William S. Burroughs
William Seward Burroughs II, (also known by his pen name William Lee) was an American novelist, short story writer, essayist, painter, and spoken word performer. A primary figure of the Beat Generation and a major postmodernist author, he is considered to be "one of the most politically trenchant, culturally influential, and innovative artists of the 20th century". His influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote 18 novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians, and made many appearances in films.He was born to a wealthy family in St. Louis, Missouri, grandson of the inventor and founder of the Burroughs Corporation, William Seward Burroughs I, and nephew of public relations manager Ivy Lee. Burroughs began writing essays and journals in early adolescence. He left home in 1932 to attend Harvard University, studied English, and anthropology as a postgraduate, and later attended medical school in Vienna. After being turned down by the Office of Strategic Services and U.S. Navy in 1942 to serve in World War II, he dropped out and became afflicted with the drug addiction that affected him for the rest of his life, while working a variety of jobs. In 1943 while living in New York City, he befriended Allen Ginsberg and Jack Kerouac, the mutually influential foundation of what became the countercultural movement of the Beat Generation.Much of Burroughs's work is semi-autobiographical, primarily drawn from his experiences as a heroin addict, as he lived throughout Mexico City, London, Paris, Berlin, the South American Amazon and Tangier in Morocco. Finding success with his confessional first novel, Junkie (1953), Burroughs is perhaps best known for his third novel Naked Lunch (1959), a controversy-fraught work that underwent a court case under the U.S. sodomy laws. With Brion Gysin, he also popularized the literary cut-up technique in works such as The Nova Trilogy (1961–64). In 1983, Burroughs was elected to the American Academy and Institute of Arts and Letters, and in 1984 was awarded the Ordre des Arts et des Lettres by France. Jack Kerouac called Burroughs the "greatest satirical writer since Jonathan Swift", a reputation he owes to his "lifelong subversion" of the moral, political and economic systems of modern American society, articulated in often darkly humorous sardonicism. J. G. Ballard considered Burroughs to be "the most important writer to emerge since the Second World War", while Norman Mailer declared him "the only American writer who may be conceivably possessed by genius".Burroughs had one child, William Seward Burroughs III (1947-1981), with his second wife Joan Vollmer. Vollmer died in 1951 in Mexico City. Burroughs was convicted of manslaughter in Vollmer's death, an event that deeply permeated all of his writings. Burroughs died at his home in Lawrence, Kansas, after suffering a heart attack in 1997.
Almoço Nu - Edição Definitiva
William S. Burroughs
Lançado em Paris em 1959, Almoço nu logo se tornou um dos romances mais importantes do século XX. Influência determinante na relação entre arte e obscenidade, a obra redefiniu não apenas a literatura, mas a cultura americana como um todo. O protagonista é ojunkie William Lee, que faz uma viagem surreal e orgíaca pela devastada terra das drogas, da depravação, das tramas políticas e dos experimentos sádicos. Construído numa série de vinhetas, que até podem ser lidas fora de ordem, o livro se inspira nas experiências inusitadas do próprio Burroughs em lugares como México, Tânger e Estados Unidos, e no seu vício em heroína, morfina e outras drogas.
And the Hippos Were Boiled in Their Tanks
William S. Burroughs
On August 14, 1944, Lucien Carr, a friend of William S. Burroughs from St. Louis, stabbed a man named David Kammerer with a Boy Scout knife and threw his body in the Hudson River. For eight years, Kammerer had fawned over the younger Carr, but that night something happened: either Carr had had enough or he was forced to defend himself.
The next day, his clothes stained with blood, Carr went to his friends Bill Burroughs and Jack Kerouac for help. Doing so, he involved them in the crime. A few months later, they were caught up in the crime in a different way.
Something about the murder captivated the Beats, especially Kerouac and Burroughs, who decided to collaborate on a novel about the events of the previous summer. At the time, the two authors were still unknown, yet to write anything of note. Narrating alternating chapters, they pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and art, obsession and violence, with scenes and characters drawn from their own lives.
