Books are dangerous things in Collins's alternate universe, a place vaguely reminiscent of 19th-century England. It's a world in which people visit book binders to rid themselves of painful or treacherous memories. Once their stories have been told and are bound between the pages of a book, the slate is wiped clean and their memories lose the power to hurt or haunt them. After having suffered some sort of mental collapse and no longer able to keep up with his farm chores, Emmett Farmer is sent to the workshop of one such binder to live and work as her apprentice. Leaving behind home and family, Emmett slowly regains his health while learning the binding trade. He is forbidden to enter the locked room where books are stored, so he spends many months marbling end pages, tooling leather book covers, and gilding edges. But his curiosity is piqued by the people who come and go from the inner sanctum, and the arrival of the lordly Lucian Darnay, with whom he senses a connection, changes everything.
No posts yet
Kick off the convo with a theory, question, musing, or update
Your rating:
This was an unsuspectingly good and unsuspectingly queer novel. I genuinely really enjoyed it. I thought it was very poetic and shrouded in mystery. I enjoyed how it jumped back and forward in memories and time; and the idea of a bookbinder and what they represent I found very intriguing. Not only that, but the book was written very well, it was descriptive, picturesque, the characters were complex and I loved the dynamics between those presented. And for a book that feels as if it is inspired by gothic literature and dark romance, it is satisfying and pleasing to see a happy ending. This book was very artistic and I think that for those interested with this genre, and a standalone queer novel, should definitely pick it up and give it a read.