Vi Khi Nao

The loss of a child takes mythological, magical casts—distortions that allow us to see the contours of grief more clearly. How do you grieve the death of a child? With fishtanks and jellyfish burials, Persephone’s pomegranate seeds, and affairs with the neighbors. Fish in Exile spins unimaginable loss through classical and magical tumblers, distorting our view so that we can see the contours of a parent’s grief all the more clearly.

A surreal, dream-like account of an achingly sensual love affair from a queer Vietnamese American novelist and cult favoriteThe Italy Letters is a slim, powerful shot of literary fantasia from one of America’s best-kept secrets. Long a cult favorite, visionary writer Vi Khi Nao weaves an unforgettable and highly distinctive story of a love affair suffused with longing, erotic passion, and heartbreak – all while painting a picture of the scabby underside of Las Vegas.This beautiful and mesmerizing novel by a queer Vietnamese American writer is a brilliant and unclassifiable work of fiction that takes the form of a series of letters written by the unnamed narrator to her lover in Italy … part of a stream-of-consciousness narrative that is by turns poignant, bawdy, funny, and disturbing – and often beautifully poetic. The story touches, obliquely but powerfully, on the immigrant experience, LGBTQIA identity, social class in the academy, writing, betrayal, sex, and homesickness. The narrator is in the process of caring for her declining mother, who is both deteriorating in health but remains imperious – not perhaps an uncommon dynamic, and one that is sketched with great compassion, humor, and yes, exasperation. The result is an authentically distinctive piece of writing from an underrated American writer on the cusp.

Winner of FC2’s Ronald Sukenick Innovative Fiction PrizeAn unflinching and riveting meditation on the pain that attends every facet of existence—love and sacrifice and intimacy and beauty—a biography of torture.Like all of Vi Khi Nao’s acclaimed and award-winning work, A Brief Alphabet of Torture bleeds across many modes and genres—poetry, essay, fiction, drama—and itself almost constitutes a novel of a different kind. Each tale captures the emotional, physical, psychological, political, and artistic concerns that pervade life like breath and which, even when very beautiful, are filled with pain.These stories are all facets of Nao’s imagination that define the way she views creation, sexuality, violence, and the role of life in an ontological system that relies heavily on cultural, social, and artistic duress. Some stories like “Winter Rose” and “I Love You Me Neither” rise above the boundaries of pain to places of beauty and grace and love, where pain has no place, but make clear how rare such moments appear in life.