They submitted their manuscript—called And the Hippos Were Boiled in Their Tanks after an absurd line from a radio bulletin about a circus fire—to publishers, but it was rejected and confined to a filing cabinet for decades. Finally published, at long last, And the Hippos Were Boiled in Their Tanks tells the story of Ramsay Allen and the object of his fixation, the charismatic, idealistic young Phillip Tourian. Phillip and his friends drink and dream in the bars and apartments of the West Village, until, with his friend Mike Ryko (Kerouac's narrator), he hatches a plan to ship out as a merchant marine. They'll catch a boat for France and jump ship, then make their way through the front to Paris.
And the Hippos Were Boiled in Their Tanks is an engaging, fast-paced read that shows the two authors' developing styles. It is also an incomparable artifact, a legendary novel from the dawn of the Beat movement by two hugely influential writers.
Cities of the Red Night (The Red Night Trilogy, #1)
William S. Burroughs
While young men wage war against an evil empire of zealous mutants, the population of this modern inferno is afflicted with the epidemic of a radioactive virus. An opium-infused apocalyptic vision from the legendary author of Naked Lunch is the first of the trilogy with The Places of the Dead Roads and his final novel, The Western Plains .
E gli ippopotami si sono lessati nelle loro vasche
William S. Burroughs
«La New York del 1944 dipinta da Burroughs e Kerouac sembra un luogo dove è sempre notte, si è sempre ubriachi fradici o alle prese con i postumi dell'ultima sbronza, e ci si muove senza sosta, come le marionette di un balletto meccanico, da un bar all'altro. Il caldo contribuisce a rendere ancora più incerti i confini tra la realtà e il delirio. Tutti discutono di Yeats e di Rimbaud, tra i locali del Village e le camere d'affitto di Washington Square. A un certo punto, la radio trasmette la notizia di un incendio in un circo, o in uno zoo. Pare che gli ippopotami si siano lessati nelle loro vasche – e questa ulteriore scheggia di follia, non si sa se inventata o realmente ascoltata, ma degna di figurare in un'antologia surrealista, diventa come l'emblema di un tempo della vita, di un modo di esistere, di un sogno metropolitano sospeso tra l'incubo e la fantasmagoria». Emanuele Trevi
El almuerzo desnudo
William S. Burroughs
"El almuerzo desnudo", una de las novelas más míticas de la literatura norteamericana, es un descenso a los infiernos de la droga y una denuncia horrorizada y sardónica, onírica y alucinatoria de la sociedad actual, un mundo sin esperanza ni futuro. Burroughs dispara sus flechas contra las religiones, el ejército, la universidad, la sexualidad, la justicia corrupta, los traficantes tramposos, el colonialismo, la burocracia y la psiquiatría representada por el siniestro Dr. Benway, el gran manipulador de conciencias, el experto en Control total.
Exterminator!
William S. Burroughs
A wity, rauchy, satrical novel from the Beat legend and author of Naked Lunch
Conspirators plot to explode a train carrying nerve gas. A perfect servant suddenly reveals himself to be the insidious Dr. Fu Manchu. Science-fantasy wars, racism, corporate capitalism, drug addiction, and various medical and psychiatric horrors all play their parts in this mosaiclike, experimental novel. Here is William S. Burroughs at his coruscating and hilarious best.
Il gatto in noi
William S. Burroughs
Sarà probabilmente una sorpresa per molti scoprire che William Burroughs, l'efferato cantore di saghe che si svolgono in terre di mutanti e in cui l'umanità è una sopravvivenza arcaica, ha anche scritto uno dei più delicati e percettivi libretti che conosciamo sui gatti – anzi, più precisamente, sul gatto come «compagno psichico». Gatti bianchi, gatti arancioni, gatti persiani; gatti amati, gatti di strada; gatti soprannaturali come piccoli dèi del focolare; creature con un che di felino, un che di umano e un che di «ancora inimmaginabile», frutto di unioni arcane e lontanissime che l'autore si sente chiamato a rievocare e a proteggere come un benefico Guardiano: sono questi i protagonisti a cui Burroughs dà la parola. La sua voce diventa piana, pur mantenendo una vibrazione inquietante. E l'affinità immediata fra l'autore e questi esseri appare palese, ancor più di quella con altri suoi personaggi. Le storie, le osservazioni, hanno una naturalezza carica di intensità, forse perché in queste pagine Burroughs ha nascosto «un'allegoria», visitando il suo passato come una «sciarada gattesca». Il gatto in noi è uscito per la prima volta a New York nel 1986 in un'edizione a tiratura limitata e poi, sempre a New York, nel 1992.
