Aysegül Savas

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A masterful and tender debut collection of stories from the acclaimed author of The Anthropologists, about distance and closeness in the age of connectivity."An exceptionally elegant, intelligent, and original writer.” -Sigrid Nunez"She is an author who simply, and astoundingly, knows." -Bryan Washington"The rigor of Didion and the tenderness of Sebald." -Catherine Lacey"One of my favorite writers." -Katie KitamuraA researcher abroad in Rome eagerly awaits a visit from her long-distance lover, only to find he is not the same man she remembers. An expat meets a childhood friend on a layover and is dismayed by her unexpected contentment. A newly pregnant woman considers the American taboo of sharing the news too soon, but can't resist when an opportunity comes to patch up a damaged friendship.Long Distance showcases Savas's devastating talent for the short story. Her shrewd encapsulations of contemporary life often center on characters displaced more by choice than circumstance, characters both determined to install themselves in new lives and preoccupied with the people they've left behind.

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? Can they create their own traditions and rituals? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, spends her days gathering footage from the neighborhood park like an anthropologist observing local customs. “Forget about daily life,” chides her grandmother on the phone. “We named you for a whole continent and you're filming a park.” Life back in Asya and Manu's respective home countries continues-parents age, grandparents get sick, nieces and nephews grow up-all just slightly beyond their reach. But the world they're making in their new city is growing, too, they hope, into something that will be distinctly theirs. As they open up the horizons of their lives, what and whom will they hold onto, and what will they need to release? Hailed by Lauren Groff and Marina Abramovic, Savas's fine, precise craft turns The Anthropologist's simple apartment search into a soulful, often funny, examination of modern coupledom, home-building, and expat life in the universal modern city.

A deeply felt chronicle into the wilderness of the first forty days of new motherhood. In the final weeks of her pregnancy, Ayşegül Savaş becomes fascinated by the mythology around the first forty days after giving birth, and the invisible beings that are said to surround the mother. “In Turkish, we speak of extracting the forty days, like a sort of exorcism. My grandmothers assure me that it will all get better after forty days are out.” A friend lends a book that suggests forty days of rest and fortifying broths and avoiding wind and cold. In Judaism, Christianity, and Islam, forty days are seen as a period of trial and transformation. They are often journeys into the wilderness and “its vast and unruly territories.” When the baby arrives, Savaş charts her own path into the wilderness of new motherhood—a space of contradiction, of chaos and care, mothering and being mothered. “What is the trial of the postpartum crossing?” writes Savaş. “Where will mother and child emerge once they have left the wild?”

"[Savaş] writes with both sensuality and coolness, as if determined to find a rational explanation for the irrationality of existence..." -- The New York Times "I fell in love with this book." -- Katie Kitamura, author of A Separation A mesmerizing novel set in Paris and a changing Istanbul, about a young Turkish woman grappling with her past and her complicated relationship with a famous British writer. After her mother's death, Nunu moves from Istanbul to a small apartment in Paris. One day outside of a bookstore, she meets M., an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city. M. is working on a new novel set in Turkey and Nunu tells him about her family, hoping to impress and inspire him. She recounts the idyllic landscapes of her past, mythical family meals, and her elaborate childhood games. As she does so, she also begins to confront her mother's silence and anger, her father's death, and the growing unrest in Istanbul. Their intimacy deepens, so does Nunu's fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all, she fears that she will have to face her own guilt about her mother and the narratives she's told to protect herself from her memories. A wise and unguarded glimpse into a young woman's coming into her own, Walking on the Ceiling is about memory, the pleasure of invention, and those places, real and imagined, we can't escape.

A "marvelous" (Lauren Groff) and riveting novel about a woman who has come undone. A student moves to the city to research Gothic nudes. She rents an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio. In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes's disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas. What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability. Alongside the research into human figures, the student is learning, from a cool distance, about the narrow divide between happiness and resentment, creativity and madness, contentment and chaos. White on White is a sharp exploration of empathy and cruelty, and the stunning discovery of what it means to be truly vulnerable, and laid bare.

A marvelous (Lauren Groff) and riveting novel about a woman who has come undone. A student moves to the city to research Gothic nudes. She rents an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio. In their meetings on the stairs, in the studio, at the corner caf�, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes's disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas. What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability. Alongside the research into human figures, the student is learning, from a cool distance, about the narrow divide between happiness and resentment, creativity and madness, contentment and chaos. White on White is a sharp exploration of empathy and cruelty, and the stunning discovery of what it means to be truly vulnerable, and laid bare.