Rob Thomas

From Rob Thomas, the creator of groundbreaking television series and movie Veronica Mars, comes the first book in a thrilling new mystery series. Ten years after graduating from high school in Neptune, California, Veronica Mars is back in the land of sun, sand, crime, and corruption. She's traded in her law degree for her old private investigating license, struggling to keep Mars Investigations afloat on the scant cash earned by catching cheating spouses until she can score her first big case. Now it's spring break, and college students descend on Neptune, transforming the beaches and boardwalks into a frenzied, week-long rave. When a girl disappears from a party, Veronica is called in to investigate. But this is not a simple missing person's case. The house the girl vanished from belongs to a man with serious criminal ties, and soon Veronica is plunged into a dangerous underworld of drugs and organized crime. And when a major break in the investigation has a shocking connection to Veronica's past, the case hits closer to home than she ever imagined.

In the second book in the New York Times bestselling mystery series, Veronica Mars is back with a case that will expose the hidden workings of one of Neptune’s most murderous locations. The Neptune Grand has always been the seaside town’s ritziest hotel, despite the shady dealings and high-profile scandals that seem to follow its elite guests. When a woman claims that she was brutally assaulted in one of its rooms and left for dead by a staff member, the owners know that they have a potential powder keg on their hands. They turn to Veronica to disprove—or prove—the woman's story. The case is a complicated mix of hard facts, mysterious occurrences, and uncooperative witnesses. The hotel refuses to turn over its reservation list and the victim won’t divulge who she was meeting that night. Add in the facts that the attack happened months ago, the victim’s memory is fuzzy, and there are holes in the hotel’s surveillance system, and Veronica has a convoluted mess on her hands. As she works to fill in the missing pieces, it becomes clear that someone is lying—but who? And why?

Veronica Mars has won the hearts of a small but devoted fanbase drawn to Veronica’s class-torn hometown, where the high school landscape echoes adult patterns of power and privilege, and your best bet for justice is a teenage girl and her private detective father. The show is so snarky, so smart, and so savvy, that the detective show’s biggest mystery is why more people aren’t watching. This collection of essays on the show’s first two seasons explores the noir roots of Veronica’s blond locks, and the sharp writing and killer plot twists that have catapulted Veronica Mars to the top of smart viewers’ must-watch lists.

For Steve York, life was good. He had a 4.0 GPA, friends he could trust, and a girl he loved. Now he spends his days smoked out, not so much living as simply existing. But his herbal endeavors—and personal demons—have lead to a severe lack of motivation. Steve's flunking out, but if he writes a one-hundred-page paper, he can graduate. Steve realizes he must write what he knows. And through telling the story of how he got to where he is, he discovers exactly where he wants to be. . . .

When thirteen-year-old Grady Jacobs meets up with Dr. Carter as a member of his research team in the rain forest, he is sickened to learn that his experiments are doing more harm than good and so turns to the Urah-wau tribe for help in putting a stop to Dr. Carter's destructive activities. Reprint.

Patrick Sheridan is experiencing technical difficulties... Patrick's thrilled to become a student reporter on a teen news show. But when he leaves his small Texas town for the bright lights of Los Angeles, everything changes. It doesn't take long before Patrick is mingling with the rich and famous and doing all kinds of things he never thought he would -- like cheating on his girlfriend, lying to his parents, and losing his best friend. And by the time he learns that it was his handsome face and not his writing that landed him his new job, he's left to pick up the pieces alone. Hollywood is already full of beautiful people with no talent; how can he prove that he's more? He'll have to start by convincing himself.

Eight alternative first-person narrators relate the annual Slave Day fund-raiser's events, allowing eight distinct individuals to emerge from their initially apparent stereotypes--jock, geek, and cheerleader, among others. Reprint.