Sarah Glidden

A stunningly accomplished debut graphic novel, HOW TO UNDERSTAND ISRAEL IN 60 DAYS OR LESS is Sarah Glidden's charming and funny travel memoir of her trip through Tel Aviv, Jerusalem, the Golan Heights, Masada and other historic locales, brought to life with lush watercolors in all of their quirky and breathtaking detail. At the same time, ISRAEL is a sensitive, deeply thoughtful and personal examination of a highly charged issue, an account of a journey Sarah never expected to take. Her experience clashes with her preconceived notions again and again, particularly when she tries to take a non-chaperoned excursion into the West Bank. As she struggles to "understand Israel," Sarah is forced to question first her beliefs, then ultimately her own identity. Sarah Glidden won the prestigious Ignatz Award for "Most Promising New Talent" as well as the Masie Kukoc Award for Comics Inspiration. Her work has appeared in numerous anthologies.

Cartoonist Sarah Glidden accompanies her two friends—reporters and founders of a journalism non-profit—as they research potential stories on the effects of the Iraq War on the Middle East and, specifically, the war’s refugees. Joining the trio is a childhood friend and former Marine whose past service in Iraq adds an unexpected and sometimes unwelcome viewpoint, both to the people they come across and perhaps even themselves. As the crew works their way through Turkey, Iraq, and Syria, Glidden observes the reporters as they ask civilians, refugees, and officials, “Who are you?” Everyone has a story to tell: the Iranian blogger, the United Nations refugee administrator, a taxi driver, the Iraqi refugee deported from the US, the Iraqis seeking refuge in Syria, and even the American Marine. Glidden (How to Understand Israel in 60 Days or Less) records all that she encounters with a sympathetic and searching eye. Painted in her trademark soft, muted watercolors and written with a self-effacing humor, Rolling Blackouts cements Glidden’s place as one of today’s most original nonfiction voices.