Interzone
William S. Burroughs
Interzone portrays the development of Burroughs's mature writing style by presenting a selection of pieces from the mid-1950s. His outrageous tone of voice represents the exorcism of four decades of oppressive sexual and social conditioning. Burroughs's close observations of humanity - its ugliness and ignorance - invites the reader to dispense with their traditional notions of decorum, and taste the world as he sees it.
I ragazzi selvaggi
William S. Burroughs
Una vasta insurrezione si estende dagli Stati Uniti all’America Centrale a un epicentro maghrebino. Effetto collaterale di un mondo che col pretesto del controllo ha creato ovunque stati di polizia, i «ragazzi selvaggi» si evolvono presto in una fantasmagorica sottospecie umanoide: ragazzi-gatto con artigli «curvi e cavi imbottiti di pasta di cianuro», ragazzi-serpente, ragazzi che sputano e ringhiano, corrono «come gattini feroci sferrando colpi con rasoi e schegge di vetro», si spostano su pattini a propulsione, mentre il capobranco ha una toppa sull'occhio e, al posto della mano destra, «un castrasuini avvitato in un moncone di legno e cuoio» con il quale «trancia gli intestini come spaghetti». In un romanzo di allarmante forza profetica, ancora una volta Burroughs incenerisce processi e mutamenti storici al rogo della sua immaginazione e della sua allucinata, inconfondibile scrittura.
Junkie.
William S. Burroughs
"He is the only American novelist living today who may, conceivably, be possessed by genius". Norman Mailer
William Burroughs, author of "The Naked Lunch" tells his own harsh story of drug addiction. It is not a book for the easily shocked. It is violent and uncompromising. It is also totally honest.
From the soft drug world of marijuana to the mind-shattering horrors of heroin. This is a story that has, rightly, become a modern classic.
This edition includes Preface, Notes and Glossary.
Junky
William S. Burroughs
Before his 1959 breakthrough, Naked Lunch, an unknown William S. Burroughs wrote Junky, his first novel. It is a candid eye-witness account of times and places that are now long gone, an unvarnished field report from the American post-war underground. Unafraid to portray himself in 1953 as a confirmed member of two socially-despised under classes (a narcotics addict and a homosexual), Burroughs was writing as a trained anthropologist when he unapologetically described a way of life - in New York, New Orleans, and Mexico City - that by the 1940's was already demonized by the artificial anti-drug hysteria of an opportunistic bureaucracy and a cynical, prostrate media. For this fiftieth-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly recreated the author's original text, word by word, from archival typescripts and places the book's contents against a lively historical background in a comprehensive introduction. Here as well, for the first time, are Burroughs' own unpublished introduction and an entire omitted chapter, along with many "lost" passages, as well as auxiliary texts by Allen Ginsberg and others.
Junky: The Definitive Text of "Junk"
William S. Burroughs
In his raw and most autobiographical novel, Junky, also his debut, Burroughs fictionalized his experiences using and dealing heroin and other drugs in the 1940s. The Burroughs-like protagonist of the novel, Bill Lee, seesaws between periods on junk and off junk, using a panoply of substances including heroin, cocaine, marijuana, paregoric, and goof balls. From the tenements of New York to the queer bars of New Orleans, Junky is a field report from the American postwar drug underground, a cult classic that has influenced a generation of writers, and a critical part of Burroughs’s oeuvre. For this definitive edition, renowned Burroughs scholar Oliver Harris has gone back to archival typescripts to re-create the author’s original text word by word.
