John Gardner

The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his side of the story in a book William Gass called "one of the finest of our contemporary fictions."

On Becoming a Novelist contains the wisdom accumulated during John Gardner's distinguished twenty-year career as a fiction writer and creative writing teacher. With elegance, humor, and sophistication, Gardner describes the life of a working novelist; warns what needs to be guarded against, both from within the writer and from without; and predicts what the writer can reasonably expect and what, in general, he or she cannot. "For a certain kind of person," Gardner writes, "nothing is more joyful or satisfying than the life of a novelist." But no other vocation, he is quick to add, is so fraught with professional and spiritual difficulties. Whether discussing the supposed value of writer's workshops, explaining the role of the novelist's agent and editor, or railing against the seductive fruits of literary elitism, On Becoming a Novelist is an indispensable, life-affirming handbook for anyone authentically called to the profession. "A miraculously detailed account of the creative process."—Anne Tyler, Baltimore Sun

The second novel in John Gardner's bestselling series of Victorian crime thrillers pitting Sherlock Holmes against the Napoleon of crime, Professor James Moriarty. With riches accumulated from an American crime spree, Professor Moriarty proceeds to annihilate his enemies. He murders the leaders of Europe's underworld one by one, then prepares his most hideous revenge for his arch-enemy, Sherlock Holmes. Will he succeed in this most terrible plan?

This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers— and will continue to do so for many years to come.   John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of a refined sentence. Written with passion, precision, and a deep respect for the art of writing, Gardner’s book serves by turns as a critic, mentor, and friend. Anyone who has ever thought of taking the step from reader to writer should begin here.

It is the turn of the century and, far from perishing during the struggle with Sherlock Holmes at the Reichenbach Falls, Professor James Moriarty is alive and well and about to realize his plans to establish crime syndicates in the major cities of the United States. But suddenly he is called back to London, where his vast criminal society has been overrun by a rival concern led by the shadowy Sir Jordan Jack Idell - or Idle Jack - a supposed gentleman hoodlum acting on behalf of criminal elements in France, Italy, Spain, and Germany. As Moriarty fights back - against both the unruly crime families and the forces of law and order - readers are thrown in among the lurkers, punishers, dippers, cracksmen, and other specialized criminals of the period, as well as the professor's elite guard. Moriarty lives again and revolts against those who attempt to oust him from his rightful place as king of all criminal endeavors.

A modern retelling of the ancient Greek myth depicting the love of Jason, the hero who claimed the kingdom of Iolcus, and the princess of Caechis, Medeia