Trio of Sorcery (Diana Tregarde, #0.5) (Jennifer Talldeer, #1.5)
Mercedes Lackey
New York Times and USA Today bestselling author Mercedes Lackey presents three exciting short urban fantasy novels featuring three resourceful heroines and three different takes on the modern world and on magics both modern and ancient. Arcanum 101: Diana Tregarde, practicing witch, romance novelist, Guardian of the Earth. Studying at Harvard, Diana is approached by Joe O'Brian, a young cop who has already seen more than one unusual thing during his budding career. The distraught mother of a kidnap victim is taking advice from a "psychic" and interfering in the police investigation. Will Diana prove that the psychic is a fake? Unfortunately, the psychic is not a fake, but a very wicked witch—and the child's kidnapper. Drums: Jennifer Talldeer, shaman, private investigator, member of the Osage tribe. Most of Jennie's work is regular PI stuff, but Nathan Begay brings her a problem she's never seen before. His girlfriend, Caroline, is Chickasaw to his Navaho, but that's not the problem. Somehow, Caroline has attracted the attention of an angry Osage ghost. Thwarted in love while alive, the ghost has chosen Caroline to be his bride in death. Ghost in the Machine: Ellen McBride: computer programmer extraordinaire, techno-shaman. The programmers and players of a new MMORPG find that the game's "boss," a wendigo, is "killing" everyone—even the programmers' characters with their god-like powers. A brilliant debugger, Ellen discovers that the massive computing power of the game's servers have created a breach between the supernatural world and our own. This wendigo isn't a bit of code, it's the real thing . . . and it's on the brink of breaking out of the computers and into the real world.
Publication Year: 2010
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Review courtesy of All Things Urban Fantasy.
Mercedes Lackey is an author responsible for a number of my firsts. Diana Tregarde was probably the first the urban fantasy series I ever read, and she mixed magic with police interceptors much to my delight. I also know for a fact that Jennifer Talldeer, in SACRED GROUND, was the first character I ever read who used a condom in a love scene (a realistic, compelling, touch). Both Diana and Jennie have new stories in TRIO OF SORCERY, as well as a new character, Ellen McBridge. All three characters left their mark on me for better or worse in this anthology, and not in the way I expected.
Diana Tregarde’s story in Arcanum 101 works well for those familiar with her previous books, but can also serve as a good introduction to the series. Featuring a witch/romance novelist, I love the trademark Lackey touch of mixing magic with practical concerns (like getting a job or figuring out bus schedules). While being a Guardian does give Diana a bump up in magical power, she’s not above further augmenting that power with research, martial arts, and the fastest get away car she can bum a ride in. Reading this origin story whetted my appetite to go back and re-read all of those Diana Tregarde books I remember enjoying so much.
Arcanum 101 was followed by Drums, taking up the story of Jennie Talldeer and David Spotted Horse where SACRED GROUND left off. Of the three stories, Drums was the weakest in the triology. It felt unfinished on the edges, awkward at the beginning and vague at the end. Given how vividly I remember Jennie and David’s relationship, I didn’t like how Lackey raises questions between them that were never resolved in the scope of this story. I’d be willing to forgive, however, if this means more stories featuring these characters will follow.
And finally, set in present day, Ghost in the Machine was definitely my favorite story (and not just because it deals with an on-line computer game very similar to World of Warcraft). Ghost in the Machine introduces a fascinating concept of how magic might collide with our modern world. Usually short stories leave me wanting in the character development department, but the techno-shaman Ellen McBridge and magically augmented AIBO were a pair that I would love to read more about.
Thoughout these three stories, Lackey emphasizes this passage of time by prefacing each story with a primer on the technological and social norms of the day. While I enjoyed these prologues, I would have enjoyed the stories themselves more if Lackey had used a lighter hand with these time period markers. I felt like many of the “period references”, were rather clunky and unnecessary for the story itself.
Over all, this trio was a pleasant trip down memory lane, as well as a sweet showcase of Mercedes Lackey’s portfolio. I only hope that these stories are the seedlings of new full length books.
Sexual Content: None
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