La calcolatrice meccanica
William S. Burroughs
«Gli scrittori sono tutti morti e tutta la scrittura è postuma». Nessun altro, eccetto Burroughs, avrebbe osato proclamarlo, ed è soltanto una delle affermazioni paradossali e dissacranti che costellano i saggi qui raccolti, estratti dallo sciame meteorico che, durante una mitica stagione, investì le pagine delle riviste internazionali, letterarie e non. Burroughs porta il lettore oltre i cordoni della polizia militare fino al cancello di aree classificate «top secret», e gli fa intravedere cose insospettate, di bruciante attualità, quali il controllo della mente – con ogni mezzo legale o illegale – da parte di politici, scienziati, giornalisti, medici, santoni e altri spacciatori, la parola come virus, la scrittura come tecnica e magia, all’occorrenza nera. Con il suo humour vitreo composto in egual misura di lucidità e follia, rude buonsenso e visionarietà, e oltraggi a ripetizione, ci porge scampoli fulgenti di «atroce presunzione». Insegna la lettura creativa. Libera la mente dalla sudditanza e dall’assuefazione a ogni conformismo. Condisce invettive, dissezioni e profezie con raccontini ad hoc, sconci e spassosi. E intanto disegna una singolare, illuminante galleria di autori letti, incontrati, amati, da Kerouac a Beckett, da Graham Greene a Conrad, da Fitzgerald a Hemingway, da Maugham a Proust. Leggerlo è fare un corso accelerato di disintossicazione dall’acquiescenza agli zelanti manipolatori del Potere. Burroughs ha scritto la sceneggiatura del film che chiamiamo realtà. Peccato sia la nostra.
Le Festin nu
William S. Burroughs
L'Interzone.
Un territoire qui ne figure sur aucune carte, situé quelque part entre New York et Tanger, dédale infini de rues semblable aux méandres du cerveau d'un drogué.
Un lieu fantomatique, où se réfugie William Lee après avoir accidentellement tué sa femme. Persuadé d'être un agent secret au centre d'une gigantesque machination, Lee commence à rédiger des rapports pour le compte d'une mystérieuse corporation internationale, communiquant avec elle par l'intermédiaire d'une machine à écrire fort loquace qui se transforme volontiers en cafard...
Vertigineuse descente aux enfers de la drogue - de toutes les drogues -, le chef-d'œuvre de William Burroughs est d'une veine à la fois terrifiante, macabre, et d'un comique presque insoutenable.
My Education: A Book of Dreams (Penguin Modern Classics)
William S. Burroughs
"My Education" is Burroughs' last novel, first published two years before his death in 1997. It is a book of dreams, collected over several decades and as close to a memoir as we will see. The dreams cover themes from the mundane and ordinary - conversations with his friends Allen Ginsberg or Ian Sommerville, feeding his cats, procuring drugs or sex - to the erotic, bizarre and visionary. Always a rich source of imagery in Burroughs' own fiction, in this book dreams become a direct and powerful force in themselves.
Naked Lunch
William S. Burroughs
The book is structured as a series of loosely connected vignettes. Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.
The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).
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Naked Lunch: The Restored Text
William S. Burroughs
Naked Lunch is one of the most important novels of the twentieth century, a book that redefined literature. A startling tale of a narcotics addict unmoored in New York, Tangier, and ultimately a nightmarish wasteland known as Interzone, its formal innovation, taboo subject matter, and virtuoso style have exerted a significant influence on authors like Thomas Pynchon, J. G. Ballard, William Gibson, and Will Self, as well as on music, film, and the media generally. This restored edition incorporates Burroughs’s notes on the text, several essays he wrote about the book, and an appendix of new material and alternate drafts from the original manuscript. For the Burroughs enthusiast and the neophyte, this volume is a definitive and fresh experience of this classic of our culture.
Nova Express (The Nova Trilogy, #3)
William S. Burroughs
'Peoples of the earth, you have all been poisoned . . . I order total resistance directed against this conspiracy to pay off peoples of the earth in ersatz bullshit'
The diabolical Nova Criminals include the nightmarish characters of Sammy the Butcher, Iron Claws, Izzy the Push and the Brown Artist, and are poised to wreak untold destruction on the world with their new-found control. Only Inspector Lee of the Nova Police has any chance of stopping them, by dismantling the word and image machine before it's too late.
