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Olivia Foster hasn’t felt alive since her little brother drowned in the backyard pool three years ago. Then Kara Hallas moves in across the street with her mother and grandmother, and Olivia is immediately drawn to these three generations of women. Kara is particularly intoxicating, so much so that Olivia not only comes to accept Kara's morbid habit of writing to men on death row, she helps her do it. They sign their letters as the Resurrection Girls. But as Kara’s friendship pulls Olivia out of the dark fog she’s been living in, Olivia realizes that a different kind of darkness taints the otherwise lively Hallas women—an impulse that is strange, magical, and possibly deadly.
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3.75 Stars
I received an eARC of this book via Netgalley and the publishers in exchange for an honest review.
Full disclosure - I did some research on the author afterward and I'm trying my best not to let that research cloud my judgment of the book itself.
Characters *** I wasn't the biggest fan of Kara, but I get why she is the way she is. I do like Olivia and her journey throughout the novel.
Cover **** I mean come oooooon, there's a skeleton hand! How could I not love it?!?!
Pace **** I felt like this moved pretty well. I read it fairly quickly over a couple of free evenings.
Plot *** Ok here's where it gets a bit sticky. There are some amazing parts to this. The view of grief and loss and how it affects people differently and what death can mean for those left behind. It was just, so hauntingly, beautifully done. But the paranormal aspects were just off a bit I feel like if you're familiar with the Neopagan idea of the Maiden/Mother/Crone the dynamic between Kara's family is just so blatantly obvious that it doesn't hold any mystery. If you're uneducated in the triple goddess, however, I don't think there's ENOUGH information for you to get a grasp of what actually happened here.
Writing **** I love the way Morgyn weaved her words together. Again, just hauntingly beautiful.
It wasn't the pills she was addicted to. It was the grief, the simultaneous struggle to clutch her pain to her chest as she once had my brother and to push it as far away as possible, as though by gaining distance from his loss she could make it less real.
** I was provided with an electronic ARC from the publisher through NetGalley in exchange for honest review.**
Actual rating: 3.5 stars
Ava Morgyn's debut novel, Resurrection Girls, is a hard-hitting novel of grief and all that comes with it. Our main character, Olivia, has had her world ripped apart by the accidental drowning death of her three-year-old brother Robby. When a new family moves into the house across the street, Olivia meets Kara, who is the first person to have an impact in dragging Olivia out of isolation since the event.
I expected this novel to be more fantastical based on the synopsis, which reveals that there is a generational curse on Kara's family, and the cover which suggests some kind of spookiness. However, this book swerves hard away from true fantasy and settles into the realm of magical realism. Even the magical realism parts of the novel aren't nearly as prominent as the coming-of-age and coming out of grieving portions of the book.
While I realized that this book involved the death of a toddler, I did not realize that the entirety of the story would revolve so firmly around Robby's death and the destruction it wrought on Olivia's family. Coming from a family impacted by infant death, some of these scenes were particularly hard-hitting for me and I wish that there had been more of a warning about how integral to the story that death would be.
Morgyn's writing style was one that flowed very naturally with the story, and I felt that it was easy to become invested in Olivia and her friends. I expected the plot to center more around the letters to serial killers, and while they were very important in the end, they weren't nearly as much of a center point as I had thought.
Overall, I felt this book was a good first showing for Morgyn and I would definitely be willing to read whatever book she produces next.