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Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound. In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say be careful what you wish for...
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4.5⭐️
Every single person in this book needs therapy.
Nahri accidentally calls a djinn or Daeva as he prefers to call himself. He finds out she is a shafit (has Daeva blood) and is the last descendant of a powerful family of Daeva healers. There are dangerous creatures after her, so he takes her on a journey to Daevabad, (a magical city hidden from the human world) her family's ancestral home. This journey takes up quite a large portion of the book. I wouldn't call it boring, but it definitely dragged on compared to the rest of the book. When they finally arrive to Daevabad is when the good stuff starts. I'm talking really good shit