Athena Dixon
Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is the author of the forthcoming essay collection The Loneliness Files (Tin House 2023), The Incredible Shrinking Woman (Split/Lip Press 2020) and No God In This Room (Winner of the Intersectional Midwest Chapbook Contest, Argus House Press 2018). Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books) and Getting to the Truth: The Practice and Craft of Creative Nonfiction (Hippocampus Books 2021).Athena’s work has appeared in various publications both online and in print. She has been nominated for three Pushcart Prizes for both poetry and creative nonfiction as well as a Best of the Net nomination for poetry. She is a fellow of Callaloo and V.O.N.A. as well as a Tin House Winter Workshop attendee. Additionally, she has presented at AWP, HippoCamp, and The Muse and the Marketplace among other panels and conferences across the nation. She has served as a Writer in Residence for the app Dipsea. Athena has been awarded a fellowship from The Martha’s Vineyard Institute of Creative Writing and a 2nd book residency from Tin House.She was the Founder of Linden Avenue Literary Journal, which published from 2012-2021. Athena is a former co-host of the New Books in Poetry Podcast via the New Books Network.She writes, edits, and resides in Philadelphia.
The Loneliness Files: A Memoir in Essays
Athena Dixon
I am overwhelmingly lonely. And I cannot believe that doesn’t matter and I will not believe there are not scores of others like me.
What does it mean to be a body behind a screen, lost in the hustle of an online world? In our age of digital hyper-connection, Athena Dixon invites us to consider this question with depth, heart, and ferocity, investigating the gaps that technology cannot fill and confronting a lifetime of loneliness.
Living alone as a middle-aged woman without children or pets and working forty hours a week from home, more than three hundred and fifty miles from her family and friends, Dixon begins watching mystery videos on YouTube, listening to true crime podcasts, and playing video game walk-throughs just to hear another human voice. She discovers the story of Joyce Carol Vincent, a woman who died alone, her body remaining in front of a glowing television set for three years before the world finally noticed. Searching for connection, Dixon plumbs the depths of communal loneliness, asking essential questions of herself and all of us: How had her past decisions left her so alone? Are we, as humans, linked by a shared loneliness? How do we see the world and our place in it? And finally, how do we find our way back to each other?
Searing and searching, The Loneliness Files is a groundbreaking memoir in essays that ultimately brings us together in its piercing, revelatory examination of how and why it is that we break apart.
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