White Is for Witching

White Is for Witching

Helen Oyeyemi

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In a vast, mysterious house on the cliffs near Dover, the Silver family is reeling from the hole punched into its heart. Lily is gone and her twins, Miranda and Eliot, and her husband, the gentle Luc, mourn her absence with unspoken intensity. All is not well with the house, either, which creaks and grumbles and malignly confuses visitors in its mazy rooms, forcing winter apples in the garden when the branches should be bare. Generations of women inhabit its walls. And Miranda, with her new appetite for chalk and her keen sense for spirits, is more attuned to them than she is to her brother and father. She is leaving them slowly - Slipping away from them - And when one dark night she vanishes entirely, the survivors are left to tell her story. "Miri I conjure you " This is a spine-tingling tale that has Gothic roots but an utterly modern sensibility. Told by a quartet of crystalline voices, it is electrifying in its expression of myth and memory, loss and magic, fear and love.


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  • Enjoyment: Quality: Characters: Plot:

    “White is for witching, a colour to be worn so that all other colours can enter you, so that you may use them.”

    Institutionalized racism/xenophobia as a generational spectre is a brilliant and haunting conceit, like everything of Oyeyemi’s I’ve read so far; but also like everything of hers I’ve read so far, this book suffers from an uncertain and weak ending. Once again, Oyeyemi sets up some truly fascinating, eerie, rich possibilities, and then shrugs it all away like she never had a plan for this part. Still well worth reading, and absolutely splendidly written, but I’m consistently left unsatisfied.

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