B.S. Johnson

A sports journalist, sent to a Midlands town on a weekly assignment, finds himself confronted by ghosts from the past when he disembarks at the railway station. Memories of one of his best, most trusted friends, a tragically young victim of cancer, begin to flood through his mind as he attempts to go about the routine business of reporting a football match. B.S. Johnson’s famous ‘book in a box’, in which the chapters are presented unbound, to be read in any order the reader chooses, is one of the key works of a novelist now undergoing an enormous revival of interest. The Unfortunates is a book of passionate honesty and dark, courageous humour: a meditation on death and a celebration of friendship which also offers a remarkably frank self-portrait of its author.

Christie Malry is a simple man. His job in a bank puts him next to, but not in possession of, money. As a clerk he learns the principles of Double-Entry Bookkeeping and adapts them in his own dramatic fashion to settle his personal account with society. Under the column headed 'Aggravation' for offences received from society (unpleasantness of Bank Manager; general diminution of life caused by advertising), debit Christie; under 'Recompense' for offences given back to society (general removal of items of stationery; Pork Pie Purveyors Ltd. bomb hoax), credit Christie. All accounts are to be settled in full, and they are - in the most alarming way. B.S. Johnson was one of Britain's most original writers and Christie Malry's Own Double-Entry is his funniest book.

A failed love affair, the failure to find work as an architect, and the difficulties of substitute teaching cause Albert Angelo to reexamine his life.

Eight residents in a home for the elderly sit down to dinner, along with the House Mother herself, and each takes it in turn to relay the proceedings of the evening from their own, individual perspective. By virtue of the novel’s clever structure, the reader’s comprehension of events is limited so as to allow them a powerful experience: Johnson’s humorous yet deeply compassionate depiction of what it means to live life and grow old.