In a new, restored edition based on Burroughs' original manuscripts, Nova Express is part of his linguistically prophetic 'cut-up' trilogy - including The Soft Machine and The Ticket That Exploded - and a hilarious, Swiftian parody of bureaucracy and the frailty of the human animal.
Pasto nudo
William S. Burroughs
Con questo romanzo, ebbe a dire Norman Mailer, William Burroughs rivelò di essere «l’unico romanziere americano vivente a cui si possa plausibilmente attribuire genio». Scavando nelle proprie ferite con l’acume della paranoia e un’acrobatica inventiva stilistica, in Pasto nudo Burroughs disegna, sfrontato e perentorio, un ritratto dell’America all’acido fenico.
Queer
William S. Burroughs
Originally written in 1952 but not published till 1985, Queer is an enigma - both an unflinching autobiographical self-portrait and a coruscatingly political novel, Burroughs' only realist love story and a montage of comic-grotesque fantasies that paved the way for his masterpiece, Naked Lunch. Set in Mexico City during the early fifties, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges; a maniacal mix of self-lacerating humor and the Ugly American at his ugliest. A haunting tale of possession and exorcism, Queer is also a novel with a history of secrets, as this new edition reveals.
Queer / William S. Burroughs
William S. Burroughs
William S. Burroughs. Queer. [London]: Picador, [1986]. First British edition, first printing. Octavo. 122 pages. Publisher's binding and dust jacket.
Rub Out the Words: The Letters, 1959-1974
William S. Burroughs
Carefully edited from more than 1000 of his personal correspondences, Rub Out the Words is a collection of 300 of the best letters of Naked Lunch author William S. Burroughs, written between 1959 and 1974. A truly remarkable compendium, it offers an eye-opening and insightful look into the artistic process and complex personal life of the legendary literary outlaw in the post-Beat era—providing a new understanding and appreciation of an author who stood alongside Paul Bowles and Charles Bukowski as one of the most creative and rebellious American artists of the 20th century.
The Burroughs File
William S. Burroughs
Trenchant writings by that sardonic "hombre invisible," William Seward Burroughs, perpetrator of Naked Lunch and other shockers. These malefic and beatific, mordant and hilarious straight-face reports on life are mostly from scatter-shot publications in obscure places, foreign and domestic. Including complete texts from White Subway, Cobblestone Gardens, and The Retreat Diaries, this collection delineates Burroughs' comprehensive world-view and his "insurrectionary sense of America's underside,” as Tom Carson epitomized it in The Village Voice.
Also included are essays on Burroughs by Alan Ansen and Paul Bowles, and facsimile pages from the famous cut-up scrapbooks of the mid-century: The Book of Hours, John Brady's Book, and The Old Farmer's Almanac.
The Cat Inside
William S. Burroughs
Best known for the wild, phantasmagoric satire of works like Naked Lunch , William S. Burroughs reveals another, gentler side in The Cat Inside . Originally published as a limited-edition volume, this moving and witty discourse on cats combines deadpan routines and dream passages with a heartwarming account of Burroughs's unexpected friendships with the many cats he has known. It is also a meditation on the long, mysterious relationship between cats and their human hosts, which Burroughs traces back to the Egyptian cult of the "animal other." With its street sense and whiplash prose, The Cat Inside is a genuine revelation for Burroughs fans and cat lovers alike.
The Finger
William S. Burroughs
'He felt a sudden deep pity for the finger joint that lay there on the dresser, a few drops of blood gathering around the white bone.'
A deliberately severed finger, a junky's Christmas miracle and a Tangier con-artist, among others, feature in these hallucinogenic sketches and stories from the infamous Beat legend.
Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
The Letters, Vol. 1: 1945-1959
William S. Burroughs
Guru of the Beat generation, controversial eminence grise of the international avant-garde, dark prophet and blackest of black-humor satirists, William S. Burroughs has had a range of influence rivalled by few living writers. This meticulously assembled volume of his correspondence vividly documents the personal and cultural history through which Burroughs developed, revealing clues to illuminate his life and keys to open up his texts. More than that, they also show how in the period 1945-1959, letter-writing was itself integral to his life and to his fiction-making. These letters reveal the extraordinary route that took Burroughs from narrative to anti-narrative, from Junky to Naked Lunch and the discovery of cut-ups, a turbulent journey crossing two decades and three continents. The letters track the great shifts in Burroughs' crucial relationship with Allen Ginsberg, from lecturing wise man ("Watch your semantics young man") to total dependence ("Your absence causes me, at times, acute pain.") to near-estrangement ("I sometimes feel you have mixed me up with someone else doesn't live here anymore."). They show Burroughs' initial despair at the obscenity of his own letters, some of which became parts of Naked Lunch, and his gradual recognition of the work's true nature ("It's beginning to look like a modern Inferno.") They reveal the harrowing lows and ecstatic highs of his emotions, and lay bare the pain of coming to terms with a childhood trauma ("Such horror in bringing it out I was afraid my heart would stop."). It is a story as revealing of his fellow Beats as it is of Burroughs: he writes of Kerouac and Cassady in the midst of the journey immortalized as On the Road ("Neal is, of course, the very soul of this voyage into pure, abstract, meaningless motion."), and to Ginsberg as he was writing Howl ("I sympathize with your feelings of depression, beatness: 'We have seen the best of our time.'"). And throughout runs the unmistakable Burroughs voice, the u
The Place of Dead Roads (The Red Night Trilogy, #2)
William S. Burroughs
A good old-fashioned shoot-out in the American West of the frontier days serves as the springboard for this hyperkinetic adventure in which gunslingers, led by Kim Carson, fight for galactic freedom. The Place of Dead Roads is the second novel in the trilogy with Cities of the Red Night and The Western Lands.
The Soft Machine (The Nova Trilogy #1)
William S. Burroughs
In Naked Lunch, William S. Burroughs revealed his genius. In The Soft Machine he begins an adventure that will take us even further into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.
The Ticket That Exploded (The Nova Trilogy, #3)
William S. Burroughs
In The Ticket That Exploded, William S. Burroughs’s grand “cut-up” trilogy that starts with The Soft Machine and continues through Nova Express reaches its climax as inspector Lee and the Nova Police engage the Nova Mob in a decisive battle for the planet. Only Burroughs could make such a nightmare vision of scientists and combat troops, of ad men and con men whose deceitful language has spread like an incurable disease be at once so frightening and so enthralling.
The Western Lands (The Red Night Trilogy, #3)
William S. Burroughs
The Western Lands is the eagerly awaited new novel by the most visionary American novelist of the twentieth century—a haunting Book of the Dead for the nuclear age.
Every new work from the pen of William S. Burroughs is an important literary event. This is especially so in the case of The Western Lands. For in this novel, Burroughs completes a trilogy that began with Cities of the Red Night and The Place of Dead Roads, with a profound, revealing, and often astounding meditation on the themes of mortality, loneliness, nuclear peril—and the inextinguishable hope for an existence beyond bodily death.
The symbolic vehicle Burroughs uses here is ancient Egyptian mythology, a long-standing interest of his. "The Western Lands" of the title are the territory to which the Egyptians believed the souls of the dead made a hazardous pilgrimage in their quest for true immortality. The questers—Joe the Dead, Kim Carsons, the scribe Neferti, Hassan i Sabbah, the Old Man of the Mountain—travel through an unmistakably Burroughs-esque universe of appalling danger and otherworldly beauty—now the back alleys of ancient Egypt, now bombed-out Berlin, now the Old West of the shootists. Their hallucinatory journeys express the author's belief that only through facing the most extreme dangers and testing the possibilities of biological mutation can man escape a dead-end world of blasted dreams and atomic finale. And presiding over all is the haunting figure of "the old writer," who shares in the fate of his characters in being finally unable to write himself out of Time, and into Space.
The Western Lands continues and extends one of the great literary odysseys of our time, adding to Burroughs's awesome literary style and black humor chilling touches of elegy and autobiography. It is at once Burroughs's most personal and most universal work, yet another masterwork from the reigning genius of the American literary avant-garde.
