Nadine Gordimer

A home is invaded under mysterious circumstances, an event that changes the lives of its occupants.

"You're not responsible for your ancestry, are you . . . But if that's so, why have marched under banned slogans, got yourself beaten up by the police, arrested a couple of times; plastered walls with subversive posters . . . The past is valid only in relation to whether the present recognizes it." In this collection of new stories, Beethoven Was One-Sixteenth Black , Nadine Gordimer crosses the frontiers of politics, memory, sexuality, and love with the fearless insight that is the hallmark of her writing. In the title story a middle-aged academic who had been an anti-apartheid activist embarks on an unadmitted pursuit of the possibilities for his own racial identity in his great-grandfather's fortune-hunting interlude of living rough on diamond diggings in South Africa, his young wife far away in London. "Dreaming of the Dead" conjures up a lunch in a New York Chinese restaurant where Susan Sontag and Edward Said return in surprising new avatars as guests in the dream of a loving friend. The historian in "History" is a parrot who confronts people with the scandalizing voice reproduction of quarrels and clandestine love-talk on which it has eavesdropped. "Alternative Endings" considers the way writers make arbitrary choices in how to end stories—and offers three, each relating the same situation, but with a different resolution, arrived at by the three sight, sound, and smell.

As a depiction of South Africa, this novel is more revealing than a thousand news dispatches as it tells the story of a young woman cast in the role of a young revolutionary, trying to uphold a heritage handed on by martyred parents while carving out a sense of one's self.

For years, it had been what is called a “deteriorating situation.” Now all over South Africa the cities are battlegrounds. The members of the Smales family—liberal whites—are rescued from the terror by their servant, July, who leads them to refuge in his village. What happens to the Smaleses and to July—the shifts in character and relationships—gives us an unforgettable look into the terrifying, tacit understandings and misunderstandings between blacks and whites. Nadine Gordimer was a winner of the Nobel Prize in Literature

L'incontro casuale in un garage di Cape Town tra una ricca ragazza bianca e un giovane arabo, colto ma povero, mette in moto una serie di eventi inimmaginabili. Abdu, l'uomo del garage, si chiama in verità Ibrahim ibn Musa. È immigrato illegalmente in Sudafrica da un misero paese africano con una laurea in economia. La ragazza è Julie Summers, insofferente al proprio ambiente privilegiato ma culturalmente ristretto. La loro relazione è sostenuta all'inizio da una forte attrazione sessuale che è quasi l'unico linguaggio comune tra due mondi assolutamente diversi. Ma la loro storia si rafforza al punto che, quando le autorità obbligano Ibrahim a tornare nel suo paese, Julie sorprende tutti decidendo di seguirlo come moglie.

Jessie and tom stilwell keep open house their code is one of people determined to maintain the integrity of personal relations against the distortions of law and society the impact on their home of boaz davis and his wife ann, arrived from england, and gideon shibalo, the stilwells black friend, with whom ann starts a love affair as her adventure with africa, is dramatically concurrent with events involving jessies strange relationship with her mother and stepfather and her son from a previous marriage telling their story against the background of south africa in the sixties, nadine gordimer speaks with unsurpassed subtlety and poignancy of individuals and the society in which they live

Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son, and mistress leave him; his foreman and workers become increasingly indifferent to his stewarsship; even the land rises up, as drought, then flood, destroy his farm.

When her ex-husband commits suicide after the failure of his anti-government activities, Liz Van Den Sandt struggles to decide whether to become involved in the South African Black nationalist movement