Talented Mr. Ripley / Ripley Under Ground / Ripley's Game
Patricia Highsmith
Suave, agreeable, and completely amoral, Patricia Highsmith's hero, the inimitable Tom Ripley, stops at nothing--not even murder-- to accomplish his goals. In achieving for himself the opulent life that he was denied as a child, Ripley shows himself to be a master of illusion and manipulation and a disturbingly sympathetic combination of genius and psychopath. As Highsmith navigates the mesmerizing tangle of Ripley's deadly and sinister games, she turns the mystery genre inside out and takes us into the mind of a man utterly indifferent to evil.
The Talented Mr. Ripley
In a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley. Like a hero in a latter-day Henry James novel, is sent to Italy with a commission to coax a prodigal young American back to his wealthy father. But Ripley finds himself very fond of Dickie Greenleaf. He wants to be like him--exactly like him. Suave, agreeable, and utterly amoral, Ripley stops at nothing--certainly not only one murder--to accomplish his goal. Turning the mystery form inside out, Highsmith shows the terrifying abilities afforded to a man unhindered by the concept of evil.
Ripley Under Ground
In this harrowing illumination of the psychotic mind, the enviable Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But such a gracious life has not come easily. One inopportune inquiry, one inconvenient friend, and Ripley's world will come tumbling down--unless he takes decisive steps. In a mesmerizing novel that coolly subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil.
Ripley's Game
Connoisseur of art, harpsichord aficionado, gardener extraordinaire, and genius of improvisational murder, the inimitable Tom Ripley finds his complacency shaken when he is scorned at a posh gala. While an ordinary psychopath might repay the insult with some mild act of retribution, what Ripley has in mind is far more subtle, and infinitely more sinister. A social slight doesn't warrant murder of course-- just a chain of events that may lead to it.
The Tremor of Forgery
Patricia Highsmith
An expatriate is beset by dark temptations in this tale by the author of The Talented Mr. Ripley: "Her best novel" (The New Yorker). Set in Tunisia in the mid-1960s, this is the story of Howard Ingham, an American writer who has gone abroad to gather material for a movie too sordid to be set in America. Ingham is cool toward the girlfriend he left behind in New York-but his feelings start to change when she doesn't answer his increasingly aggravated letters, and the filmmaker who hired Ingham fails to show in Tunisia. Amid the tea shops and alleys of the souk, the sun-blasted architecture, and the beaches and hotels frequented by international tourists, Ingham tries to pass the time by working on a writing project. But a series of peculiar events-a hushed-up murder, a vanished corpse, secret broadcasts to the Soviet Union-will pull him in, and may finally put his increasingly fragile sense of morality to the test.
The Two Faces of January
Patricia Highsmith
Three of them are waiting. Rydal Keener is waiting for something exciting to happen in his grubby little Athens hotel.
At forty-odd, Chester MacFarland has been waiting much longer, expecting his life of stock manipulation and fraud to catch up with him. And Colette, Chester's wife, is waiting for something altogether different.
After a nasty little incident in the hotel, they all wait together. As the stakes, and the tension, in their three-cornered waiting game mount, they learn that while passports and silence can be bought, other things can cost as much as your life.
This Sweet Sickness
Patricia Highsmith
In This Sweet Sickness, Patricia Highsmith, in her own inimitable fashion, has created a complex psychological tale as suspenseful as The Talented Mr. Ripley.
David Kelsey, a young scientist, has an unyielding conviction that life will turn out all right for him; he just has to fix the Situation: he is in love with a married woman. Obsessed with Annabelle and the life he has imagined for them—including the fully furnished cabin he maintains for her—David prepares to win her over, whatever it takes.
In this riveting tale of a deluded loner, Highsmith reveals her uncanny ability to draw out the secret obsessions that overwhelm the human heart.
Those Who Walk Away
Patricia Highsmith
Ray Garrett, a wealthy young American living in Europe, is grieving over the death of his wife. Ray is at a loss for why she would take her own life, but Peggy’s father Ed Coleman, has no such uncertainty—he blames Ray completely. Late one night in Rome, Coleman shoots Ray at point-blank range. He thinks he’s had his revenge, but Ray survives, and follows Coleman and his wealthy girlfriend to Venice. In Venice, it happens again: Coleman attacks his loathed son-in-law, dumping him into the cold waters of the laguna. Ray survives with the help of a boatman—and this time he goes into hiding, living in a privately rented room under a fake name. So begins an eerie game of cat and mouse. Coleman wants vengeance, Ray wants a clear conscience, and the police want to solve the mystery of what happened to the missing American. As Ray and Coleman stalk each other through the narrow streets and canals, the hotels and bars of the beguiling city, Those Who Walk Away becomes a literary thriller that simmers with violence and unease from the acclaimed author of such classics as Strangers on a Train and The Talented Mr. Ripley.
Utalentowany pan Ripley (Ripley, #1)
Patricia Highsmith
Utalentowany pan Ripley to pierwsza powieść pięciotomowego cyklu, którego głównym bohaterem jest Tom Ripley. Tego ambitnego dwudziestoparolatka, przekonanego, że jest stworzony do wygodnego, dostatniego życia i tylko chwilowo nie wiedzie mu się najlepiej, poznajemy w jednym z nowojorskich barów, gdzie spotyka się z bogatym biznesmenem Howardem Greenleafem. Mężczyzna zleca mu nietypowe zadanie, które wiąże się z dłuższym wyjazdem do Europy. Próba jego realizacji przyniesie wiele nieoczekiwanych zmian w życiu Toma i stworzy liczne okazje, by mógł się wykazać swoimi talentami, a głównie zdolnościami do oszukiwania ludzi i manipulowania nimi, w czym przydatne będą umiejętności łatwego zmieniania tembru głosu, stylu bycia, a nawet wyglądu zewnętrznego, dzięki którym idealnie może się podszywać pod inne osoby. Dokąd zaprowadzi go finezyjna, acz bezwzględna gra, którą sam zaaranżuje? Czy wystarczy mu zimnej krwi i pomysłowości, by wielokrotnie poradzić sobie z przeciwnościami losu i uniknąć zdemaskowania?
Zwei Fremde im Zug
Patricia Highsmith
Wissen sie, was? Ich bringe ihre Frau um, und Sie meinen Alten... Kein Mensch weiß, daß wir uns kennen - perfektes Alibi, klar? Kein Motiv. Kein Verdachtsmoment. Jeder wartet, bis der andere nicht zu Hause ist - und dann...
Zwei Fremde im Zug entdecken und planen das perfekte Alibi für zwei.
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