The Wild Boys
William S. Burroughs
In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.
The Wild Boys: A Book of the Dead
William S. Burroughs
The Wild Boys is a futuristic tale of global warfare in which a guerrilla gang of boys dedicated to freedom battles the organized armies of repressive police states. Making full use of his inimitable humor, wild imagination, and style, Burroughs creates a world that is as terrifying as it is fascinating.
The Yage Letters
William S. Burroughs
The Yage an early epistolary novel by William S. Burroughs, whose 1952 account of himself as Junkie, published under the pseudonym William Lee, ended "Yage may be the final fix." In letters to Allen Ginsberg, an unknown young poet in New York, his journey to the Amazon jungle is recorded, detailing picaresque incidents of search for telepathic-hallucinogenic-mind-expanding drug Yage (Ayahuasca, or Banisteriopsis Caapé) used by Amazon Indian doctors for finding lost objects, mostly bodies and souls. Author and recipient of these letters met again in New York, Xmas 1953, pruned and edited the writings to form a single book. Correspondence contains first seeds of later Burroughsian fantasy in Naked Lunch. Seven years later Ginsberg in Peru writes his old guru an account of his own visions and terrors with the same drug, appealing for further counsel. Burroughs' mysterious reply is sent. The volume concludes with two a short note from Ginsberg on his return from the Orient years later reassuring Self that he is still here on earth, and a final poetic cut-up by Burroughs, "I Am Dying Meester?"
William S. Burroughs’ “The Revised Boy Scout Manual”: An Electronic Revolution (Bulletin)
William S. Burroughs
Before the era of fake news and anti-fascists, William S. Burroughs wrote about preparing for revolution and confronting institutionalized power. In this work, Burroughs’ parody becomes a set of rationales and instructions for destabilizing the state and overthrowing an oppressive and corrupt government. As with much of Burroughs’ work, it is hard to say if it is serious or purely satire. The work is funny, horrifying, and eerily prescient, especially concerning the use of language and social media to undermine institutions.
The Revised Boy Scout Manual was a work Burroughs revisited many times, but which has never before been published in its complete form. Based primarily on recordings of a performance of the complete piece found in the archives at the OSU libraries, as well as various incomplete versions of the typescript found at Arizona State University and the New York Public Library archives, this lost masterpiece of satiric subversion is finally available in its entirety.
William S. Burroughs' "The Revised Boy Scout Manual": An Electronic Revolution (Bulletin Book 23)
William S. Burroughs
Before the era of fake news and anti-fascists, William S. Burroughs wrote about preparing for revolution and confronting institutionalized power. In this work, Burroughs’ parody becomes a set of rationales and instructions for destabilizing the state and overthrowing an oppressive and corrupt government. As with much of Burroughs’ work, it is hard to say if it is serious or purely satire. The work is funny, horrifying, and eerily prescient, especially concerning the use of language and social media to undermine institutions. The Revised Boy Scout Manual was a work Burroughs revisited many times, but which has never before been published in its complete form. Based primarily on recordings of a performance of the complete piece found in the archives at the OSU libraries, as well as various incomplete versions of the typescript found at Arizona State University and the New York Public Library archives, this lost masterpiece of satiric subversion is finally available in its entirety.
Word Virus: The William S. Burroughs Reader
William S. Burroughs
With the publication of Naked Lunch in 1959, William Burroughs abruptly brought international letters into the postmodern age. Beginning with his very early writing (including a chapter from his and Jack Kerouac's never-before-seen collaborative novel), Word Virus follows the arc of Burroughs's remarkable career, from his darkly hilarious "routines" to the experimental cut-up novels to Cities of the Red Night and The Cat Inside. Beautifully edited and complemented by James Grauerholz's illuminating biographical essays, Word Virus charts Burroughs's major themes and places the work in the context of the life. It is an excellent tool for the scholar and a delight for the general reader. Throughout a career that spanned half of the twentieth century, William S. Burroughs managed continually to be a visionary among writers. When he died in 1997, the world of letters lost its most elegant outsider.
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