Jill Ciment

In this unflinching account of the ardent love affair between the author and her painting teacher, which began in the 1970s when she was a teenager and he was married with two children, Jill Ciment reflects on how their love ignited and interrogates her 1996 memoir on the subject, Half a Life. She asks herself whether she told the whole truth back then. What did truth look like to her in the era of love-bead curtains, when no one asked who was served by the permissibility of May-December romance? With new understanding about the imbalance of power between an older man and a minor girl, Ciment re-explores the erotic wild ride and intellectual flowering that shaped an improbable but blissful marriage that lasted for forty-five years, until her husband’s death at age ninety-three.

The place: central Florida. The situation: a sensational murder trial, set in a courthouse more Soviet than Le Corbusier; a rich, white teenage girl—a twin—on trial for murdering her toddler brother. Two of the jurors: Hannah, a married fifty-two-year-old former Rolling Stone and Interview Magazine photographer of rock stars and socialites (she began to photograph animals when she realized she saw people “as a species”), and Graham, a forty-one-year-old anatomy professor. Both are sequestered (she, juror C-2; he, F-17) along with the other jurors at the Econo Lodge off I-75. As the shocking and numbing details of the crime are revealed during a string of days and courtroom hours, and the nights play out in a series of court-financed meals at Outback Steak House (the state isn’t paying for their drinks) and Red Lobster, Hannah and Graham fall into a furtive affair, keeping their oath as jurors never to discuss the trial. During deliberations the lovers learn that they are on opposing sides of the case. Suddenly they look at one another through an altogether different lens, as things become more complicated . . . After the verdict, Hannah returns home to her much older husband, but the case ignites once again and Hannah’s “one last dalliance before she is too old” takes on profoundly personal and moral consequences as The Body in Question moves to its affecting, powerful, and surprising conclusion. Listening length: 5 hours, 26 minutes